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"Complete with a profile index of each known Trafficante family member, Cigar City Mafia shows readers the local factories, bolita gambling houses, and the Hillsborough River. There a new body floated to the surface practically every other day."--Jacket
Cigar City: Tales From a 1980s Creative Ghetto, is a collection of linked short stories about the young artists, writers, poets, musicians and actors who inhabited Tampa's Ybor City in the 1980s. Drawn by urban authenticity and cheap rents, they created a surreal, chaotic arts scene set against the backdrop of the empty cigar factories and shotgun shacks of Tampa's immigrant past. Ybor drew international artists like James Rosenquist, Jim Dine and dozens more, and mirrored what was happening in New York's Alphabet City.The stories are fictional but they capture the spirit of the district during the 1980s. The collection is illustrated with photos from the era by Bud Lee and David Audet.
In 1885, Vincent Martinez Ybor, a Spanish entrepreneur, purchased forty acres east of Tampa and built a company town of tall red-brick factories and small wood-frame houses for the workers. Over the next forty years, this community of cigar-makers from Cuba, Spain, and Italy grew into a thriving industry that made Tampa the Cigar Capital of the World. The urban renewal of the 1960s, however, struck a deathblow to Ybor City; thousands of cigar-makers homes and businesses were leveled by bulldozers, and an interstate highway stormed through the dying neighborhood. The narratives, reflecting a coming-of-age in this colorful community that no longer exists, speak of a kidnapping, a hold-up, a shark attack, a deadly duel, and a murder. A teenager comes to grips with his sexual identity, an activist mother resists Jim Crow laws, and an unexpected baby changes everyones life. In Cigar City Stories, author Emilio Gonzalez-Llanes presents a collection of short stories that provides a snapshot of this lost island in time. Julian stood on that raised platform in the middle of the factory floor, reading to the workers: Anna Karenina, War and Peace, Les Miserables, writings of Cervantes, newspapers, and the poems of Jos Marti. He didnt just read the words; he took on the voice and mannerisms of the characters in the novels, like an actor in the theater. Good performances were followed by the sustained thumping roar of two hundred chavetas, or tobacco knives, repeatedly striking the workers tobacco-cutting boards. from El Lector
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Florida Historical Society Harry T. and Harriette V. Moore Award From the founding of Ybor City in 1886 to the dispersal of Tampa's Latin population in the years following World War II, Tampa's Cigar Workers documents the history of the Cuban, Spanish, and Italian immigrants who created the cigar industry in Tampa and the extraordinary multi-ethnic community that flourished around it. More than 200 photos capture this community's personalities and way of life while commentary drawn from newspaper accounts, oral histories, and archival documents identifies and explains each photograph's historical place and significance. In linking the photographs with historical text, the authors allow the cigar workers to tell their own story, in the language of their day.  The rich photographic record around which the book is organized communicates the lives of these workers not only in the workplace but also in their vibrant Ybor City and West Tampa neighborhoods. The book depicts the making of cigars, the work culture, local support for the Cuban War of Independence (1895-1898), unions and strikes, community institutions such as mutual aid clubs, leisure activities, and social practices surrounding courtship, marriage, and death. Highlighting the diversity of the cigar workers' community, the authors present an inspiring and deeply moving story of how these immigrants carved out their space in Tampa while struggling to survive economically and defending their ideals and way of life.
The Silent Don: The Criminal Underworld of Santo Trafficante Jr. exposes the life and ruthless times of one of America's most powerful and feared mob bosses. With a criminal empire that stretched from the Gulf Coast throughout the Caribbean, Trafficante was linked to drug trafficking, plots to kill Fidel Castro, and the assissination of JFK. Scott M. Deitche scoured court records, law-enforcement reports, newspaper accounts, and counted dozens of interviews to find the complete-and compelling-story of this enigmatic Mafioso don.
The craft brew revolution has spread south. This all-new guidebook profiles the Sunshine State's 66 breweries and brewpubs.
Winner, 2020 Herbert H. Lehman Prize for Distinguished Scholarship in New York history Honorable Mention, 2019 CASA Literary Prize for Studies on Latinos in the United States, given by La Casa de las Américas The dramatic story of the origins of the Cuban community in nineteenth-century New York. More than one hundred years before the Cuban Revolution of 1959 sparked an exodus that created today’s prominent Cuban American presence, Cubans were settling in New York City in what became largest community of Latin Americans in the nineteenth-century Northeast. This book brings this community to vivid life, tracing its formation and how it was shaped by both the sugar trade and the long struggle for independence from Spain. New York City’s refineries bought vast quantities of raw sugar from Cuba, ultimately creating an important center of commerce for Cuban émigrés as the island tumbled into the tumultuous decades that would close out the century and define Cuban nationhood and identity. New York became the primary destination for Cuban émigrés in search of an education, opportunity, wealth, to start a new life or forget an old one, to evade royal authority, plot a revolution, experience freedom, or to buy and sell goods. While many of their stories ended tragically, others were steeped in heroism and sacrifice, and still others in opportunism and mendacity. Lisandro Pérez beautifully weaves together all these stories, showing the rise of a vibrant and influential community. Historically rich and engrossing, Sugar, Cigars, and Revolution immerses the reader in the riveting drama of Cuban New York. Lisandro Pérez analyzes the major forces that shaped the community, but also tells the stories of individuals and families that made up the fabric of a little-known immigrant world that represents the origins of New York City's dynamic Latino presence.
Two women kept apart by segregation at a Southern cigar factory forge a powerful alliance in the labor rights movement in this historical novel. With evocative dialect and remarkable prose, The Cigar Factory tells the story of two entwined families—the white McGonegals and the African American Ravenels—in the storied port city of Charleston, South Carolina, during the World Wars. Moore’s novel follows the parallel lives of family matriarchs working on segregated floors of the massive Charleston cigar factory, where white and black workers remain divided and misinformed about the duties and treatment received by each other. Cassie McGonegal and her niece Brigid work upstairs in the factory rolling cigars by hand. Meliah Amey Ravenel works in the basement, where she stems the tobacco. While both suffer in the harsh working conditions of the factory and endure the sexual harassment of the foremen, segregation keeps them from recognizing their common plight until the Tobacco Workers Strike of 1945. Through the experience of a brutal picket line, the two women discover how much they stand to gain by joining forces, creating a powerful moment in labor history that gives rise to the Civil Rights anthem, “We Shall Overcome.” Moore’s historical research includes interviews with family members who worked at the cigar factory, adding nuance and authenticity to her empowering story of struggle, loss, and redemption. Foreword by New York Times best-selling author Pat Conroy Winner of the 2016 David J. Langum, Sr. Prize
Retrace the history of Ybor City from its beginnings in the Cigar Industry to the colorful Latin community it is today. In 1885, Vicente Martínez Ybor purchased 40 acres of land northeast of Tampa, and there he began the cigar industry that would soon draw thousands of immigrants to Ybor City. The diverse population of the area, known as Tampa's "Latin Quarter," came from Cuba, Spain, Italy, Germany, and Eastern Europe. Some residents worked in the various stages of cigar manufacturing, from picking tobacco to constructing cigar boxes, while others operated the local shops and businesses. A unique culture grew from the intermingling of the various traditions and languages found in Ybor City, and residents proudly proclaimed themselves Los Tampaños (or Tampanian). A strong sense of community has been an ever-present part of Ybor City, through the politically charged years of Cuba's fight for independence as well as the comfortable days of social clubs and dinners.