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Grace believed she went from losing it all to having it all. In a desperate attempt to put her life back together, Grace, divorced and jobless, leaves Tucson to return to Chicago-a place she never planned to call home again. She also never planned to fall for Benjamin Hayward. Drawn into the fairytale existence of his power and wealth, Grace is unable to see what her family and friends see, and ignores the warning signs of Dr. Benjamin Hayward's dark side. Benjamin's secrets-the death of his mentally ill wife and the disappearance of his daughter-push Grace into an abyss deeper than the one that brought her home in the first place, and she risks losing even more. Pieces of Grace is a complicated story of relationships confused by undercurrents of mental illness. Readers find themselves hoping family and friends can carry Grace through her most difficult moments.
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary writings continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile.
Examines the ways in which religion was constructed as a category and region of experience in nineteenth-century literature and culture.
Johannes Cocceius (1603 1669) was prominent Bible scholar who taught at the universities of Bremen, Franeker, and Leiden. As a gifted linguist, he produced a Hebrew lexicon, commentary related to every book of the Bible, and several theological treatises. Cocceius's contributions to covenant theology simultaneously sparked theological controversies and further fruitful dialogue for understanding the progressive nature of salvation history. The Doctrine of the Covenantand Testament of God describes the entire biblical history as a series of events by which an original covenant of works is gradually annulled, bringing new phases in the history of the covenant of grace. He shows that God's standard way of relating to mankind is through covenant, which, at its heart, is friendship with God. Casey Carmichael's translation of Cocceius's book is monumental, providing the first English edition of a work that helped shape Reformed theology for centuries. Historical theologians have long noted Cocceius's work as a crucial text in the development of federal theology, and now this translation will open access to a wider range of readers and is sure to spur further interest and research in Reformed expositions of covenantal thought. The introduction by Willem J. van Asselt, the world's leading scholar on Coccieus's life and theology, provides the historical context for understanding the importance of the book and a summary of the significant contributions it made to Reformed theology. Series Description Cocceius' The Doctrine of the Covenant and Testament of God is the third volume of the Classic Reformed Theology series, edited by Dr. R. Scott Clark. This series seeks to produce and provide critical English translations of some of the more important but generally neglected texts of the orthodox period. It is the sincere hope of the editor and the board that at least one volume shall appear annually.