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Major interdisciplnary study of medieval church porches, bringing out their importance and significance.
Excerpt from The Church Porch: A Service Book and Hymnal for Sunday Schools By having the music of the Anthem printed in its proper place n the Service, instead of putting it, as is often done, in another part of the book, it is hoped that the introduction of chanting, now a rare feature in Sunday School worship, will be made easier and more natural. In schools where the impossibility of chanting is a foregone conclusion, the Anthem can of course be omitted. The Service may be still further shortened, if necessary, by leaving out the Lesson. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Regardless of their sometimes ambiguous concepts of God, the Roman Stoic philosophers did acknowledge Him, but on the basis of reason alone, because they had not met Christ. Nonetheless, they did deduce from God's existence our need to live lives of virtue, honor, tranquility, and self-control--and they developed effective techniques to help us achieve this. Musonius Rufus the teacher, Epictetus the slave, Seneca the adviser to emperors, and Marcus Aurelius, the emperor himself, produced a practical technology we can use to integrate Christian ethics into our own daily practice. As Kevin Vost so wonderfully illustrates in his new book, The Porch and the Cross, the Stoics can help us learn--and remember--what is up to us, and what is up to God alone.
This book on Islam has an unusual perspective. It argues that a critically minded examination of Islam can help Christians achieve a deeper appreciation of the unique truths of their own faith. It draws on the author’s personal experiences living in Islamic countries and his fieldwork with persecuted Christian-minority communities, especially in Pakistan, Yemen, Egypt, and Indonesia. It includes the author’s own original translations of Islamic texts in Arabic, Persian, and Urdu, as well as primary-source materials in Latin that were written by Christian participants in the Crusades. The author focuses on Muslim interactions with the Christian tradition. He examines and takes issue with the misguided approach of those Christians and Muslims who, in the interests of Christian-Muslim rapprochement, minimize theological differences between the two faiths, especially in the area of Christology. Such attempts at rapport, he writes, do a profound disservice to both religions. Illustrating the Muslim view of Christ with Islamic polemical texts from the eleventh to the twenty-first centuries, the author draws on Hans Urs von Balthasar, and other theologians of kenotic Christology, to show how Islamic condemnations of divine "weakness" and "neediness" can deepen our appreciation of what is most uniquely Christian in our vision of Jesus as God-made-man, who voluntarily experiences weakness, suffering, and death in solidarity with all human beings. Both timely and urgently needed, The Crucifix on Mecca's Front Porch invites readers to reflect on the stark differences between Christianity and Islam and to appreciate the uniqueness of the Christian faith.
This volume explores the importance of Norwich as the second city of England for 500 years. It addresses two of the most ambitious Romanesque buildings in Europe: cathedral and castle, and illuminates the role of Norwich-based designers and makers in the region.
Everyone wants to be loved--to find someone who will stick with them through all of life's ups and downs, someone who is in it for the long haul. But in a world where dating is increasingly based on split-second decisions and geared toward casual relationships rather than marriage, it's easy for single people to feel discouraged, used, or unworthy of true love and lasting affection. Reality just never seems to match up with our (often wildly unrealistic) expectations. Jonathan "JP" Pokluda has counseled thousands of young singles through the pain and heartbreak of dating the world's way. Now he wants to dispel the myths, misconceptions, and fairy tales you've believed about dating and replace them with the truth from the One who invented marriage, created you to crave relationship, and is the very embodiment of true love. With plenty of true stories about relationships healed and love found, this practical book explains God's purposes for singleness, dating, and marriage and covers why you should date, who you should date, and how you should date. If you're ready to trade the world's way of dating for the way that actually works, it's time to begin dating well.
Our built environment inspires writers to reflect on the human experience, discover its history, or make it up. Buildings tell stories. Castles, country homes, churches, and monasteries are “documents” of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England’s failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Betwixt and Between Liminality and Marginality: Mind the Gap offers an interdisciplinary thinking on “the marginal” within society. Using the framework of Victor Turner’s earlier notions of liminality, the book both challenges Turner’s symbolic anthropology, and celebrates its continued influence across disciplines, and under new theoretical constraints. Liminality in its simplest forms provides language for meaningful approaches to articulate transition and change. It also represents complex social theories beyond Turner’s classical symbolic approach. While demonstrating the enduring relevance of Turner’s language for expressing transition, this volume keeps an eye toward the validity of critiques against him. It thus theorizes with Turner’s work while updating, even abandoning, some of his primary ideas, when applying it to contemporary social issues. A central focus of this volume is marginality. Turner recognized that marginals, like liminars, are betwixt and between; however, they lack assurance that their ambiguity will be resolved. This volume explores the dialogic relationship of space and agency, to recognize marginal groups and people, and inquire, without a harmonious resolution, what happens to the marginals? Have race, class, gender, and sexual orientation become the space for thinking about reintegration and communitas? Each chapter examines how marginal groups, or liminal spaces and ideas, destabilize, shape, and affect the dominant culture.