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This is a comprehensive survey of English medieval church monuments. It examines all types of monument-cross slabs, brasses, incised slabs, and sculpted effigies. It analyzes them in an historical context to show what they reveal of the self image and religious aspirations of those they commemorate.--Summary by the editor.
Ukrainians first came to Canada a century ago, seeking a new life on the western prairies. They brought with them an ancient and rich cultural tradition, deeply rooted in Christianity. The most visible symbol of this tradition is the Ukrainian church with its distinctive cupolas. As soon as the settlers were established in the new land, they began to reshape their environment by building churches in the styles they remembered from their homeland. In this richly illustrated volume, the authors trace the continuity of tradition in achitecture, art, and community life from Ukraine to the parishes of the Manitoba prairie. In a detailed examination of the exteriors and interiors of forty-nine churches, the book establishes a typology of Ukrainian church designs. Biographies of the architects, master builders, and artists are included, along with a guide to the art and architecture of a Ukrainian church.
A landmark illustrated history of rural church monuments - the forgotten national treasures of England and Wales Deep in the countryside, away from metropolitan abbeys and cathedrals, thousands of funerary monuments are hidden in parish churches. These artworks - medieval brasses and elegant marble effigies, stone tomb chests and grand mausoleums - are of great historical and cultural significance, but have, due to their relative inaccessibility, faded from accounts of our art history. Over twenty-five years, C. B. Newham FSA has visited and photographed more than eight thousand rural churches, cataloguing the monumental sculptures encountered on his quest. In Country Church Monuments, he presents 365 of the very best, each accompanied by detailed photographs, biographies of both the deceased and their sculptors and a wealth of contextual material. Many of these works commemorate famous historical figures, from scheming Tudor courtier Richard Rich to Victorian prime minister William Ewart Gladstone. But more moving are the countless others - minor aristocrats, small-time industrialists, much-loved mothers, fathers and children - who, if not for their memorials, would wholly be lost to time. As Newham blows the dust off these artworks and breathes life into the stories they tell, a new aesthetic history of rural England and Wales emerges. Country Church Monuments is a poignant record of the art we make at the borders of life and death, of our ceaseless human striving for eternity.
These poems are done by 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it.
This book is the only one that describes exclusively the architecture, history, and art associated with 23 of Baltimore's churches and synagogues dating from 1785 to 1887. Within these houses of worship, designed by leading architects of the day, are outstanding examples of windows, statuary, paintings, mosaics, carvings and religious artifacts. Robert Cary Long, Jr., Benjamin LaTrobe and Stanford White are a few of the architects. Louis Comfort Tiffany, John LaFarge, Constantine Brumidi and Hans Schuler represent some of the artisans. A majority of the buildings are National Historic Landmarks or are on the national Register of Historic Places. Churches parallel the development of the city. The book tells why each church or synagogue was founded, the particular ethnic or social group it served and how it adapted over the years to Baltimore's changing demographics. Each building has a special story to tell. Only those religious structures which still have active congregations or are used for religious ceremonies are included. These buildings are city treasures in terms of their history, architecture and artisans' contributions to the interiors. The structures are concentrated in downtown Baltimore and include a variety of neighborhoods. The book can be used as a guide to explore these Baltimore gems.
The first full-scale study of the medieval funerary monuments of South Wales.
America’s got faith! You’ll find it in every state — in grand cathedrals and tiny chapels, in miracle shrines and underwater statues, and even in blessed dirt. Finding these sacred places hasn’t been easy, until now! Monuments, Marvels, and Miracles: A Traveler's Guide to Catholic America takes you to more than 500 of the country’s most intriguing holy sites, each with a riveting story to tell. Stories about: architecture (the interior of Guardian Angels Cathedral in Las Vegas resembles angel wings) religious history (at Maryland’s Old Bohemia, Jesuit priests lived and worked incognito during anti-Catholic persecution) artifacts (the Miraculous Medal Shrine in Philadelphia holds an original cast by Saint Catherine Labouré) answered prayer (from the Grasshopper Chapel in Minnesota to the Coral Miracle Church in Hawaii) healing places, beautiful places, hidden places, places where saints walked, and much more. Organized by state and region, Monuments, Marvels, and Miracles can help you easily plan your vacation or pilgrimage, and find sites close to you that you’ve never heard of. Chapters also include Catholic trivia and color photos. Websites, phone numbers, addresses, and other pertinent information are included. ABOUT THE AUTHOR Marion Amberg is an award-winning book author and freelance journalist. Her articles — mainly religion travel pieces and human-interest features — have appeared in more than 100 markets. She is known for her “nose for the unique and unusual” and for her engaging writing style.