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The first systematic study of the financing and management of parish church construction in England in the Middle Ages.
Essays on the connections between politics and society in the middle ages, showing their interdependence.
England's last medieval century was characterised by social stability economic development and cultural vigour which laid the foundations for the emergence of early modern society. Placing the English experience within the vital context of the British Isles, the book ranges from the reign of Henry IV to the closing of the middle ages during the reign of Henry VIII.".
The Courtauld is one of the United Kingdom’s great art collections. This elegant book is a curated selection of its highlights, accompanied by lively commentaries. The Courtauld is one of the United Kingdom’s great art collections, displayed throughout the magnificent historic setting of Somerset House in central London. This elegant book is a curated selection of its highlights — paintings, drawings, prints, sculpture and decorative arts — each beautifully illustrated and accompanied by an insightful commentary. Notable among these treasures are remarkable Impressionist and Post-Impressionist paintings, including the world-famous A Bar at the Folies-Bergère by Édouard Manet and Vincent van Gogh’s Self-Portrait with Bandaged Ear.This book is also an engaging account of how The Courtauld became an internationally renowned centre for the teaching and research of art history, conservation and curating. It was founded nearly a century ago in the belief that art has the power to enrich people’s lives. The Courtauld continues that mission today, promoting the understanding of the visual arts and offering a place where everyone can find enjoyment and inspiration.
A new narrative history of medieval Christianity, spanning from A.D. 500 to 1500, focuses on the role of women in Christianity; the relationships among Christians, Jews and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion and worship; and instruction through drama, architecture and art.
The construction of a church was undoubtedly one of the most demanding events to take place in the life of a medieval parish. It required a huge outlay of time, money and labour, and often a new organisational structure to oversee design and management. Who took control and who provided the financing was deeply shaped by local patterns in wealth, authority and institutional development - from small villages with little formal government to settlements with highly unequal populations. This all took place during a period of great economic and social change as communities managed the impact of the Black Death, the end of serfdom and the slump of the mid-fifteenth century. This original and authoritative study provides an account of how economic change, local politics and architecture combined in late-medieval England. It will be of interest to researchers of medieval, socio-economic and art history.
First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages. The bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured the imagination of late-medievalEnglish society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change inphysical domestic space shaped the ways in which people thought about less tangible concepts such as gender politics, communication, God, sex and emotions. Furthermore, the practical uses of beds and chambers shaped and were shaped by artistic and literary production. This volume offers the first interdisciplinary study of the cultural meanings of beds and chambers in late-medieval England. It draws on a vast array of literary, pragmatic and visual sources, including romances, saints' lives, lyrics, plays, wills, probate inventories, letters, church and civil court documents, manuscript illumination and physical objects, to shed new light on the ways in which beds and chambersfunctioned as both physical and conceptual spaces. Hollie L.S. Morgan is a Research Fellow in the School of History and Heritage, University of Lincoln.
New approaches to the political culture of the fourteenth and fifteenth centuries, considering its complex relation to monarchy and state.
Papers reflecting current research on orthodox religious practice and ecclesiastical organisation from c.1350-c.1500.