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This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.
From the impact of the first monasteries in the seventh century, to the emergence of the local parochial system five hundred years later, the Church was a force for change in Anglo-Saxon society. It shaped culture and ideas, social and economic behaviour, and the organization of landscape and settlement. This book traces how the widespread foundation of monastic sites ('minsters') during c.670-730 gave the recently pagan English new ways of living, of exploiting their resources, andof absorbing European culture, as well as opening new spiritual and intellectual horizons. Through the era of Viking wars, and the tenth-century reconstruction of political and economic life, the minsters gradually lost their wealth, their independence, and their role as sites of high culture, butgrew in stature as foci of local society and eventually towns. After 950, with the increasing prominence of manors, manor-houses, and village communities, a new and much larger category of small churches were founded, endowed, and rebuilt: the parish churches of the emergent eleventh- and twelfth-century local parochial system. In this innovative study, John Blair brings together written, topographical, and archaeological evidence to build a multi-dimensional picture of what local churches andlocal communities meant to each other in early England.
This volume is a collection of 30 papers on the broad subject of the Scandinavian expansion westwards to Britain, Ireland and the North Atlantic, with a particular emphasis on settlement. The volume has been prepared in tribute to the work of Barbara E. Crawford on this subject, and to celebrate the twentieth anniversary of the publication of her seminal book, Scandinavian Scotland. Reflecting Dr Crawford's interests, the papers cover a range of disciplines, and are arranged into four main sections: History and Cultural Contacts; The Church and the Cult of Saints; Archaeology, Material Culture and Settlement; Place-Names and Language. The combination provides a variety of new perspectives both on the Viking expansion and on Scandinavia's continued contacts across the North Sea in the post-Viking period.Contributors include: Lesley Abrams, Haki Antonsson, Beverley Ballin Smith, James Barrett, Paul Bibire, Nicholas Brooks, Dauvit Broun, Margaret Cormac, Neil Curtis, Clare Downham, Gillian Fellows-Jensen, Ian Fisher, Katherine Forsyth, Peder Gammeltoft, Sarah Jane Gibbon, Mark Hall, Hans Emil Liden, Christopher Lowe, Joanne McKenzie, Christopher Morris, Elizabeth Okasha, Elizabeth Ridel, Liv Schei, Jón Viðar Sigurðsson, Brian Smith, Steffen Stumann Hansen, Frans Arne Stylegård, Simon Taylor, William Thomson, Gareth Williams, Doreen Waugh and Alex Woolf.
1.Scotland Before the Vikings --2.Norwegian Background --3.Sources for Scandinavian Scotland --4.Regional Survey Part I: Northern Scotland --5.Regional Survey Part II: the West Highlands and Islands --6.Regional Survey Part III: South-West, Central, Eastern and Southern Scotland --7.Pagan Norse Graves Part I: Case Studies --8.Pagan Norse Graves Part II: Interpretation --9.Viking Period Settlements --10.Late Norse Settlements --11.Norse Economy --12.Silver and Gold --13.Earls and Bishops.
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.