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The thirteen essays in this volume are largely revised papers which were originally presented as part of the Ancient Historiography Seminar of the Canadian Society of Biblical Studies and they investigate particular texts of Chronicles, examine central themes, and consider future prospects for Chronicles study. The volume includes chapters by Shannon E. Baines, Ehud Ben Zvi, Mark J. Boda, Keith Bodner, Paul S. Evans, Louis Jonker, Gary N. Knoppers, Christine Mitchell, Peter J. Sabo, Steven J. Schweitzer, and John W. Wright. The essays represent many different perspectives, methodologies, and conclusions regarding the Chronicler's work and this volume will be of particular interest to scholars and students of Chronicles, ancient Israelite historiography and biblical literature in general.
After the tumultuous events of last winter, Kate, Michael, and Emma long to continue the hunt for their missing parents. But they themselves are now in great danger, and so the wizard Stanislaus Pym hides the children at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans. There, he says, they will be safe. How wrong he is. The children are soon discovered by their enemies, and a frantic chase sends Kate a hundred years into the past, to a perilous, enchanted New York City. Searching for a way back to her brother and sister, she meets a mysterious boy whose fate is intricately—and dangerously—tied to her own. Meanwhile, Michael and Emma have set off to find the second of the Books of Beginning. A series of clues leads them into a hidden world where they must brave harsh polar storms, track down an ancient order of warriors, and confront terrible monsters. Will Michael and Emma find the legendary book of fire—and master its powers—before Kate is lost to them forever? Exciting, suspenseful, and brimming with humor and heart, the next installment of the bestselling Books of Beginning trilogy will lead Kate, Michael, and Emma closer to their family—and to the magic that could save, or destroy, them all.
This volume represents an international collaboration focusing on the books of Chronicles as literature, looking at their literary sources, their techniques of composition, their perspectives, how they were read in antiquity, and the value of contemporary reading strategies for bringing the text to life in the present day. It opens with five 'Overview' articles by Kai Peltonen, Steven McKenzie, Graeme Auld, Rodney Duke and John Wright; William Schniedewind, Gary Knoppers, Ehud Ben Zvi, Armin Siedlecki and Howard Wallace deal with 'Themes'; and James Trotter, Christine Mitchell, Kirsten Nielsen, Noel Bailey, Roland Boer and Magnar Karveit address specific texts. The collection both reflects and stimulates recent and contemporary fascination with the Chronicler in biblical scholarship.
Drama. Poetry. Performance Studies. LGBTQIA Studies. Hybrid Genre. Introduction by Amina Cain. A quietly heartbreaking play that grounds epic themes--unabated longing, violence and imperialism, and the bond between mother and son--in the small ways we hurt and love one another and decide where to go on vacation. In BRIEF CHRONICLE, BOOKS 6-8, Alexander Borinsky delivers a play in a single column that reads as poetry, critique, and philosophy for the practice of everyday life in America. "BRIEF CHRONICLE, BOOKS 6-8 is a remarkable creature of our shattered and shuttered time. Borinsky's theater examines everything that it encounters--including the various artifices of theater itself, i.e. character, costumes, boxes, supposed emotions (real or imagined), action as it would have its way, place/s, and all the supposed ends and means of the theater making apparatus--with a scrupulous but loving attentiveness. There is no one quite like him writing and making theater today."--Mac Wellman "If the world feels a little unknowable after reading this play, if you feel unknowable to yourself, how do you talk about that, how do you narrate what it was like? Still, I will tell you what I thought about when I finished Alexander Borinsky's BRIEF CHRONICLE, BOOKS 6-8 though it changed when I read it again, and it may be different for you too. Intimacy. The many ways (sometimes strange or uncomfortable) in which it's possible to know another person. What it means to appear. What it means to live. When the play opens, it seems we are encountering something that has already been happening, without us, and this is surprisingly relaxing (we are allowed to be 'late'). The ghost will arrive, but in a sense we are making an entrance too. This is not just about the one who watches and the one who is watched; in Borinsky's play, those formalities have been emptied of their meaning. We are all here in this room for whatever will unfold."--Amina Cain 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.
Chronicle of the Guayaki Indians is Pierre Clastres’s account of his 1963–64 encounter with this small Paraguayan tribe, a precise and detailed recording of the history, ritual, myths, and culture of this remarkably unique, and now vanished, people. “Determined not to let the slightest detail” escape him or to leave unanswered the many questions prompted by his personal experiences, Clastres follows the Guayaki in their everyday lives. Now available for the first time in a stunningly beautiful translation by Paul Auster, Chronicle of the Guayaki Indians radically alters not only the Western academic conventions in which other cultures are thought but also the discipline of political anthropology itself. Chronicle of the Guayaki Indians was awarded the Alta Prize in nonfiction by the American Literary Translators Association.
New York Times Bestseller! Dumpty: The Age of Trump in Verse is Volume 1 of a satirical poetry collection from award-winning actor and bestselling author John Lithgow. Chronicling the last few raucous years in American politics, Lithgow takes readers verse by verse through the history of Donald Trump's presidency. • Lampoons the likes of Betsy DeVos, William Barr, Rudy Giuliani, and dozens more. • Illustrated from cover to cover with Lithgow's never-before-seen line drawings. • Draws inspiration from A. A. Milne, Lewis Carroll, Edward Lear, and even Mother Goose. • Great for fans of A Very Stable Genius by Mike Luckovich, Win Bigly: Persuasion in a World Where Facts Don't Matter by Scott Adams, and The Donald J. Trump Presidential Twitter Library by The Daily Show with Trevor Noah. The poems collected in Dumpty draw inspiration from A. A. Milne, Lewis Carroll, Edward Lear, Rodgers and Hammerstein, Mother Goose, and many more. A feat of laugh-out-loud lyrical storytelling, this timely volume is bound to bring joy to poetry lovers, political junkies, and Lithgow fans alike. Audio edition read by the author.
Jeanne de Jussie (1503–61) experienced the Protestant Reformation from within the walls of the Convent of Saint Clare in Geneva. In her impassioned and engaging Short Chronicle, she offers a singular account of the Reformation, reporting not only on the larger clashes between Protestants and Catholics but also on events in her convent—devious city councilmen who lied to trusting nuns, lecherous soldiers who tried to kiss them, and iconoclastic intruders who smashed statues and burned paintings. Throughout her tale, Jussie highlights women’s roles on both sides of the conflict, from the Reformed women who came to her convent in an attempt to convert the nuns to the Catholic women who ransacked the shop of a Reformed apothecary. Above all, she stresses the Poor Clares’ faithfulness and the good men and women who came to them in their time of need, ending her story with the nuns’ arduous journey by foot from Reformed Geneva to Catholic Annecy. First published in French in 1611, Jussie’s Short Chronicle is translated here for an English-speaking audience for the first time, providing a fresh perspective on struggles for religious and political power in sixteenth-century Geneva and a rare glimpse at early modern monastic life.
A chronological summary of world events from 3.5 million years B.C. to the present day depicts the history of humanity in its entirety
The Chronicle of Le Murate, completed by Sister Giustina Niccolini in 1598, is one of a small number of surviving documents that presents a nun's own interpretation and synthesis of historical events. It recounts the roughly two hundred-year history of Florence's largest convent, which attracted boarders, nuns and patrons from Italy's elite families. The manuscript provides a rare view of life behind the enclosure walls and of nuns interaction with the world outside. The messy vitality of this account is an important pendant to the more formal and predictable convent chronicles that dominate the genre.