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For the first time ever, Napoleon's "Chronicles of Caesar's Wars" ("Pr�cis des guerres de C�sar") is available in English.Dictated by Napoleon to Count Marchand, his valet, while in exile on St. Helena, Chronicles of Caesar's Wars explores Caesar's rise, his campaigns in Europe and North Africa, and the plot that killed him. Napoleon, who had a lifelong obsession with Caesar, wrote this book in one of his last acts. The work relaxed him, "tossing a few flowers on the path that was leading to the tomb," as Count Marchand's preface recalls.Napoleon passionately explores Caesar's battles in Gaul and during the Civil War. He concludes each chapter with observations, sometimes providing details, sometimes veering away from praise towards criticism, applying the insights of a military career and a healthy ego to explain what he would have done better. Napoleon ends the book with a remarkable defense of Caesar's dictatorship. He takes apart his assassins' justifications and the fault-finding of "good Plutarch the libeler" with such fervor that one can scarcely believe a gulf of two millennia stood between the two eminent men. In a sense, though, it was also a defense of his own government.Attached to the book are previously untranslated essays in which Napoleon takes on the role of literary critic and philosopher. He criticizes Virgil's Aeneid for butchering Homer's Iliad, and Voltaire for unflatteringly depicting Mohammad, another of Napoleon's heroes. He explores in another essay whether a man has the right to kill himself, an act we now know he had personally attempted.
While in exile on St Helena, Napoleon dictated a commentary on the wars of Julius Caesar, later published in 1836. In each chapter he summarized the events of one campaign, then added comments from the standpoint of his own military knowledge. Over the nearly two millennia between Caesar and Napoleon some aspects of warfare had changed, notably the introduction of firearms. But much remained the same: the rate of movement of armies (at the foot pace of horse or man); human muscle power as the main source of energy for construction work; some military techniques, notably bridge construction; as well as the actual territory fought over by Caesar and later by Napoleon. Napoleons commentary thus provides a fascinating and highly authoritative insight into Caesars wars, as well as providing a window into Napoleons own thinking and attitudes. Napoleon in places detects mistakes on the part of Caesar and his enemies, and says what they should have done differently. Remarkably, this is thought to be the first full English translation of Napoleon's work.Napoleon Bonaparte was born to an obscure Corsican family but rose through the ranks of the French army to become Emperor of France, conqueror of most of Europe and acknowledged military genius. He wrote this book while in exile on St Helena.The translator. RA Maguire, is a former civil engineer with a long-standing interest in military and ancient history.
The Landmark Julius Caesar is the definitive edition of the five works that chronicle the mil­itary campaigns of Julius Caesar. Together, these five narratives present a comprehensive picture of military and political developments leading to the collapse of the Roman republic and the advent of the Roman Empire. The Gallic War is Caesar’s own account of his two invasions of Britain and of conquering most of what is today France, Belgium, and Switzerland. The Civil War describes the conflict in the following year which, after the death of his chief rival, Pompey, and the defeat of Pompey’s heirs and supporters, resulted in Caesar’s emergence as the sole power in Rome. Accompanying Caesar’s own commentaries are three short but essential additional works, known to us as the Alexandrian War, the African War, and the Spanish War. These were written by three unknown authors who were clearly eyewitnesses and probably Roman officers. Caesar’s clear and direct prose provides a riveting depiction of ancient warfare and, not incidentally, a persuasive portrait for the Roman people (and for us) of Caesar himself as a brilliant, moderate, and effec­tive leader—an image that was key to his final success. Kurt A. Raaflaub’s masterful translation skillfully brings out the clarity and elegance of Caesar’s style, and this, together with such Landmark features as maps, detailed annotations, appendices, and illustrations, will provide every reader from lay person to scholar with a rewarding and enjoyable experience. (With 2-color text, maps, and illustrations throughout; web essays available at http://www.thelandmarkcaesar.com/)
The enemy were overpowered and took to flight. The Romans pursued as far as their strength enabled them to run' Between 58 and 50 BC Julius Caesar conquered most of the area now covered by France, Belgium and Switzerland, and invaded Britain twice, and The Conquest of Gaul is his record of these campaigns. Caesar’s narrative offers insights into his military strategy and paints a fascinating picture of his encounters with the inhabitants of Gaul and Britain, as well as lively portraits of the rebel leader Vercingetorix and other Gallic chieftains. The Conquest of Gaulcan also be read as a piece of political propaganda, as Caesar sets down his version of events for the Roman public, knowing he faces civil war on his return to Rome. Revised and updated by Jane Gardner, S. A. Handford’s translation brings Caesar’s lucid and exciting account to life for modern readers. This volume includes a glossary of persons and places, maps, appendices and suggestions for further reading.
This “captivating biography” of the great Roman general “puts Caesar’s war exploits on full display, along with his literary genius” and more (The New York Times) Tracing the extraordinary trajectory of the Julius Caesar’s life, Adrian Goldsworthy not only chronicles his accomplishments as charismatic orator, conquering general, and powerful dictator but also lesser-known chapters during which he was high priest of an exotic cult and captive of pirates, and rebel condemned by his own country. Goldsworthy also reveals much about Caesar’s intimate life, as husband and father, and as seducer not only of Cleopatra but also of the wives of his two main political rivals. This landmark biography examines Caesar in all of these roles and places its subject firmly within the context of Roman society in the first century B.C. Goldsworthy realizes the full complexity of Caesar’s character and shows why his political and military leadership continues to resonate thousands of years later.
This biography of Marcus Cato the Younger -- Rome's bravest statesman, an aristocratic soldier, a Stoic philosopher, and staunch defender of sacred Roman tradition -- is rich with resonances for current politics and contemporary notions of freedom.
Analyzes the leadership and strategies of three forefront military leaders from the ancient world, offers insight into the purposes behind their conflicts, and shows what today's leaders can glean from their successes and failures.
Since the Renaissance, Julius Caesar has been idolized as a superman. Classical sources, however, present a far less exalted being. As General Fuller writes, Caesar was "an unscrupulous demagogue whose one aim was power, and a general who could not only win brilliant victories but also commit dismal blunders....It is reasonable to suspect that, at times, Caesar was not responsible for his actions, and toward the end of his life, not altogether sane." There is no doubt that Caesar was an extraordinary man. But Fuller points out that he was extraordinary for his reckless ambition, matchless daring, and ruthless tyranny, rather than for his skills as a military commander. Caesar continually had to extricate himself from results of mistakes of judgement. His unnecessary Alexandrian War, his close call at Thapsus, and his seemingly unpremeditated Gallic conquest are just a few of Fuller's many examples. And in telling Caesar's history, Fuller illuminates a century of Roman history as well. Aided by maps of Caesar's principal battles and diagrams of many of his weapons, Fuller brings to life Caesar's wars, his armies, his equipment, and his methods. Brilliant in design and impressive in scope, Julius Caesar clarifies how the military, political, and economic aspects of the Roman Republic worked together to produce a man whose name has come down to us as a synonym for absolute authority.
Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story. The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now. The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.