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This novel is about a young woman that sees herself as a caterpillar and turns into a beautiful butterfly. The ugly duckling that turns into a black swan. A woman that has reached past the naysayers, the critics, even herself. She was her own worst critic. As a young girl, she allowed herself to feel fear so intense she believed it. This story is about how she turned her fear into her focus, her powerful voice into blessings, how she became a rose from concrete. Her name is Baby Love Taylor.
For a decade, Dr. Arthur Brown had been protecting the city of Toronto as the Shadow Chaser. But, a series of events on one unfortunate night changed his life forever. He was able to heal and move on, but the Shadow Chaser was no more. Now 20 years later, that same evil has returned to prey on the innocent. Brown, with the help of his friend, Alexander Taylor, prepares for war. Brown chooses Kevin Wolf, a dispirited seventeen-year-old, damaged by the brutal murder of a loved one, to reprise his role. But will the new Shadow Chaser be able to fend off the impending darkness, or will he descend, as did Brown, into a self-imposed abyss?
Presents three stories set in the Colorado territory, including "Rekindled," in which Larson Jennings, returning home after being badly burned and left for dead, discovers that his wife, Kathryn, is on the verge of losing their ranch, and is determined to save it at any cost.
The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.