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With which are incorporated "The China directory" and "The Hongkong directory and Hong list for the Far East" ...
With which are incorporated "The China directory" and "The Hongkong directory and Hong list for the Far East" ...
Through a broad range of case studies spanning from imperial monuments to rural residences, Malayan Classicism puts forward a fundamentally new understanding of classical architecture in the Asian colonial context. Across Malaysia and Singapore, thousands of historic buildings are richly ornamented with motifs drawn from Ancient Greece and Rome - as plump volutes, lush acanthus leaves, and neat rows of dentils decorate mosques, palaces, government buildings and innumerable terraced shophouses. These classical details jostle with ideas drawn from other architectural traditions from across Asia in a style that is unique to the region. Presenting the first comprehensive account of what was, prior to World War II, Malaya's most widespread architectural style, Malayan Classicism explores how the classical architecture of the British Empire was transmitted, translated, and transformed in the hands of local builders and architects. Addressing a critical gap in the scholarship, this book charts the metamorphosis of an imperial language of power into a local vernacular style, and provides a new way of reading classical architecture in a post-colonial context that will be applicable throughout the Global South.
Most monumental buildings of France’s global empire – such as the famous Saigon and Hanoi Opera Houses – were built in South and Southeast Asia. Much of this architecture, and the history of who built it and how, has been overlooked. The Architecture of Empire considers the large-scale public architecture associated with French imperialism in seventeenth- and eighteenth-century India, Siam, and Vietnam, and nineteenth- and twentieth-century Indochina, the largest colony France ever administered in Asia. Offering a sweeping panorama of the buildings of France’s colonial project, this is the first study to encompass the architecture of both the ancien régime and modern empires, from the founding of the French trading company in the seventeenth century to the independence and nationalist movements of the mid-twentieth century. Gauvin Bailey places particular emphasis on the human factor: the people who commissioned, built, and lived in these buildings. Almost all of these architects, both Europeans and non-Europeans, have remained unknown beyond – at best – their surnames. Through extensive archival research, this book reconstructs their lives, providing vital background for the buildings themselves. Much more than in the French empire of the Western Hemisphere, the buildings in this book adapt to indigenous styles, regardless of whether they were designed and built by European or non-European architects. The Architecture of Empire provides a unique, comprehensive study of structures that rank among the most fascinating examples of intercultural exchange in the history of global empires.
John Mahelm Berry Sill's role as the American Minister to Korea (1894-1897) is one of controversy. He has been described as weak, ineffective, and reluctant by some and as independent, proactive, and alert by others, depending on the researcher. He served during an extremely turbulent period of Korean history, a span of time that encompassed the Sino-Japanese War, the Gabo Reforms, the murder of the Korean queen, and King Gojong's subsequent refuge in the Russian legation. While this book does utilize some diplomatic despatches, it generally relies upon the personal correspondences between the Sills in Korea and their family in the United States. These letters provide a candid view of life in not only the American community in Seoul, but also in the Russian legation, where King Gojong and the crown prince sought refuge following the murder of Queen Min. The letters also give evidence of the rumors and speculation that plagued the daily lives of not only the Western community in Seoul but the Korean community as well.