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This is the first theoretically informed study of Tsiolkas’s work. It follows the arc of his controversial career, and explores the tensions between political radicality, transgressive sexuality and his more recent commercial success.
' We are despised, yet we grow. We are tortured and crucified and yet we flourish. We are hated and still we multiply. Why is that? You must wonder, how is it we survive?' In a far corner of the Roman Empire, a radical sect is growing. Alone, unloved and battling his sexuality, Saul scrapes together a living exposing these nascent Christians, but on the road to Damascus, everything changes. Saul - now Paul - becomes drawn into this new religion and its mysterious leader, whose crucifixion leaves followers waiting in limbo for his promised return. As factions splinter and competition to create the definitive version of Christ's life grows violent, he begins to question his new faith and the man at its heart. Damascus is an unflinching dissection of doubt, faith, tyranny, revolution, cruelty and sacrifice. A vivid and visceral novel with perennial concerns, it is a masterpiece of imagination and transformation.
Man Booker Prize-longlisted author of The Slap (soon to be an NBC miniseries) returns in an “immensely moving” (Sunday Times) story of a young athlete’s coming of age Fourteen-year-old Daniel Kelly is special. Despite his upbringing in working-class Melbourne, he knows that his astonishing ability in the swimming pool has the potential to transform his life, silence the rich boys at the private school to which he has won a sports scholarship, and take him far beyond his neighborhood, possibly to international stardom and an Olympic medal. Everything Danny has ever done, every sacrifice his family has ever made, has been in pursuit of this dream. But what happens when the talent that makes you special fails you? When the goal that you’ve been pursuing for as long as you can remember ends in humiliation and loss? Twenty years later, Dan is in Scotland, terrified to tell his partner about his past, afraid that revealing what he has done will make him unlovable. When he is called upon to return home to his family, the moment of violence in the wake of his defeat that changed his life forever comes back to him in terrifying detail, and he struggles to believe that he’ll be able to make amends. Haunted by shame, Dan relives the intervening years he spent in prison, where the optimism of his childhood was completely foreign. Tender, savage, and blazingly brilliant, Barracuda is a novel about dreams and disillusionment, friendship and family, class, identity, and the cost of success. As Daniel loses everything, he learns what it means to be a good person—and what it takes to become one.
Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country’s most politically engaged writers. These terms – recognition, commercial success, political engagement – suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas’s fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility. ‘Christos Tsiolkas and the Fiction of Critique’ traces these contradictions against Tsiolkas’s acute sense of the waning of working-class identity, and reads his work as a sustained examination of the ways in which literature might express an opposition to capitalist modernity.
From the international bestselling and Booker Prize nominated author of The Slap comes a blazingly brilliant new novel. Winner of the 2006 Age Fiction Prize Winner of the 2006 Melbourne Best Writing Award Part long-forgotten myth, part meditation on the violence and tragedy of contemporary Europe, Dead Europe is an unsettling story about blood lust and blood revenge; a novel of blazing brilliance from the acclaimed author of The Slap. Isaac, a young Australian photographer, is travelling through Europe. His whole life he has longed for the sophistication and wealth of the Europe of his father's stories, the Europe at the centre of civilization and culture. But behind the facade of a unified and globalized contemporary society, he finds a history-blasted wasteland, a place forever condemned by the ghosts of its unspeakable past. In the mountain village in the Balkans where his mother was born, he unearths ancient terrors that have not been laid to rest, and perhaps never can be.
Discover the explosive first novel from the author of The Slap Ari is nineteen, Greek, gay, unemployed, looking for something - anything - to take him away from his aimless existence in suburban Melbourne. Torn between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs and drugs and anonymous sex, all Ari can do is ease his pain in the only way he knows how. 'One of the most significant contemporary storytellers at work today' Colm Tóibín 'An addictive read' Stylist
A man arrives at a house on the coast to write a book. Separated from his lover and family and friends, he finds the solitude he craves in the pyrotechnic beauty of nature, just as the world he has shut out is experiencing a cataclysmic shift. The preoccupations that have galvanised him and his work fall away and he becomes lost in memory and beauty. He begins to tell us a story ... A retired porn star who is made an offer he can't refuse for the sake of his family and future. So he returns to the world he fled years before, all too aware of the danger of opening the door to past temptations and long-buried desires. Can he resist the oblivion and bliss they promise? A breathtakingly audacious novel by the acclaimed author of The Slap and Damascus about finding joy and beauty in a raging and punitive world, about the refractions of memory and time and, most subversive of all, the mystery of art and its creation.
Christos Tsiolkas invites you into his twenty-five year journey of viewing and re-imaging the film. He remembers his first illicit experience of the film at age thirteen and describes how his views of it changed in later years. As he chronicles the impact of The Devil's Playground on the development of his sense of self and his love of cinema, he also explores the film in terms of sexuality, politics, history and aesthetics. Tsiolkas' account of what The Devil's Playground said, and didn't say, to him is a tribute to the power and possibilities of cinema.
This brilliant collection mixes the storytelling originality of George Saunders and Lydia Davis with a sensibility all its own, taking the reader on an extraordinary tour of an old and a new Australia. A woman on a passenger ship in 1958 gets involved with a young, wild Barry Humphries. A man looks back to the 1970s and his time as a member of Australia’s least competent scout troop. In 1988, a teenage boy recalls his sexual initiation, out on the tanbark. In 2015, two sisters text in Kmart about how to manage their irascible, isolated mum. Then, in the near future, a racist demagogue addresses the press the day after his electoral triumph. As the cities heat up and lose their water, a lady from one of the ‘better suburbs’ makes every effort to get her family into an exclusive gated community. Outstandingly original, bitingly satirical and written in a remarkable range of voices, A Couple of Things Before the End is a powerful vision of where we are – and where we may be headed. ‘These voices, so superbly heard and rendered, threw me into fits of laughter and slyly broke my heart.’ —Helen Garner ‘Astonishing ... an inventive collection of missives from the end of history. Complicated and savage and difficult and funny and melancholy, it’s both harsh and a caress. How do we speak and write into a future? I think Sean O’Beirne is showing us one way of doing it.’ —Christos Tsiolkas ‘O’Beirne inflects his identifiably Australian characters with a darkly comic and empathetic voice ... altogether, this collection invokes [our] questionable past, ironic present and disturbing future.’ —Books+Publishing