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The Vicar of Dymchurch pursues his smuggling activities in the guise of a scarecrow during the reign of George III.
This is the final Chapter in the Dr Syn series. It tells the tale of the good people of England's Romney Marsh, battling to deceive the local revenue men of duty for contraband goods from France. The men of Romney Marsh are led by the villan the Scarecrow who is non other than the good Dr Syn Parson of Dymchurch-under-the wall, so named as the sea is 9 feet above the sea wall. At night the frail Parson Dr Syn becomes the vicious Scarecrow, stopping at nothing to get the cotraband through, crossing the moorland and dikes, riding his huge black horse Gehenna painted with luminous paint, to add to the 'folklore' of the mystery of the Scarecrow. Only Mipps his faithful assistant knows the true identity of the Scarecrow. The Excise men finally get a man to match the Scarecrow and Mr Faulks arrives in Dymchurch with an old sailor that Syn multilated in his days on the sea as Captain Clegg (told in Dr Syn on the high seas). Recognition of the old Sailor sends Syn into morbid moods, Mipps knows his master is worried about the visitor from the past.
“Doctor Syn on the High Seas” is a 1936 novel by British writer Arthur Thorndike. The second in the Doctor Syn series, it tells the story of how a young clergyman called Christopher Syn loses his wife to a seducer and his consequent quest for vengeance. Arthur Russell Thorndike (1885 – 1972) was a British actor and novelist, most famous for his ‘Doctor Syn of Romney Marsh’ series of novels. Other notable works by this author include: ‘Children of the Garter’ (1937), “The Slype” (1927), and “The Master of the Macabre” (1946). Contents include: “Doctor Syn Meets Minister Mipps”, “Doctor Syn Becomes a Squire of Dames”, “Doctor Syn Escapes”, “The Challenge”, “The Abduction”, “The Duel”, “The Friend of the Family”, “The Elopement”, “The Dead Man”, “The Odyssey Begins”, “Pirates”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
3D Robotics co-founder and bestselling author Chris Anderson takes you to the front lines of a new industrial revolution as today’s entrepreneurs, using open source design and 3-D printing, bring manufacturing to the desktop. In an age of custom-fabricated, do-it-yourself product design and creation, the collective potential of a million garage tinkerers and enthusiasts is about to be unleashed, driving a resurgence of American manufacturing. A generation of “Makers” using the Web’s innovation model will help drive the next big wave in the global economy, as the new technologies of digital design and rapid prototyping gives everyone the power to invent--creating “the long tail of things”.
Dr Syn though he had escpaed from his piratical past, surviving shipwreck and death, he had been reinstated as Vicar of Dymchurch. But, he was discovered by Mipps, an old pirate.
Hannah Bacon draws on qualitative research conducted inside one UK secular commercial weight loss group to show how Christian religious forms and theological discourses inform contemporary weight-loss narratives. Bacon argues that notions of sin and salvation resurface in secular guise in ways that repeat well-established theological meanings. The slimming organization recycles the Christian terminology of sin – spelt 'Syn' – and encourages members to frame weight loss in salvific terms. These theological tropes lurk in the background helping to align food once more with guilt and moral weakness, but they also mirror to an extent the way body policing techniques in Christianity have historically helped to cultivate self-care. The self-breaking and self-making aspects of women's Syn-watching practices in the group continue certain features of historical Christianity, serving in similar ways to conform women's bodies to patriarchal norms while providing opportunities for women's self-development. Taking into account these tensions, Bacon asks what a specifically feminist theological response to weight loss might look like. If ideas about sin and salvation service hegemonic discourses about fat while also empowering women to shape their own lives, how might they be rethought to challenge fat phobia and the frenetic pursuit of thinness? As well as naming as 'sin' principles and practices which diminish women's appetites and bodies, this book forwards a number of proposals about how salvation might be performed in our everyday eating habits and through the cultivation of fat pride. It takes seriously the conviction of many women in the group that food and the body can be important sites of power, wisdom and transformation, but channels this insight into the construction of theologies that resist rather than reproduce thin privilege and size-ist norms.