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A vivid portrayal of the 1950s high fashion and expatriate world in Paris and London as seen by a young American, herself a VOGUE and Chanel model.
Concerns about power, its use and abuse, have been at the center of Margaret Randall's work for more than fifty years. And over time Randall has acquired a power all her own, as her unique ability to observe, consider, and distill experience has drawn readers into new experiences and insights. Tempered by time and reflecting a life fully lived and richly examined, her thoughts on race, gender, poetry, landscape, cellular memory, and personal loss speak with eloquence and urgency.
"Two tone welcomes verse in English, Afrikaans, Shona or Sindebele ... Poems in languages other than English should, if possible, be accompanied by translations into English ..."--Page 25, Sept. 1981 issue.
Includes Handbook and proceedings of the annual meeting of the California Library Association.