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These essays from The Marlowe Studies give the Shakespeare authorship evidence for Christopher Marlowe that has been overlooked by traditionalists resistant to the idea someone other than the Stratford man wrote the works. While the authorship debate continues, the words of Shakespeare himself sit silent on the sidelines. The essays herein bring his words into the spotlight and interpret them within the Marlowe context, so readers can decide for themselves whose autobiography they voice. Whether or not we believe Marlowe was the man behind a pseudonymous Shakespeare name, no invention is needed to see that these sonnets and plays answer our questions about his character, Baines’s Note, a staged death at Deptford, Thomas Walsingham, and the bestowal of the pseudonym. The essays also offer a new explanation for cryptic Sonnet 112, new information about the man who sued Marlowe for assault, a look at the literary similarities between Marlowe and Shakespeare, an examination of the “heretical” papers in Kyd’s room, and an exploration of Marlowe’s Cambridge education that reveals how it shaped his plays and his ideas about religion. Signals for Marlowe being the true author of Shakespeare’s works are found in Ben Jonson’s authorship clues, the clues in As You Like It and Hamlet, and the eighteen clues in the Inductions to The Taming of a Shrew and The Shrew. Evidence is also given for Marlowe’s authorship of Venus and Adonis, the King Henry VI trilogy, and three anonymous plays: Edward the Third, The Troublesome Raigne of King John, and The Famous Victories of Henry the Fifth.
For those who doubt that the actor from Stratford, William Shakspere, wrote the works of Shakespeare, the brilliant poet and playwright Christopher Marlowe has always been the professional candidate. In this book, which argues that a chronological approach is essential, Donna N. Murphy employs a variety of tools to document a Marlowe-Shakespeare continuum (with her proposed dates of first-version authorship) in The Taming of the Shrew, c. 1590; II and III Henry VI, c. 1590; Edward III c. 1590–1; Titus Andronicus c. 1591–3; Thomas of Woodstock c. 1593; Romeo and Juliet c. 1595–6; and I Henry IV, c. 1596–7. Her research firmly supports the theory that Christopher Marlowe, living on after he supposedly died, was the main hand behind the works of Shakespeare.
Few are aware that the actual identity of William Shakespeare, a pseudonym, represents our culture's greatest literary mystery. Even fewer realize that William Shaksper of Stratford-on-Avon, the person annointed by most Professors of English as the Great Playwright, was an uneducated, illiterate businessman who never wrote a single word of prose or poetry. In fact, Will Shakspere was the front man of a conspiracy perpetrated by England's leading politician, Robert Cecil, who, for reasons of greed and power, forced Edward de Vere, 17th Earl of Oxford?the true genius playwright?into anonymity. The astonishing power of Conventional Wisdom has kept the ruse going since the early 1600s. Outstanding authorship research in the past century, however, has shown convincingly that de Vere was indeed Shakespeare. The best of that research is now assembled in the present anthology series, ?Building the Case for Edward de Vere as Shakespeare.? It's an exciting story, dramatically presenting powerful evidence of murder?of the name of the world's greatest writing genius, Edward de Vere?and substituting a fraudulent impostor.
Beginning with the death of William Shakespeare in 1616, a study of the bard explores his evolution from provincial playwright to universally acclaimed, literary giant, beginning with his growing popularity during the late-seventeenth-century Restoration and ranging to the Stratford celebration of the tricentennial of Shakespeare's birth in 1864.
On the Authorship Controversy is about how a historical deception has survived as a tradition for nearly 400 years, despite numerous challenges. I am referring to the “tradition” that the works attributed to William Shakespeare of Stratford-on-Avon were actually written by him, despite no evidence of schooling or access to libraries, lack of recognition by other playwrights when he died, and much more. The editors of the definitive decennial edition of his works, together with virtually all other scholars of English Literature, have declared that this rural fellow is the true author. This book offers irrefutable mathematical evidence that Christopher Marlowe -- graduate of Cambridge University, the inventor of iambic pentameter, and the author of seven important plays before “Shakespeare” had ever been heard of -- did not die in late May 1593, as officially reported by the Queen’s Coroner. How do we know that Marlowe was alive and the author of the sonnets? He announced his authorship in ciphers that are clear and unmistakable once you find the key. The key was found by an independent scholar named Peter Bull in 2005. He self-published his findings because the mainstream publishers were not interested, and very few people bothered to read his work. I did, and I have now undertaken to make his discovery a little more accessible to the general reader.