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(Instrumental). Everyone's favorite folio for caroling and virtually any holiday gathering! The flexible instrumentation of these arrangements has made them the top choice of school and community ensembles since their first printing in 1941. Though titled "for band or brass choir," the arrangements can be played by any combination of wind and percussion instruments. A full set is still economical with parts priced at $3.95 ($5.95 for conductor) - or if you need replacement copies for the well-worn set in your library.
(Essential Elements Band Folios). A collection of Christmas arrangements which can be played by full band or by individual soloists with optional CD or tape accompaniment. Each song is correlated with a specific page in the Esssential Elements Method Books. Includes: Jingle Bells * We Wish You a Merry Christmas * The Chanukkah Song * Rudolph, the Red-Nosed Reindeer * and many more
(Brass Ensemble). These exciting instrumental collections feature 15 easy arrangements for brass quartet or brass quintet, with flexible instrumentation and optional keyboard accompaniment. They make ideal accompaniments for congregational singing in churches or other groups, and are also great for performances by brass only. Every book includes two versions of each carol: the standard version found in hymnals in the common key, and a "variation verse," with a free and interesting arrangement. Includes: Angels We Have Heard on High * The First Noel * Go, Tell It on the Mountain * Hark! the Herald Angels Sing * Joy to the World * What Child Is This? * and more.
This inspiring collection of Salvation Army music features classic hymns and marches that have been sung and played by generations of Salvationists around the world. With its uplifting melodies and powerful messages of faith, it's a testament to the enduring power of music to transform lives. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Brass Ensemble
Excerpt from Christmas Carols and Hymns for School and Choir Great care has been exercised to include only music that is worthy of study. It is believed that the superior excellence of the selections will appeal to competent choir leaders, who will find ample material in the book for many Christmas pro grams. The book is intended also for use in schools. Many of the Carols may be sung in unison, especially by children, with excellent effect. With few exceptions, the music will be found equally suitable for high schools and choirs. The metronome marks have been inserted to indicate the general tempo and not to fix the absolute speed at which the pieces are to be taken. In many of the selections, various modifications of tempo, rhythm, and accent are demanded by the character of the text or the music, and a rigid adherence to the metronome mark is often most unfortunate. However, the most important duty of the conductor is to know and indicate the proper tempo, and the metronome marks may assist the inexperienced conductor in this most important matter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.