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This book traces the development of religious comedy and leverages that history to justify today’s uses of religious humor in all of its manifestations, including irreverent jokes. It argues that regulating humor is futile and counterproductive, illustrating this point with a host of comedic examples. Humor is a powerful rhetorical tool for those who advocate and for those who satirize religious ideals. The book presents a compelling argument about the centrality of humor to the story of Western Christianity’s cultural and artistic development since the Middle Ages, taking a multi-disciplinary approach that combines literary criticism, religious studies, philosophy, theology, and social science. After laying out the conceptual framework in Part 1, Part 2 analyzes key works of religious comedy across the ages from Dante to the present, and it samples the breadth of contemporary religious humor from Brad Stine to Robin Williams, and from Monty Python to South Park. Using critical, historical, and conceptual lenses, the book exposes and overturns past attempts by church authorities, scholars, and commentators to limit and control laughter based on religious, ideological, or moral criteria. This is a unique look into the role of humor and comedy around religion. It will, therefore, appeal to readers interested in multiple fields of inquiry, including religious studies, humor studies, the history of ideas, and comparative literature.
While atheists such as Richard Dawkins have now become public figures, there is another and perhaps darker strain of religious rebellion that has remained out of sight--people who hate God. In this revealing book, Bernard Schweizer looks at men and women who do not question God's existence, but deny that He is merciful, competent, or good. Sifting through a wide range of literary and historical works, Schweizer finds that people hate God for a variety of reasons. Some are motivated by social injustice, human suffering, or natural catastrophes that God does not prevent. Some blame God for their personal tragedies. Schweizer concludes that, despite their blasphemous thoughts, these people tend to be creative and moral individuals, and include such literary lights as Friedrich Nietzsche, Mark Twain, Zora Neale Hurston, Rebecca West, Elie Wiesel, and Philip Pullman. Schweizer shows that literature is a fertile ground for God haters. Many authors, who dare not voice their negative attitude to God openly, turn to fiction to give vent to it. Indeed, Schweizer provides many new and startling readings of literary masterpieces, highlighting the undercurrent of hatred for God. Moreover, by probing the deeper mainsprings that cause sensible, rational, and moral beings to turn against God, Schweizer offers answers to some of the most vexing questions that beset human relationships with the divine.
Although temptation is a common and well-acknowledged part of the human experience, few realize the truth behind temptation and fewer still know how to defeat it. Tempted and Tried will not reassure Christians by claiming that temptation is less powerful or less prevalent than it is; instead, it will prepare believers for battle by telling the truth about the cosmic war that is raging. Moore shows that the temptation of every Christian is part of a broader conspiracy against God, a conspiracy that confronts everyone who shares the flesh of Jesus through human birth and especially confronts those who share the Spirit of Christ through the new birth of redemption. Moore walks readers through the Devil's ancient strategies for temptation revealed in Jesus' wilderness testing. Moore considers how those strategies might appear in a contemporary context and points readers to a way of escape. Tempted and Tried will remind Christians that temptation must be understood in terms of warfare, encouraging them with the truth that victory has already been secured through the triumph of Christ.
Religious scholar Hart argues that contemporary antireligious polemics are based not only upon conceptual confusions but upon facile simplifications of history and provides a powerful antidote to the New Atheists' misrepresentations of the Christian past.
***An Act of God (previously published as The Last Testament: A Memoir) is now a major Broadway show starring Jim Parsons (The Big Bang Theory) and directed by Joe Mantello (Wicked)*** Over the course of his long and distinguished career, God has literally seen it all. And not just seen. In fact, the multitalented deity has played a pivotal role in many major events, including the Creation of the universe, the entirety of world history, and the successful transitioning of American Idol into the post–Simon Cowell era. Sometimes preachy, sometimes holier-than-thou, but always lively, An Act of God is the ultimate celebrity autobiography.
“Evokes the sights and sounds of the ancient world with daring and imagination… An intellectual tour-de-force that challenges us to see the history of Christianity through the eyes of those who actually lived it.”—Los Angeles Times In this provocative, irresistibly entertaining book, Keith Hopkins takes readers back in time to explore the roots of Christianity in ancient Rome. Combining exacting scholarship with dazzling invention, Hopkins challenges our perceptions about religion, the historical Jesus, and the way history is written. He puts us in touch with what he calls "empathetic wonder"—imagining what Romans, pagans, Jews, and Christians thought, felt, experienced, and believed-by employing a series of engaging literary devices. These include a TV drama about the Dead Sea Scrolls; the first-person testimony of a pair of time-travelers to Pompeii; a meditation on Jesus' apocryphal twin brother; and an unusual letter on God, demons, and angels.
Looking at both historical and contemporary contexts, the author argues that religion has played a major role in suppressing scientific pursuit.
Intra-Jewish conflict in Paul's communities After taking on traditional interpretations of Romans in (The Mystery of Romans, Nanos now turns his attention to the Letter to the Galatians. A Primary voice in reclaiming Paul in his Jewish context. Nanos challenges the previously dominant views of Paul as rejecting his Jewish heritage and the Law. Where Paul's rhetoric has been interpreted to be its most anti-Jewish, Nanos instead demonstrates the implications of an intra-Jewish reading. He explores the issues of purity, insiders/outsiders; the charactor of "the gospel"; the relationship between groups of Christ-followers in Jerusalem, Antioch, and Galatia; and evil-eye accusations.
Who might reasonably be nominated as the funniest philosopher of all time? With this anthology, Thomas Oden provisionally declares Søren Aabye Kierkegaard (1813-1855) -- despite his reputation as the melancholy, despairing Dane -- as, among philosophers, the most amusing. Kierkegaard not only explored comic perception to its depths but also practiced the art of comedy as astutely as any writer of his time. This collection shows how his theory of comedy is integrated into his practice of comic perception, and how both are integral to his entire authorship. "The Humor of Kierkegaard" is for anyone ready to be amused by human follies. Those new to Kierkegaard will discover a dazzling mind worth meeting. Those already familiar with his theory of comedy will be delighted to see it concisely set forth and exemplified. -- From publisher's description.
Positions Revelation within an ancient Jewish context and demonstrates how the author used humor to resist Roman power.