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Martin Luther once said, 'Many of the Fathers have loved and praised the Book of Psalms above all other books of the Bible. No books of moral tales and no legends of saints which have been written, or ever will be, are to my mind as noble as the Book of Psalms ...' Despite their richness, the Psalms also raise some interpretive challenges. How do we read such difficult passages as the one which advocates the violent destruction of one's enemies? Are we to ignore these and embrace only those that edify us? This collection of essays by renowned international scholars addresses such issues as the history and contemporary Lutheran and ecumenical interpretations of Psalms and provides valuable interpretive insights for theologians, biblical scholars, pastors, counselors and students. With contributions by Lubomir Batka, Andrea Bieler, Brian Brock, Hans-Peter Großhans, Elelwani B. Farisani, Jutta Hausmann, Anni Hentschel, Frank-Lothar Hossfeld, Craig R. Koester, Madipoane Masenya, Karl-Wilhelm Niebuhr, Urmas Nommik, Roger Wanke and Vitor Westhelle.
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c