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Poetry is exciting, but elusive to most. This is troublesome for Christians because the Bible, John Poch reminds us, is largely composed of poetical verse. In God's Poems, Poch re-introduces sacred text as purposefully poetic, and explains what that means and invites the reader to with this insight live more thoughtfully and beautifully. But that is not all. Poch as a well-established and regarded poet, turns his eye to contemporary poetry and vindicates its function in a "created and creative world." Today many have abandoned the genre as a wasteland of misguided voice that really has nothing to say. The poet is a truth-teller, and Poch as devoted writer, teacher, and believer sends out a renewed call to turn to verse as a means of seeing oneself as God's poeima, or poem (Letter to Ephesians). The depth of self-knowing relates directly to an aptitude to engage the category of poetry at some level. A tragic void is filled with Poch's effort to exhort the reader to patiently reconnect with poetry even though it has been hijacked by persons who want to be heard more than speak well. (This book is essential, therefore, for aspiring poets.) For faithful readers or those seeking to return, Poch is a place to begin to understand contemporary writers worth knowing and which poets of the past must remain with us. In Virgilian fashion, he can see the panorama behind him and that which lies immediately ahead and instills a recovered love of an eternal medium that will be restored to a state of coherency and enlightened perspective. If Poch has faith in poetry it is because poetry is indeed a source of faith. If Justin Martyr claimed that everything that is true belongs to Christians, Poch shows us that everyone who speaks truth is to some degree a poet. Even God with his revealed wisdom chooses poetry as medium par excellence. It is essential to know how poetry works. "Great poems that we consider literature give us what we never expected. They go beyond the usefulness of conveying a feeling and unveiling beauty; and they tell us who we are."
Classicizing Christian poetry has largely been neglected by literary scholars, but has recently been receiving growing attention, especially the poetry written in Latin. One of the objectives of this volume is to redress the balance by allowing more space to discussions of Greek Christian poetry. The contributions collected here ask how Christian poets engage with (and are conscious of) the double reliance of their poetry on two separate systems: on the one hand, the classical poetic models and, on the other, the various genres and sub-genres of Christian prose. Keeping in mind the different settings of the Greek-speaking East and the Latin-speaking West, the contributions seek to understand the impact of historical setting on genre, the influence of the paideia shared by authors and audiences, and the continued relevance of traditional categories of literary genre. While our immediate focus is genre, most of the contributions also engage with the ideological ramifications of the transposition of Christian themes into classicizing literature. This volume offers important and original case studies on the reception and appropriation of the classical past and its literary forms by Christian poetry.
English speakers have 12 centuries of Christian poetry to draw upon. The examples in this anthology come from all Christian sources including Anglican, Roman Catholic, Protestant, Orthodox and modern evangelical and reform traditions.
A collection of 700 poems that will inspire, comfort, cheer, and help bring you closer to God. •Includes poetry from the seventh century up to present day •Poems are for all ages and all denominations, so there is something for everyone in this comprehensive volume •Arranged by theme to help make it easy for you to find the best poem to suit your mood
"Inferno" tells the story "of those who have rejected spiritual values", of those who are lost and are unable to find the right way to salvation. It describes each sin and the corresponding punishment. It differentiates between Purgatory and Hell by presenting people begging for forgiveness and others willing to justify their sins. "Inferno" represents the Christian soul who gets to see what it really is to commit a sin and what is to be expected in the afterlife. "Inferno" is the first part of Dante Alighieri’s medieval poem "The Divine Comedy" which was written in the period 1308-1320. It depicts the nine circles of Hell and Dante’s journey through them. Dante Alighieri was an Italian poet, philosopher, language and political theorist, born in Florence in 1265. He is one of the best known poets of the Middle Ages and his masterpiece "The Divine Comedy" is considered to be a representative of the medieval world-view. "The Divine Comedy" and "The New life" were written in vernacular, i.e. the speech variety that was used in everyday life. This made the literature accessible to most people and this is mainly why Dante is called "The father of Italian language". Dante’s life was divided by poetry and politics and the relationships between secular and religious authority were topics which were often depicted in his literary works.
A fresh, provocative look at the link between poetry and Christianity, both as it relates to the Bible itself as well as to Christian and religious life, by an accomplished scholar. The Bible is full of poems. In the Old Testament, there are the Psalms and the Song of Songs, the great exhortations and lamentations of the Prophets, and passages of poetry woven in throughout. In the New Testament, Jesus describes the kingdom of heaven with poetic epithets such as “a treasure hid in a field,” calling the Son of God “the true vine,” “the light of the world,” “the good shepherd,” and “the way, the truth, and the life.” The Gospels reverberate with allusions to the poetry of the Old Testament; the last book of all is Revelation, a visionary poem. The Bible, in other words, asks to be read poetically from start to end, and yet readers have rarely considered what that might mean, much less heeded that call. In The Bible and Poetry, the poet and scholar Michael Edwards reshapes our understanding of the Bible and religious belief, arguing that poetry is not an ornamental or accidental feature but is central to both. He speaks personally of his early, unanticipated, transformative encounters with scripture. He offers close, insightful, and resonant readings of biblical passages. Poetry, as he sees it, is the vital and necessary medium of the Creator’s word, and the truth of the Bible is not a question of precepts and propositions but of a direct experience of its poetry, its power.
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Poetry is like music in many ways. Its melodies can remain in our minds and hearts forever. This book is an inspiring collection of Christian poems. It's topics range from Love, Family Issues to Spirituality. This compilation of poems are written in simple poetry for every person, denomination and occasion. These poems promise to leave a meaningful and lasting feeling of love. Some poems contain the solutions to life's many challenges, while other poems are of celebrations, joyous events and stories of the Bible. These poems were divinely inspired by faith and true life experiences in the journey and lifestyle of Christian living. This book is a valuable resource for all Christian Families and persons searching for enlightenment and purpose to life.