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Reveals how Christian mythology has more to do with long-standing pagan traditions than the Bible • Explains how the church fathers knowingly incorporated pagan elements into the Christian faith to ease the transition to the new religion • Identifies pagan deities that were incorporated into each of the saints • Shows how all the major holidays in the Christian calendar are modeled on pagan rituals and myths, including Easter and Christmas In this extensive study of the Christian mythology that animated Europe in the Middle Ages, author Philippe Walter reveals how these stories and the holiday traditions connected with them are based on long-standing pagan rituals and myths and have very little connection to the Bible. The author explains how the church fathers knowingly incorporated pagan elements into the Christian faith to ease the transition to the new religion. Rather than tear down the pagan temples in Britain, Pope Gregory the Great advised Saint Augustine of Canterbury to add the pagan rituals into the mix of Christian practices and transform the pagan temples into churches. Instead of religious conversion, it was simply a matter of convincing the populace to include Jesus in their current religious practices. Providing extensive documentation, Walter shows which major calendar days of the Christian year are founded on pagan rituals and myths, including the high holidays of Easter and Christmas. Examining hagiographic accounts of the saints, he reveals the origin of these symbolic figures in the deities worshipped in pagan Europe for centuries. He also explores how the identities of saints and pagan figures became so intermingled that some saints were transformed into pagan incarnations, such as Mary Magdalene’s conversion into one of the Celtic Ladies of the Lake. In revealing the pagan roots of many Christian figures, stories, and rituals, Walter provides a new understanding of the evolution of religious belief.
Elaborately illustrated text depicts various legends and superstitious beliefs surrounding the Old and New Testaments.
Arguing from Scripture and history, the author makes a compelling case that getting too close to any political or national ideology is disastrous for the church and harmful to society.
“Our main object will be to describe one of the most incomparably beautiful myths that has ever flowered from the mind of man, or from the unconscious processes which shape it and which are in some sense more than man.… This is, furthermore, to be a description and not a history of Christian Mythology.… After description, we shall attempt an interpretation of the myth along the general lines of the philosophia perennis, in order to bring out the truly catholic or universal character of the symbols, and to share the delight of discovering a fountain of wisdom in a realm where so many have long ceased to expect anything but a desert of platitudes.” —from the Prologue
That Christianity, as to-day presented by the orthodox, is far different from the Christianity promulgated by the early fathers, few are so blinded as to doubt. Christianity, like all other religions, came not into the world full-grown, but from the simple conceptions of its early followers became gradually elaborated by the introduction of pagan forms and customs until it supplanted its early rivals and gave its adherents a compact and solid theology not very different from that of its predecessors. However, before considering the genealogy of Christianity, or its heirlooms from paganism, let us turn our attention to what were presumably the beginnings of the religious views of mankind. Probably the true source of that human characteristic which is defined as the religious instinct and which is supposed to be an elevating and moral agent, is to be found in the superstition which originated in fear of the unknown. The first ages of human life were so devoted to the animal needs that little attention was given to anything else, but later the craving for protection and help from some power greater than himself led primitive man to look about him for something to sustain and aid him in his struggle for existence. Surrounded by natural phenomena of which he could give no explanation satisfactory to his experience, he came to the conclusion that he was in an environment permeated with bodiless intelligences who governed these matters by supernatural power. Awed to fear by the inexplicable workings of nature, he sought to propitiate the spiritual agencies by bribes, and he did all things for them which he thought would be agreeable to them to keep them in good-natured interest or indifference toward him. And, naturally, he considered that what would be pleasing to himself would be pleasing to them. Therefore, his offerings and his conduct towards these spirits were such as he would have desired shown toward himself. Death and its imitation, sleep, being the greatest mysteries confronting him, he naturally began to consider the spirits of the dead, with whom he seemed to have intercourse in his dreams, as being influential factors in his career; and thus originated ancestor-worship with its highly-developed rites and sacrifices, which in a modified form still exists in the Roman church in the practice of reading masses for the souls of the dead. At the same time, noticing the great benefits derived from the warmth of the sun, to whose rays he owed his subsistence and whose glorious and awful presence was constantly before him, man began to feel grateful to that mighty power which was the source of all his welfare, and, appreciating that all terrestrial life depended upon it, he came to recognize it as the great creative power.
"The famous Bible stories are explored through a secular lens, providing secular families a guide to modern Christianity."--Publisher website.
This book is the culmination of a lifelong scholarly inquiry into Christian history, religion as a social institution, and the role of myth in the history of religions. Mack shows that religions are essentially mythological and that Christianity in particular has been an ever-changing mythological engine of social formation, from Roman times to its distinct American expression in our time. The author traces the cultural influence of the Christian myth that has persisted for sixteen hundred years but now should be much less consequential in our social and cultural life, since it runs counter to our democratic ideals. We stand at a critical impasse: badly splintered by conflicting groups pursuing their own social interests, a binding common myth needs to be established by renewing a truly cohesive national and international story rooted in our democratic and egalitarian origins, committed to freedom, equality, and vital human values.
The Eddic poem Vafþrúðnismál serves as a representation of early pagan beliefs or myths and as a myth itself; the poem performs both of these functions, acting as a poetic framework and functioning as sacred myth. In this study, the author looks closely at the journey of the Norse god Óðinn to the hall of the ancient and wise giant Vafþrúðnir, where Óðinn craftily engages his adversary in a life-or-death contest in knowledge.
Renowned historian, Jeffrey Burton Russell, famous for his studies of medieval history, sets the record straight against the New Atheists and other cultural critics who charge Christianity with being outdated, destructive, superstitious, unenlightened, racist, colonialist, based on fabrication, and other significant false accusations.
This is the second volume of a series of three, containing seventeen essays of altogether forty-three articles based on the topics of the interdisciplinary conference held on "Demons, spirits, and witches" in Budapest. Recognized historians, ethnologists, folklorists coming from four continents present the latest research findings on the relationship, coexistence and conflicts of popular belief systems, Judeo-Christian mythology and demonology in medieval and modern Europe. After a first volume, published in 2005, on "Communicating with the Spirits", the studies in the present volume examine the manifold interchanges between learned and popular culture, and its repercussions on magical belief-system and the changing figure of the witch. Book jacket.