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This unique volume offers a handbook for busy pastor, student or interested layperson to better understand the use of Christian art and the history of its use in Lutheranism since the time of the Reformation. The author states in the introduction to the book: "The Lutheran Church was never an enemy of the art, neither the fine arts nor industrialized arts. . . . The Lutheran Church, to confess its faith did not hesitate to enlist the aid of pure and beautiful art forms, not only in the harmonies of poetry and music, but also in archictecture, sculpture, painting, bronze work, wood-carving, and embroidery." This book concerns itself chiefly with church architecture, but necessarily also discusses the place of the fine arts in the construction and use of spaces consecrated to the worship of the One True God: Father, Son and Holy Spirit, where God's people are gathered to receive His gifts of grace and mercy through His Holy Word and the Blessed Sacrament of the Altar.
This unique volume offers a handbook for busy pastor, student or interested layperson to better understand the use of Christian art and the history of its use in Lutheranism since the time of the Reformation. The author states in the introduction to the book: "The Lutheran Church was never an enemy of the art, neither the fine arts nor industrialized arts. . . . The Lutheran Church, to confess its faith did not hesitate to enlist the aid of pure and beautiful art forms, not only in the harmonies of poetry and music, but also in archictecture, sculpture, painting, bronze work, wood-carving, and embroidery." This book concerns itself chiefly with church architecture, but necessarily also discusses the place of the fine arts in the construction and use of spaces consecrated to the worship of the One True God: Father, Son and Holy Spirit, where God's people are gathered to receive His gifts of grace and mercy through His Holy Word and the Blessed Sacrament of the Altar.
This volume examines a diverse set of spaces and buildings seen through the lens of popular practice and belief to shed light on the complexities of sacred space in America. Contributors explore how dedication sermons document shifting understandings of the meetinghouse in early 19th-century Connecticut; the changes in evangelical church architecture during the same century and what that tells us about evangelical religious life; the impact of contemporary issues on Catholic church architecture; the impact of globalization on the construction of traditional sacred spaces; the urban practice of Jewish space; nature worship and Central Park in New York; the mezuzah and domestic sacred space; and, finally, the spiritual aspects of African American yard art.
This book is the first ever written on the meaning and value of using art forms in the ministry of spiritual direction. The use of art by spiritual directors has the capacity to deepen understanding and enrich the full experience of spiritual direction. Included are the biblical, theological, and very practical aspects related to the use of art: how these truths are expressed in various genres of art and in ways that bring depth of knowledge, wisdom, and guidance in understanding one's relationship with God and others, as well as the possibilities for further growth and maturity in those relationships. The text is written for spiritual directors, their mentors, and supervisors, and for those receiving the ministry of direction. It provides encouragement and is instructive for all those desiring to increase their knowledge, understanding, and level of experience in the profound opportunities for individuals' spiritual formation, conformation, and transformation in the ministry of spiritual direction.