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"I plead for the acceptance of this central truth as the great hope of the gospel, that the victory of Jesus Christ must be final and complete, i.e., that nothing can impair the power of his cross and passion to save the entire human race."--Thomas Allin In 1885, the Rev. Thomas Allin waded into the debates on final punishment that had plagued the Church of England during the nineteenth century. His contribution was a radical book that sought to demonstrate that reason, tradition, and Scripture all affirm that God will one day redeem his whole creation through Jesus Christ. Universal salvation, he maintained, was the only way to coherently affirm the victory of God over evil. Allin's book is one of the first detailed attempts to show that global salvation was not some modern heresy, but an ancient Christian tradition with a serious claim to catholicity and orthodoxy. Turning the tables on the critics, Allin boldly argued that universalism, far from being dangerous, was actually needed to defend the orthodox faith of the church. This new edition of Allin's classic work includes an introduction that sets it in its historical context, the addition of subtitles to help readers navigate the argument, and numerous explanatory annotations.
Although temptation is a common and well-acknowledged part of the human experience, few realize the truth behind temptation and fewer still know how to defeat it. Tempted and Tried will not reassure Christians by claiming that temptation is less powerful or less prevalent than it is; instead, it will prepare believers for battle by telling the truth about the cosmic war that is raging. Moore shows that the temptation of every Christian is part of a broader conspiracy against God, a conspiracy that confronts everyone who shares the flesh of Jesus through human birth and especially confronts those who share the Spirit of Christ through the new birth of redemption. Moore walks readers through the Devil's ancient strategies for temptation revealed in Jesus' wilderness testing. Moore considers how those strategies might appear in a contemporary context and points readers to a way of escape. Tempted and Tried will remind Christians that temptation must be understood in terms of warfare, encouraging them with the truth that victory has already been secured through the triumph of Christ.
In this absorbing interview, Bishop Athanasius Schneider offers a candid, incisive examination of controversies raging in the Church and the most pressing issues of our times, providing clarity and hope for beleaguered Catholics. He addresses such topics as widespread doctrinal confusion, the limits of papal authority, the documents of Vatican II, the Society of St. Pius X, anti-Christian ideologies and political threats, the third secret of Fatima, the traditional Roman rite, and the Amazon Synod, among many others. Like his fourth-century patron, St. Athanasius the Great, Bishop Schneider says things that others won’t, fearlessly following St. Paul’s advice: “Preach the word, be urgent in season and out of season, convince, rebuke, and exhort, be unfailing in patience and in teaching” (2 Tim 4:2). His insights into the challenges facing Christ’s flock today are essential reading for those who are, or wish to be, alert to the signs of the times. Reminiscent of The Ratzinger Report of 1985, Christus Vincit will be a key point of reference for years to come.
The biblical teaching on the kingdom of God and its relationship to the church.
This is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.