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The Bible in the Armenian Tradition provides a concise historical account of the development of the Bible in Armenia and the illustrative traditions that are represented in surviving codices. The author focuses on the origins of the first translations of the Bible into Armenian in the fourth century, which inspired the Armenian alphabet itself. A range of beautiful Armenian Bible manuscripts from collections throughout the world are illustrated in full color and compared with western Bible illuminations. Later printed Armenian Bibles are also examined in detail, revealing fascinating examples of religious differences between the Armenian and the Catholic Christian traditions. This survey of Armenian Bible history is an important reference for biblical scholars and anyone with an interest in the history of Christianity.
Armenia was the first country to recognize Christianity as the official state religion in 301 AD, twelve years before Constantine's decree granting tolerance to Christianity within the Roman Empire. Ever since, Armenia has claimed the privilege of being the first Christian nation, and the wealth of Christian art produced in Armenia since then is testimony to the fundamental importance of the Christian faith to the Armenian people. This extensive new survey of Armenian Christian art, published to accompany a major exhibition at The British Library, celebrates the Christian art tradition in Armenia during the last 1700 years. The extraordinary quality and range of Armenian art which is documented includes sculpture, metalwork, textiles, ceramics, wood carvings and illuminated manuscripts and has been drawn together from collections throughout the world—many of the examples have never before been seen outside Armenia. In his authoritative text, Dr. Vrej Nersessian, Curator at The British Library, charts the development of Christianity in Armenia. This fascinating history is essential to an understanding of the art and religious tradition of Armenia, a country in which the sense of the sacred extends well beyond the purely religious, infiltrating the entire fabric of Armenian affairs to create a fascinating culture. This sumptuously illustrated book will be of immense value to anyone with an interest in Byzantine art and culture, the history of Christianity and the history of Armenia and the Middle Orient.
The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.
The various versions of the Infancy Gospels illustrate how stories about the Virgin and Child lend themselves to be told and retold - much like the stories in the canonical Gospels. This first translation of the full text of the Armenian Gospel of the Infancy, itself derived from a sixth-century Syriac text that no longer exists, provides two variants of the famous narrative and several recensions or ancient editions. Stories about Jesus, many of them unique to this gospel, are included to show how he exercised his sovereign and divine will even as a child. This edition also contains three early Armenian versions of the Protevangelium of James, which with other ancient sources dependent on it (like the Infancy Gospel of Thomas and the Gospel of Pseudo-Matthew) constitute the basic tradition in the formation of the later Infancy Gospels. These writings are our earliest sources about the parents of the Virgin Mary (Joachim and Anne) and her miraculous birth. They also form the basis for the dogma of her Immaculate Conception and perpetual virginity after the birth of Jesus, and lay the ground for certain of the Marian feasts celebrated since the fourth century. Terian's engaging introduction and annotation of the texts place this rare document clearly in its cultural and historical context and provide extensive references to the surrounding textual tradition. These extraordinary stories will appeal to all with an interest in the early church.
In this literary gem Vigen Guroian chronicles not merely the changing seasons but the course of his own life as he and his family move from Maryland to a new home near the Blue Ridge Mountains of Virginia. Leaving the old garden behind and cultivating another garden become an emblem of our journey through life, marked as it is by both bitter losses and sweet new blessings. While deeply personal, The Fragrance of God vividly unfolds the great biblical themes of the grandeur of God s creation, the senses as paths to experiencing God, and the garden as a place of birth, death, and renewal. Laced throughout with quotations from Guroian s beloved church fathers and replete with theological reflection, The Fragrance of God will lead readers down a path of deeper insight into the creation and the Creator.
This is the first monographic study of the Glajor Gospel, a 14th-century illuminated Armenian manuscript. In addition to critical studies of the iconography of the illuminations, the authors provide the history of the manuscript and the political and cultural setting in which it was produced, and the history of the monastery and school of Glajor.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Widely studied and hotly debated, the Silk Road is often viewed as a precursor to contemporary globalization, the merchants who traversed it as early agents of cultural exchange. Missing are the lives of the ordinary people who inhabited the route and contributed as much to its development as their itinerant counterparts. In this book, Kate Franklin takes the highlands of medieval Armenia as a compelling case study for examining how early globalization and everyday life intertwined along the Silk Road. She argues that Armenia—and the Silk Road itself—consisted of the overlapping worlds created by a diverse assortment of people: not only long-distance travelers but also the local rulers and subjects who lived in Armenia’s mountain valleys and along its highways. Franklin guides the reader through increasingly intimate scales of global exchange to highlight the cosmopolitan dimensions of daily life, as she vividly reconstructs how people living in and passing through the medieval Caucasus understood the world and their place within it. With its innovative focus on the far-reaching implications of local practices, Everyday Cosmopolitanisms brings the study of medieval Eurasia into relation with contemporary investigations of cosmopolitanism and globalization, challenging persistent divisions between modern and medieval, global and quotidian.