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She's always at her husband's side. Even though she is the centre of attention. The details about her life and the position she holds are always a source of curiosity. But what does it mean to be a pastor's wife? What challenges does she have to face? How did she join this ministry and become a helper of a man of God? What does a young woman have to take into consideration when she plans to marry a pastor? In this book, Tania Rubim writes about facing the challenges of joining this ministry. "Chosen for the Altar - A Manual for the Future Pastor's Wife" clarifies misconceptions, and at the same time gives encouragement to young girls who dream of serving God on the Altar, but fear that it is something impossible to achieve.
Welcome to the City. In this place of peace and plenty, with no disease, no suffering, and no want, people find meaning in service to their gods. They know the gods were created by humans, of course. But the gods protect and provide for the people, so why wouldn't the people serve the gods? In a Utopian society, what better way to express service than through pleasure and faith? For Kheema and her seven fellow Potentials, that means entering the temple of the Sun God to undergo months of training and practice to determine which of them will be chosen as Sacrifice. On the day of the summer Solstice, the one chosen as Sacrifice must recite the entire litany from atop the temple, while enduring nonstop forced orgasms from dawn 'til dusk. For Terlyn, service means becoming part of the Garden, bound naked and asleep while worshippers help themselves to her body. Terlyn wakes in ecstasy over and over, only to fall asleep again. The experience changes her, and her relationship with her friend and lover Donvin, who visits her while she is part of the Garden. Ashi's service to the god known as the Wild entails competing with other worshippers in a forest that appears overnight to demonstrate her resilience and will, so that she might become part of a ritual involving an altar, a long row of cages, and the complete abandonment of the self. The three stories brush against each other, revealing the heart of the City, as the people of the City serve, or ask for enlightenment from, multiple gods at once.
Few believers experience God's altar--a place of pure and wholehearted relationship and worship where our holy God can meet with us and the fire of his presence can fall. But such an altar is necessary in our personal lives, our marriages, our churches, and our nations so that we are strengthened, empowered, and equipped for every good work. In this influential, modern-day call back to the altar, Chuck D. Pierce and Alemu Beeftu invite readers to find their way to rebuild the place of God's presence to allow the fire of God--his presence and power--to fall. When we rekindle the altar fire, our lives, prayer, and worship are transformed. The time to rebuild altars for fresh fire is now!
Hollywood. Women's magazines. Advice from friends.Disney movies. Lady Gaga. If there was a pill for amnesia,this book would come with a free dose.The modern woman is out of fashion. Here comes the V-WOMAN.She challenges the concepts and values of modern women. She drives against the flow on the highways of feminism. She is what men would give anything to have.Cristiane Cardoso journeys into the past to uncover 20 secrets of this woman—and she teaches you how to apply them today.
Stern parents, awkward circumstances, misunderstandings, lovers’ quarrels – and one very determined cat – are some of the many hindrances that Montgomery’s characters find themselves battling on the way to the altar. But Montgomery helps her lovers overcome these obstacles to true love by a wonderful assortment of means: maiden aunts come to the rescue; two pairs of twins play major roles; a marauding pig is an unusual cupid; the lovers themselves come up with striking solutions. Whatever storms they must weather on the sea of love, whether they are rich or poor, young or old, trembling with romance or properly practical, in Montgomery’s hands courting couples seem destined to live “happily ever after.” Funny, heartwarming, and full of romance, these eighteen stories are sure to delight Montgomery’s many fans. From the Hardcover edition.
"Whom shall I send, and who will go for Us?" "Here I am!" was the prophet Isaiah's answer to God's great question, but do you know the secret that it holds? The Most High is looking for servants, and has well-defined criteria for whoever He chooses. It's not about time in church membership, a vast biblical knowledge, or in intellectual abilities. God is searching for servants who will offer their lives to Him in sincerity, purity, and wholeness. And this is exactly what Edir Macedo explains in this book. In a clear and detailed way, the author addresses various aspects of a servant's life, such as behaviour, character, choices, struggles, faith, and salvation. This book is a true treasure for those who value the privilege of being called and chosen to serve God.
Discover your true identity in Christ. Many of us live for the approval of others. We let the world decide who we are, or we look to those around us to discover who we think we’d like to be. The problem is that living for what people think of you is the quickest way to forget what God thinks of you. In Altar Ego, pastor and author of Winning the War in Your Mind Craig Groeschel will show you how to sacrifice your broken ideas of approval-based identity on the altar of God’s truth and become who you were meant to be in Christ. You'll learn how to: Expose false labels and selfish motives. Live according to God's higher values with a deeper confidence in His calling. Trade in your broken ego and unleash your “altar” ego as a living sacrifice to Him. Understand how God continuously shapes you into His vision of you. Once you know your true identity and are growing in Christ-like character, then you can behave accordingly with bold behavior, bold prayers, bold words, and bold obedience. Altar Ego reveals who God says you are, and then calls you to live up to it. Rather than living a timid, halfhearted, shallow cultural Christianity, you'll boldly live in the confidence of the God who believes in you.
"If one suffers, I suffer. If one is chained, I am chained." My faith called me to become a Lance. My compassion drew me into one of the fallen lands. Through my connection with the Chained God, I alone can find and destroy the Horror that stains the land. Death can no longer chain me. But I couldn't have imagined the madness waiting for me in this village. I'm not sure my faith can withstand the secrets I'll uncover. Or that my compassion can survive the violence to come. This Horror may swallow me whole. Death can no longer free me. A creature stalks in the dark. Buildings burn. People die. An altar has been built on the village green.
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah Hay Her movements are uncharacteristic, her words subversive, her dances unlike anything done before--and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence. In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements--precise and mysterious, mental and physical--that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.