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Chosen by the Lion is Linda Gregg's fourth collection and her most eloquent, bespeaking a deeply personal reconciliation with the loss of love. --Graywolf Press Gregg's typical language is silvery and agile, her ton level and concentrated. --The New Yorker.
Almost (but not quite!) middle-aged, Tess was living a perfectly ordinary life in a perfectly soul-killing job. Until the day she and her best friend spent a fun Friday night trying to cast a love spell on a man who was anything but ordinary. I mean, magic wasn't even real, right? They had tried spells before for fun with nothing to show for it but a little wasted time.This time was different. When Tess cast the spell by herself, the earth literally shook. The night that followed introduced her to a new world of Chosen shifters, demons, magic users and one golden eyed lion shifter. And her vow to never do THAT again. The morning that followed was even stranger. Waking up with a new tattoo and a lioness on her bed was only the beginning ...Tess had never done much more than dabble with harmless, fun spells. So how was it possible that not only was a demon after her, but the HEAD demon Apophis no less? How did this fit in with the fact that she now possessed powerful blue magic when every other magic user had 'ordinary' white magic? SAHU: Chosen and Familiars - Humans chosen by a familiar to help fulfill the twin obligations of helping spirits move on in their journey and keeping demons in the underworld.
"Wright shrinks back from nothing."—The Village Voice "Wright belongs to a school of exactly one."—The New York Times Book Review "Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle."—The New Yorker "C.D. Wright is one of America's oddest, best, and most appealing poets."—Publishers Weekly A companion to her astonishing collection of prose Cooling Time, C.D. Wright argues for poetry as a way of being and seeing, and calls it "the one arena where I am not inclined to crank up the fog machine." Wright's passion for the genre is pure inspiration, and in her hands the answer to the question of poetry is poetry. From "In a Word": I love the nouns of a time in a place, where a sack once was a poke and native skag was junk glass not junk and junk was just junk not smack and smack entailed eating with your mouth open, and an Egyptian one-eye was an egg, sunny side up, and a nation sack was a flannel amulet, worn only by women, to be touched only by women, especially around Memphis. Red sacks for love and green for money… C.D. Wright's most recent volume, One With Others, was a National Book Award finalist. Among her many honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.
"Loss is a constant companion in Things and Flesh as the poet explores what lesson can be found in "the way this new silence lasts." What all the poems accomplish is to carry the grief we must all by nature endure. They carry our grief across boundaries, over time, and perhaps even beyond, into what used to be called "salvation" - but which Gregg now indicates is instead the place where poetry is made. The consolations are hard won, but no less triumphant."--BOOK JACKET.
Fantasy tale about a race of magical warriors.
In this beautiful retelling of the story of the very first Christmas, the humble donkey is chosen above all other animals to carry Mary to Bethlehem. As his journey unfolds, he is touched by the magic and mystery of the Nativity... With sparkles of originality, humour and warmth, the Christmas story is reborn.
"A reminder that sometimes, there is a good reason to break the rules. . . .This winsome pairing of text and illustration is a natural for storytime." -- SCHOOL LIBRARY JOURNAL (starred review) (Ages 4-7) Miss Merriweather, the head librarian, is very particular about rules in the library. No running allowed. And you must be quiet. But when a lion comes to the library one day, no one is sure what to do. There aren't any rules about lions in the library. And, as it turns out, this lion seems very well suited to library visiting. His big feet are quiet on the library floor. He makes a comfy backrest for the children at story hour. And he never roars in the library, at least not anymore. But when something terrible happens, the lion quickly comes to the rescue in the only way he knows how. Michelle Knudsen's disarming story, illustrated by the matchless Kevin Hawkes in an expressive timeless style, will win over even the most ardent of rule keepers.
After the death of virtually all of her family in the battle of Camlan, Goewin--Princess of Britain, daughter of the High King Artos--makes a desperate journey to African Aksum, to meet with Constantine, the British ambassador and her fiance. But Aksum is undergoing political turmoil, and Goewin's relationship with its ambassador to Britain makes her position more than precarious. Caught between two countries, with the power to transform or end lives, Goewin fights to find and claim her place in a world that has suddenly, irrevocably changed. . . .
A new and resplendent collection by Linda Gregg, whose poems "have the elegance of Greek statuary and the good-humored poise of haiku" (Poetry) I finally fell in love with all of it: dirt, silence, rock and far views. It's strange that my heart is as full now as my desire was then. —from "Arriving Again and Again Without Noticing" In one poem in this emotional and spiritual collection, Linda Gregg asks, "It is clear why love / took me to the shore of death, / but why did it bring me back?" In the Middle Distance, Gregg's sixth book, explores up to and beyond the crossroads of devastation and desire. There, she finds not only survival but also salvation—hard-won, resilient, and meaningful. This collection brings Gregg's passion and intensity together with a new wisdom and vitality that is unmistakably original.