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Julie, an eleven-year-old Irish Catholic, had no inkling that the mysterious yet undeniable bond formed in a fleeting encounter with a priest would later transform her life. This memoir, in part told through actual letters, is the inspiring story of how two souls, grounded in faith and destined to be together, escape violence to move confidently from darkness to light and from fear to love.
Don Miguel Ruiz, the author of the classic The Four Agreements and one of the most influential spiritual leaders in the world today, offers students of mystery a new path of knowledge through the most powerful force in the uni-verse: love.
Selected by the Modern Library as one of the 100 best nonfiction books of all time A book about romantic love, Eros the Bittersweet is Anne Carson's exploration of the concept of "eros" in both classical philosophy and literature. Beginning with, "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her," Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue. Epigrammatic, witty, ironic, and endlessly entertaining, Eros is an utterly original book.
Eros, the mafia prince of the most feared mafia in the world, was the stuff of nightmares for anyone who dared to cross him. Blessed with ethereal good looks and a physique sculpted by years of ruthless training, this seventeen-year-old was the embodiment of temptation and terror. With mesmerizing electric blue eyes and a jawline sharp enough to cut glass, Eros commanded attention wherever he went, leaving a trail of besotted admirers in his wake. Everyone fears the stunning killer who is on the brink of ascending to the throne of the underworld, his reputation more fearsome than even that of his father. The king and prince don't see eye to eye. The reason is unknown. But even the king knows not to provoke his wounded lion-like prince because he won't blink an eye before killing him Yet, amidst the fear and awe he inspired, there was one person who saw past Eros' ruthless exterior. Aria Miller, a high school student, had fallen hopelessly in love with the mafia prince, captivated by the depth of his soul and the vulnerability that lay beneath his icy demeanor. Loving him from afar was her only option, for Eros was as untouchable as he was irresistible. Besides his close-knit circle of friends, Eros remained aloof and indifferent, ignoring the advances of those who sought his attention, like a plague. But Aria, with her quiet strength and unwavering compassion, had managed to glimpse the man beneath the monster…
"In Eros, the subtle and profound nuances of the erotic nature of relationships between men and women are explored through a collection of black-and-white photographs that are coupled with inspired, passionate words. Among the photographers whose visions comprise this volume are some of the great masters - Brassai, Imogen Cunningham, Horst, Man Ray, Minor White, Edward Weston - as well as many celebrated contemporary artists - Manuel Alvarez Bravo, Hiro, Annie Leibovitz, Robert Mapplethorpe, Duane Michals, Helmut Newton, and Albert Watson, among others. Deeply involved as they are with the relationship between seeing and feeling, their images take us on a rich visual journey ranging from the eloquent beauty of the human form to the complexity of body language motivated by desire." "This compendium of expressive photographs is accented with a variety of literary selections drawn from the work of writers such as Margaret Atwood, Siv Cedering, John Cleland, E. E. Cummings, Michael Fried, Robert Graves, Erica Jong, D. H. Lawrence, Henry Miller, Anais Nin, Carson Reed, Dylan Thomas, and Walt Whitman. Embracing the spectrum of the erotic experience - from quiet intimacy and meditation to frank lust and reckless abandon - their words highlight the power of Eros not only to thrill and delight but also to uplift and transform."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Eros: The Myth of Ancient Greek Sexuality is a controversial book that lays bare the meanings Greeks gave to sex. Contrary to the romantic idealization of sex dominating our culture, the Greeks saw eros as a powerful force of nature, potentially dangerous and in need of control by society: Eros the Destroyer, not Cupid the Insipid, is what fired the Greek imagination. The destructiveness of eros can be seen in Greek imagery and metaphor, and in their attitudes toward women and homosexuals. Images of love as fire, disease, storms, insanity, and violence—top 40 song clichés for us—locate eros among the unpredictable and deadly forces of nature. The beautiful Aphrodite embodies the alluring danger of sex, and femmes fatales like Pandora and Helen represent the risky charms of female sexuality. And homosexuality typifies for the Greeks the frightening power of an indiscriminate appetite that threatens the stability of culture itself. In Eros: The Myth of Ancient Greek Seualily, Bruce Thornton offers a uniquely sweeping and comprehensive account of ancient sexuality free of currently fashionable theoretical jargon and pretensions. In its conclusions the book challenges the distortions of much recent scholarship on Greek sexuality. And throughout it links the wary attitudes of the Greeks to our present-day concerns about love, sex, and family. What we see, finally, are the origins of some of our own views as well as a vision of sexuality that is perhaps more honest and mature than our own dangerous illusions.
Two innovative spiritual teachers show how to use desire and passion—eros—as a gateway to realizing our fullest potential What do desire and passion have to do with our spiritual journey? According to A. H. Almaas and Karen Johnson, they are an essential part of it. Conventional wisdom cautions that desire and passion are opposed to the spiritual path—that engaging in desire will take you more into the world, into egoic life. And for most people, that is exactly what happens. We naturally tend to experience wanting in a self-centered way. The Power of Divine Eros challenges the view that the divine and the erotic are separate. When we open to the energy, aliveness, spontaneity, and zest of erotic love, we will find it inseparable from the realm of the holy and sacred. When this is understood, desire and passion become a gateway to wholeness and to realizing our full potential. Through guided exercises, the authors reveal how our relationships become opportunities on the spiritual journey to express ourselves authentically, to relate with openness, and to discover dynamic inner realms with another person. Through embodying the energy of eros, each of us can learn to be fully real and alive in all of our interactions.
This long-awaited, magisterial study-an unparalleled blend of philosophy, poetry, and philology-draws on theories of sexuality, phenomenology, comparative religion, philological writings on Kabbalah, Russian formalism, Wittgenstein, Rosenzweig, William Blake, and the very physics of the time-space continuum to establish what will surely be a highwater mark in work on Kabbalah. Not only a study of texts, Language, Eros, Being is perhaps the fullest confrontation of the body in Jewish studies, if not in religious studies as a whole. Elliot R. Wolfson explores the complex gender symbolism that permeates Kabbalistic literature. Focusing on the nexus of asceticism and eroticism, he seeks to define the role of symbolic and poetically charged language in the erotically configured visionary imagination of the medieval Kabbalists. He demonstrates that the traditional Kabbalistic view of gender was a monolithic and androcentric one, in which the feminine was conceived as being derived from the masculine. He does not shrink from the negative implications of this doctrine, but seeks to make an honest acknowledgment of it as the first step toward the redemption of an ancient wisdom. Comparisons with other mystical traditions-including those in Christianity, Buddhism, and Islam-are a remarkable feature throughout the book. They will make it important well beyond Jewish studies, indeed, a must for historians of comparative religion, in particular of comparative mysticism. Praise for Elliot R. Wolfson: "Through a Speculum That Shines is an important and provocative contribution to the study of Jewish mysticism by one of the major scholars now working in this field."-Speculum