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Now anybody can raid Chloë Sevigny's wardrobe! Re-inventing the looks of 1989 for 2008, Sevigny has designed her first collection for the discerning New York/Los Angeles boutique Opening Ceremony. It's a concise and carefully assembled collection, comprised of 40 pieces, and this volume presents each of them as photographed by Mark Borthwick, who first shot Sevigny for Purple magazine 10 years ago. The collection was inspired by the teen fashions of the late 80s and early 90s in Connecticut and New York, where Sevigny grew up, and further inflected by the looks of "women who are outrageous yet effortless--Liz Goldwyn, Cecilia Dean, Angelica Houston, Marlene Dietrich, Debbie Harry, Poison Ivy, Slim Keith, Patti Smith." In Sevigny's vision, calico and Liberty prints might be matched with gingham check trousers--each piece evokes a look but can be combined to many ends. In this mix-and-match volume, in which each page is split into two separately flippable sections, Sevigny models each ensemble with a minimum of fuss, allowing the clothes to speak for themselves. Borthwick's ethereal photographs are complemented with drawings by Marika Thunder, Rita Ackerman, Lizzie Bougatsos, Benjamin Cho, Dan Colen, Matt Damhave, Amy Gartrel, Lily Ludlow and Spencer Sweeney.
Actress-designer Chloë Sevigny marks the debut of her new line of unisex menswear with this limited-edition hardcover volume. First called on to model her collection of tweedy wools, Fair Isle knits, and animal print jacquard sweaters, Chloë's redheads became muses for a project focusing on the curious place of red hair in our culture. Curated by Sevigny, Reds features contributions from Slater Bradley, Peter Coffin, Matt Damhave, Brian DeGraw, Joe DeNardo, Brendan Fowler, Jess Holzworth, Matt Keegan, Karen Kilimnik, Nate Lowman, Marlene McCarty, Jack Pierson, Rob Pruitt, Aurel Schmidt and Kon Trubkovich. Original works by these artists accompany images by David Armstrong, shot on location at the photographer's townhouse in Bedford-Stuyvesant, Brooklyn. In addition, redhead lore from Lily Ludlow explores centuries of redhead mythology, which variously described the fair-skinned, freckled breed as temperamental, magical, unlucky, jolly, beautiful and deviant.
New York: Club Kids is a high impact visual diary of New York City in the 1990s, seen through the eyes of Waltpaper, a central figure within the Club Kids. The Club Kids comprised an artistic and fashion-conscious youth movement that crossed over into the public consciousness through appearances on daytime talk shows, magazine editorials, fashion campaigns, and music videos, planting the seeds for popular cultural trends such as reality television, self-branding, influencers, and the gender revolution. Known for their outrageous looks, legendary parties, and sometimes-illicit antics, The Club Kids were the hallmarks of Generation X and would prove to be the last definitive subculture group of the analog world. The '90s, whose 30th anniversary is quickly approaching, has come to be known as the last discernible and cohesive decade, cherished by those who experienced it and romanticized by those who missed it. The first comprehensive visual document of '90s nightlife and street culture, New York Club Kids grants special access to a dormant world, curated and narrated by someone who participated in the experience. Featuring rare photographs and ephemera, the book culls from the personal archives of various photographers and artists whose recognition is long overdue.
"In early '79 I was already engaged in what eventually turned out to be a lengthy photographic study of the New Romantics (though back then they were not known as such). I'd been documenting this nascent scene in the Soho nightclub 'Billy's' and, one evening, a group of about half-a-dozen skinheads turned up. They saw me taking photographs and one of them, a guy called Wally, asked me if I'd like to take some photos of them too. They seemed pretty friendly and not at all camera shy. I took a few snaps, we got talking and Wally suggested I go with the whole gang on one of their Bank Holiday jaunts to the seaside. That was what led, eventually, to five years of photographing skinheads. In those five years I got to know some of the skinheads quite well and liked many of them." Derek Ridgers All the photos were taken between 1979 - 1984 in either London or nearby coastal towns. Over 100 photos including 32 pages of colour.
The funny romantic comedy about an unlikely law student with big dreams that inspired the blockbuster movie and the Broadway musical. Elle Woods, California University senior, seems to have it all. President of Delta Gamma sorority, a star in the classroom (her major: sociopolitical jewelry design)—and is on the verge of becoming the much-envied Mrs. Warner Huntington III. Too bad Warner, bound for Stanford Law, dumps her with the explanation that he now needs a more “serious” woman at his side. Faced with this unexpected reversal of fortune, Woods doesn't get depressed, she gets busy. Thanks to a creative application and a demand for “diversity” at Stanford Law, Elle gets her acceptance letter. Soon she's packing up her convertible—as well as her miniature Chihuahua—determined to win back her man, and to prove to herself that dreaming big is the only way to dream. Smart, fast, and funny. Legally Blonde proves just how much fun blondes really can have.
Based on Rachel Ballinger's hit Youtube channel comes this hilarious compilation of 101 rants on things that piss her off, enhanced with photos and illustrations.
British-born, New York-based photographer Mark Borthwick (born 1966) is famed for his blurry, sunsoaked photographs, a style that has crossed disciplines and gained him equal footing in the art, photography and fashion worlds. Borthwick came to prominence in the mid-1990s with several major international exhibitions of photography; in 1998 his self-designed publication Synthetic Voices won him the Art Directors Club (New York) Silver Prize for Book Design, and his 2004 DVD collaboration with Cat Power, Speaking for Trees, further enlarged his audience. A musician, artist and poet, Borthwick conveys throughout his work an appetite for life recorded in snatched moments of bliss and delight: rainbow-like sun streaks are common effects in his photographs, as is imagery of youthful frolics in forests. The Heart Land is conceived as an artist's book convening artworks, photographs and poems by Borthwick.
THE #1 NEW YORK TIMES, GRAMMY-NOMINATED BESTSELLER A SUNDAY TIMES, GUARDIAN, OBSERVER, ROLLING STONE, AND ROUGH TRADE BOOK OF THE YEAR A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself-by band members AD-ROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more. THE INSPIRATION FOR THE 5-TIME EMMY NOMINATED, SPIKE JONZE-DIRECTED BEASTIE BOYS STORY 'One of the greatest music books ever published.' MAX PORTER Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. Here is their story, told for the first time in the words of the band. Adam "AD-ROCK" Horovitz and Michael "Mike D" Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the almost impossible-to-fathom overnight success of their debut studio album Licensed to Ill; that album's messy fallout; their break with Def Jam, move to Los Angeles, and rebirth as musicians and social activists, with the genre-defying masterpiece Paul's Boutique. For more than twenty years, this band has had a wide-ranging and lasting influence on popular culture. With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys' New York, mixtape playlists, pieces by guest contributors, and many more surprises. 'Memoir, graphic novel, cookbook, photo-journal, love letter, elegy: this vast, unwieldy, marvellous book, narrated, like the band's songs, scatter-gun style by the two surviving Beastie Boys, is as original, uncategorisable and attention-grabbing as their music.' SUNDAY TIMES (BOOK OF THE YEAR) 'Wide-ranging and unorthodox . . . [a] treat . . . insightful about the group's shifting music and are expert yarn-spinners, homing in on telling vignettes rather than doling out a straightforward history . . . shot through with yearning and melanchonly.' GUARDIAN (BOOK OF THE YEAR) 'Here is their story, told for the first time in the words of the ban With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir . . . Our clear winner for Book of the Year.' ROUGH TRADE (BOOK OF THE YEAR) 'The Beasties didn't play by the rules during their career, and this memoir by surviving members Michael Diamond and Adam Horovitz doesn't either . . . hiliarious, at times heartwarming.' ROLLING STONE (BOOK OF THE YEAR)
"When Tod Papageorge began this work, the newspapers saw Central Park chiefly as a site of danger and outrage, and they were doubtless partly right. But the park shown here seems no more dangerous than life itself, and no less filled with beauty, charming incident, excess, jokes in questionable taste, unintended consequence, and pathos, truly described. One might say that no artist has done so much for this piece of land since Frederick Law Olmstead." --John Szarkowski, The Museum of Modern Art, New York After receiving a Guggenheim Fellowship in 1977, Tod Papageorge began to photograph intensively in Central Park, employing medium-format cameras rather than the 35mm Leicas that he had used since moving to New York in 1965. These pictures, gathered in Passing Through Eden, convey the passion that--as Rosalind Krauss once described it in Papageorge's work--embraces "the sensuous richness of physical reality, that fullness which Baudelaire called intimacy when he meant eroticism." From picture to picture, Papageorge constructs a world that resembles our own, but that also invokes that of the Bible: Passing Through Eden is sequenced to parallel, in its opening pages, the first chapters of Genesis--from the Creation through the (metaphorical) generations that follow on from Cain--before giving over to a virtuosic run of pictures that, as he expresses it in his illuminating afterword to the book, picks up "the threads that tie the Bible to Chaucer, Shakespeare and "Page Six" of the New York Post." This ambitious body of work--incorporating pictures produced over the course of 25 years--displays not only Papageorge's remarkable ability to make photographs that read like condensed narratives, but also his skill at weaving them into sequences that echo profound cultural narratives. It challenges the reader to succumb (or not) to the pleasures of the "fullness" of each individual photograph, while ignoring (or not) the tug of a tale demanding to be told. Like Eden itself, this book sets our desire for beauty against that of knowledge, even as it reminds us of some of the ways that we read, and come to know, books.
"Summer 2009 seemed more colorful than usual, thanks to the boldly innovative Visionaire issue, Solar. Inside a sleek all-white case resided an all-white board-bound book featuring an all-white embroidered bird by Roe Ethridge. The book featured artworks by Alex Katz, Peter Lindbergh, Ryan McGinley, and David Sims--each printed using breakthrough color-changing inks. When viewed indoors or under artificial light, the issue, sponsored by Calvin Klein Collection, was completely stark in its black & whiteness. When exposed to direct sunlight, however, the artworks reacted to UV rays and bloomed into full color--and inspired actual items of clothing, too. Calvin Klein Collection’s Francisco Costa and Italo Zucchelli produced women’s and men’s pieces, respectively, made of fabric dipped in the same color-changing inks. Even Yoko Ono was impressed. “I love experiments on the paper itself in publications,” Ono says, looking back. “Visionaire is the only magazine I know of to make such far-out statements. Every issue is so daring and enjoyable. We all wait for the next one to come out. Bravo, Visionaire!""--Publisher's description.