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Now anybody can raid Chloë Sevigny's wardrobe! Re-inventing the looks of 1989 for 2008, Sevigny has designed her first collection for the discerning New York/Los Angeles boutique Opening Ceremony. It's a concise and carefully assembled collection, comprised of 40 pieces, and this volume presents each of them as photographed by Mark Borthwick, who first shot Sevigny for Purple magazine 10 years ago. The collection was inspired by the teen fashions of the late 80s and early 90s in Connecticut and New York, where Sevigny grew up, and further inflected by the looks of "women who are outrageous yet effortless--Liz Goldwyn, Cecilia Dean, Angelica Houston, Marlene Dietrich, Debbie Harry, Poison Ivy, Slim Keith, Patti Smith." In Sevigny's vision, calico and Liberty prints might be matched with gingham check trousers--each piece evokes a look but can be combined to many ends. In this mix-and-match volume, in which each page is split into two separately flippable sections, Sevigny models each ensemble with a minimum of fuss, allowing the clothes to speak for themselves. Borthwick's ethereal photographs are complemented with drawings by Marika Thunder, Rita Ackerman, Lizzie Bougatsos, Benjamin Cho, Dan Colen, Matt Damhave, Amy Gartrel, Lily Ludlow and Spencer Sweeney.
Actress-designer Chloë Sevigny marks the debut of her new line of unisex menswear with this limited-edition hardcover volume. First called on to model her collection of tweedy wools, Fair Isle knits, and animal print jacquard sweaters, Chloë's redheads became muses for a project focusing on the curious place of red hair in our culture. Curated by Sevigny, Reds features contributions from Slater Bradley, Peter Coffin, Matt Damhave, Brian DeGraw, Joe DeNardo, Brendan Fowler, Jess Holzworth, Matt Keegan, Karen Kilimnik, Nate Lowman, Marlene McCarty, Jack Pierson, Rob Pruitt, Aurel Schmidt and Kon Trubkovich. Original works by these artists accompany images by David Armstrong, shot on location at the photographer's townhouse in Bedford-Stuyvesant, Brooklyn. In addition, redhead lore from Lily Ludlow explores centuries of redhead mythology, which variously described the fair-skinned, freckled breed as temperamental, magical, unlucky, jolly, beautiful and deviant.
This lively volume celebrates the contributions to inventive fashionable living by the New York– based style innovator Opening Ceremony—a bible for the fashion-forward and culturally savvy alike. In 2002, when Carol Lim and Humberto Leon opened the downtown Manhattan retail shop Opening Ceremony, they created what has become the most innovative fashion and culture destination in New York. Bringing together the best emerging American talent with international designers and historic brands, Opening Ceremony represents the best in fashion and has played a vital role in launching the careers of many young designers. Celebrating the company’s tenth anniversary, Opening Ceremony is a visually rich documentation of Leon and Lim’s diverse inspirations, collaborators, and creative community, including Ryan McGinley, Rodarte, and Alexander Wang. A celebratory look at New York’s quintessential style headquarters, this book will captivate and inspire readers from fashion, art, music, film, and beyond.
New York: Club Kids is a high impact visual diary of New York City in the 1990s, seen through the eyes of Waltpaper, a central figure within the Club Kids. The Club Kids comprised an artistic and fashion-conscious youth movement that crossed over into the public consciousness through appearances on daytime talk shows, magazine editorials, fashion campaigns, and music videos, planting the seeds for popular cultural trends such as reality television, self-branding, influencers, and the gender revolution. Known for their outrageous looks, legendary parties, and sometimes-illicit antics, The Club Kids were the hallmarks of Generation X and would prove to be the last definitive subculture group of the analog world. The '90s, whose 30th anniversary is quickly approaching, has come to be known as the last discernible and cohesive decade, cherished by those who experienced it and romanticized by those who missed it. The first comprehensive visual document of '90s nightlife and street culture, New York Club Kids grants special access to a dormant world, curated and narrated by someone who participated in the experience. Featuring rare photographs and ephemera, the book culls from the personal archives of various photographers and artists whose recognition is long overdue.
The funny romantic comedy about an unlikely law student with big dreams that inspired the blockbuster movie and the Broadway musical. Elle Woods, California University senior, seems to have it all. President of Delta Gamma sorority, a star in the classroom (her major: sociopolitical jewelry design)—and is on the verge of becoming the much-envied Mrs. Warner Huntington III. Too bad Warner, bound for Stanford Law, dumps her with the explanation that he now needs a more “serious” woman at his side. Faced with this unexpected reversal of fortune, Woods doesn't get depressed, she gets busy. Thanks to a creative application and a demand for “diversity” at Stanford Law, Elle gets her acceptance letter. Soon she's packing up her convertible—as well as her miniature Chihuahua—determined to win back her man, and to prove to herself that dreaming big is the only way to dream. Smart, fast, and funny. Legally Blonde proves just how much fun blondes really can have.
British-born, New York-based photographer Mark Borthwick (born 1966) is famed for his blurry, sunsoaked photographs, a style that has crossed disciplines and gained him equal footing in the art, photography and fashion worlds. Borthwick came to prominence in the mid-1990s with several major international exhibitions of photography; in 1998 his self-designed publication Synthetic Voices won him the Art Directors Club (New York) Silver Prize for Book Design, and his 2004 DVD collaboration with Cat Power, Speaking for Trees, further enlarged his audience. A musician, artist and poet, Borthwick conveys throughout his work an appetite for life recorded in snatched moments of bliss and delight: rainbow-like sun streaks are common effects in his photographs, as is imagery of youthful frolics in forests. The Heart Land is conceived as an artist's book convening artworks, photographs and poems by Borthwick.
Based on Rachel Ballinger's hit Youtube channel comes this hilarious compilation of 101 rants on things that piss her off, enhanced with photos and illustrations.
"Summer 2009 seemed more colorful than usual, thanks to the boldly innovative Visionaire issue, Solar. Inside a sleek all-white case resided an all-white board-bound book featuring an all-white embroidered bird by Roe Ethridge. The book featured artworks by Alex Katz, Peter Lindbergh, Ryan McGinley, and David Sims--each printed using breakthrough color-changing inks. When viewed indoors or under artificial light, the issue, sponsored by Calvin Klein Collection, was completely stark in its black & whiteness. When exposed to direct sunlight, however, the artworks reacted to UV rays and bloomed into full color--and inspired actual items of clothing, too. Calvin Klein Collection’s Francisco Costa and Italo Zucchelli produced women’s and men’s pieces, respectively, made of fabric dipped in the same color-changing inks. Even Yoko Ono was impressed. “I love experiments on the paper itself in publications,” Ono says, looking back. “Visionaire is the only magazine I know of to make such far-out statements. Every issue is so daring and enjoyable. We all wait for the next one to come out. Bravo, Visionaire!""--Publisher's description.
The biggest party in New York these days is called MisShapes - a haven for the city's youth culture, run by three young DJs who've been compared to Andy Warhol and his Factory. They've gained international cult status, and their website is used by thousands as a guide to the latest styles, trends and art. This extensive collection of portraits ranges from punk rockers to artists, downtown kids to musicians and celebrities including Madonna and Michael Stipe, all posed amidst the scene's dense and riotous environment. Documenting style, fashion and attitude!
Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations—bourgeois alienation, modes and critiques of spectatorship, the role of the media—and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.