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Chloe, Josh Miller's younger sister, is a free spirit with funky clothes and dramatic hair. She struggles with her own identity, classmates, parents, boys, and -- her biggest question -- whether or not God is for real. But this unconventional high school freshman definitely doesn't hold back when she meets Him in a big, personal way. Refusing to change her image to fit into the "stereotypical Christian preppy mold," Chloe expresses God's love and grace through the girl band she forms, Redemption. In her development as a musician and performer, tender-hearted Chloe will learn tough lessons about following God, her heart, and her dreams.
Conversations with Chloe: A Mother and Daughter Dialogue across the Veil is an intimate conversation between Andrea and her daughter Chloe, that began six weeks after Chloes death in February, 2016. Begun as a simple letter from a mother to a daughter to help deal with the loss, the first words of Chloes response, Mom, you are so easy to find that its a joke jolted Andrea out of grief and onto a journey of healing, wonder and knowing that there is only life after life. This conversation, which took place over five months, reveals truths about the afterlife, the power of apology and forgiveness, and the reality that only the physical body is discarded. The soul lives, thrives, is close by and ever loving. May this uncommon dialogue offer hope and comfort and the knowing that all is as it should be.
Finalist for the Pulitzer Prize in Memoir or Autobiography A New York Times Notable Book of 2022 * Vulture’s #1 Memoir of 2022 * A Washington Post, Los Angeles Times, USA TODAY, Time, BuzzFeed, Publishers Weekly, Booklist, and New York Public Library Best Book of the Year From Chloé Cooper Jones—Pulitzer Prize finalist, philosophy professor, Whiting Creative Nonfiction Grant recipient—an “exquisite” (Oprah Daily) and groundbreaking memoir about disability, motherhood, and the search for a new way of seeing and being seen. “I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living.” So begins Chloé Cooper Jones’s bold, revealing account of moving through the world in a body that looks different than most. Jones learned early on to factor “pain calculations” into every plan, every situation. Born with a rare congenital condition called sacral agenesis which affects both her stature and gait, her pain is physical. But there is also the pain of being judged and pitied for her appearance, of being dismissed as “less than.” The way she has been seen—or not seen—has informed her lens on the world her entire life. She resisted this reality by excelling academically and retreating to “the neutral room in her mind” until it passed. But after unexpectedly becoming a mother (in violation of unspoken social taboos about the disabled body), something in her shifts, and Jones sets off on a journey across the globe, reclaiming the spaces she’d been denied, and denied herself. From the bars and domestic spaces of her life in Brooklyn to sculpture gardens in Rome; from film festivals in Utah to a Beyoncé concert in Milan; from a tennis tournament in California to the Killing Fields of Phnom Penh, Jones weaves memory, observation, experience, and aesthetic philosophy to probe the myths underlying our standards of beauty and desirability and interrogates her own complicity in upholding those myths. “Bold, honest, and superbly well-written” (Andre Aciman, author of Call Me By Your Name) Easy Beauty is the rare memoir that has the power to make you see the world, and your place in it, with new eyes.
“A beautifully observed and thrillingly honest novel about the dark corners of family life and the long, complicated search for understanding and grace.” —Jenny Offill, author of Dept. of Speculation and Weather “The Fourth Child is keen and beautiful and heartbreaking—an exploration of private guilt and unexpected obligation, of the intimate losses of power embedded in female adolescence, and of the fraught moments of glancing divinity that come with shouldering the burden of love.” —Jia Tolentino, New York Times bestselling author of Trick Mirror “A remarkable family saga . . . The Fourth Child is a balm—a reminder that it is possible for art to provide a nuanced exploration of life itself.” —Rumaan Alam, author of Leave the World Behind and Rich and Pretty The author of Break in Case of Emergency follows up her “extraordinary debut” (The Guardian) with a moving novel about motherhood and marriage, adolescence and bodily autonomy, family and love, religion and sexuality, and the delicate balance between the purity of faith and the messy reality of life. Book-smart, devoutly Catholic, and painfully unsure of herself, Jane becomes pregnant in high school; by her early twenties, she is raising three children in the suburbs of western New York State. In the fall of 1991, as her children are growing older and more independent, Jane is overcome by a spiritual and intellectual restlessness that leads her to become involved with a local pro-life group. Following the tenets of her beliefs, she also adopts a little girl from Eastern Europe. But Mirela is a difficult child. Deprived of a loving caregiver in infancy, she remains unattached to her new parents, no matter how much love Jane shows her. As Jane becomes consumed with chasing therapies that might help Mirela, her relationships with her family, especially her older daughter, Lauren, begin to fray. Feeling estranged from her mother and unsettled in her new high school, Lauren begins to discover the power of her own burgeoning creativity and sexuality—a journey that both echoes and departs from her mother’s own adolescent experiences. But when Lauren is confronted with the limits of her youth and independence, Jane is thrown into an emotional crisis, forced to reconcile her principles and faith with her determination to keep her daughters safe. The Fourth Child is a piercing love story and a haunting portrayal of how love can shatter—or strengthen—our beliefs.
One of Amazon's Best Romances of 2022! Opposites become allies to fool their matchmaking friends in this swoony reimagining of Shakespeare’s beloved comedy, Much Ado About Nothing. Jamie Westenberg and Bea Wilmot have nothing in common except a meet-disaster and the mutual understanding that they couldn't be more wrong for each other. But when the people closest to them play Cupid and trick them into going on a date, Jamie and Bea realize they have something else in common after all—an undeniable need for revenge. Soon their plan is in place: Fake date obnoxiously and convince the meddlers they’re madly in love. Then, break up spectacularly and dash everyone's hopes, putting an end to the matchmaking madness once and for all. To convince everyone that they’ve fallen for each other, Jamie and Bea will have to nail the performance of their lives. But as their final act nears and playing lovers becomes easier than not, they begin to wonder: What if Cupid’s arrow wasn’t so off the mark? And what if two wrongs do make a right?
The TikTok sensation, now with new exclusive content! Opposites attract in this heartfelt, modern marriage-of-convenience romance about finding love—and home—in the most unlikely of places. Rooney Sullivan is sunshine incarnate and the antithesis of quiet, reserved Axel. He’s been able to hide his attraction to her until a party game gets out of hand and ends in an unexpected kiss. Months later, Rooney’s staying just next door to him for a cozy A-frame getaway and temptingly within reach. Axel, the eldest Bergman brother, is a gorgeous grump and Rooney’s longtime crush. Their kiss was an accident, and months later, so is stumbling into him at the Bergman family’s property. Rooney’s sure her feelings are unrequited, thanks to the distance Axel keeps, so she keeps her attraction to herself. But when Axel and Rooney unexpectedly find their paths—and problems—converging, marriage proves the perfect solution. At least, until they face a new dilemma: a marriage of convenience that’s inconveniently become a love match, after all.
Enemies become lovers in this sizzling sports romance about taking a chance on love when life’s taught you it’s a losing game. Oliver Bergman is a beloved rising soccer star, all sunshine smiles and the heart of their team’s spirit. To make matters worse, he’s obscenely attractive. In short: he’s genetically designed to get under misanthropic, miserable Gavin’s aggravated skin. Ten years older than Oliver and a legendary player at the end of his career, Gavin Hayes is the team’s demanding captain. He’s also a giant–albeit gorgeous–grump who lives to rain on Oliver’s parade. Especially when Oliver and Gavin are named co-captains of the team. Sick of their hostility, Coach gives them an ultimatum: put an end to their enmity or say goodbye to being captains. Forced to finally to lower their guards, Gavin and Oliver realize that they also have chemistry off the field and it’s fueled by something much more powerful than competition—an explosive attraction.
A NEW YORK TIMES NOTABLE BOOK • From an award-winning journalist, a poignant and gripping immersion in the life of a young, homeless single mother amid her quest to find stability and shelter in the richest city in America LONGLISTED FOR THE PEN/JEAN STEIN BOOK AWARD • “Riveting . . . a remarkable feat of reporting.”—The New York Times Camila is twenty-two years old and a new mother. She has no family to rely on, no partner, and no home. Despite her intelligence and determination, the odds are firmly stacked against her. In this extraordinary work of literary reportage, Lauren Sandler chronicles a year in Camila’s life—from the birth of her son to his first birthday—as she navigates the labyrinth of poverty and homelessness in New York City. In her attempts to secure a safe place to raise her son and find a measure of freedom in her life, Camila copes with dashed dreams, failed relationships, the desolation of abandonment, and miles of red tape with grit, humor, and uncanny resilience. Every day, more than forty-five million Americans attempt to survive below the poverty line. Every night, nearly sixty thousand people sleep in New York City-run shelters, 40 percent of them children. In This Is All I Got, Sandler brings this deeply personal issue to life, vividly depicting one woman's hope and despair and her steadfast determination to change her life despite the myriad setbacks she encounters. This Is All I Got is a rare feat of reporting and a dramatic story of survival. Sandler’s candid and revealing account also exposes the murky boundaries between a journalist and her subject when it becomes impossible to remain a dispassionate observer. She has written a powerful and unforgettable indictment of a system that is often indifferent to the needs of those it serves, and that sometimes seems designed to fail. Praise for This Is All I Got “A rich, sociologically valuable work that’s more gripping, and more devastating, than fiction.”—Booklist “Vivid, heartbreaking. . . . Readers will be moved by this harrowing and impassioned call for change.”—Publishers Weekly “A closely observed chronicle . . . Sandler displays her journalistic talent by unerringly presenting this dire situation. . . . An impressive blend of dispassionate reporting, pungent condemnation of public welfare, and gritty humanity.” —Kirkus Reviews
Nikki's diary describes a frightful Halloween, on which she helps with her sister's ballet class party at the same time she is Brandon's date for their middle school Halloween dance, where she has promised to spend the evening with her two best friends.