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Published to coincide with the three hundredth anniversary of the birth of Thomas Chippendale, England’s most famous cabinetmaker, this issue of the Bulletin addresses the history of Chippendale works at The Met. Morrison H. Heckscher recounts the designer’s meteoric rise from rural obscurity to the heights of the London luxury trade, crediting that remarkable success to the publication of the Chippendale Director, an instructive book on furniture design and ornament. The text analyzes the Museum’s rare collection of drawings by Chippendale, revealing a gifted and highly imaginative designer who mastered what today would be called branding. Illustrating a wide selection of the Director drawings alongside furniture inspired by the Director or actually made in Chippendale’s shop, this Bulletin features works of art that attest to the museum’s century-long infatuation with drawing, prints, books, and furniture in the Chippendale style.
For at least 150 years, Thomas Chippendale has been synonymous with beautifully made eighteenth-century furniture in a variety of styles – Rococo, Chinese, Gothic and Neoclassical. Born in Otley, Yorkshire, in 1718, Chippendale rose to fame because of his revolutionary design book, The Gentleman and Cabinet Maker's Director, published in 1754. That same year he set up his famous workshops in St Martin's Lane, creating some of the most magnificent furniture ever made in Britain. This beautifully illustrated history focuses on Britain's most famous furniture maker and designer, including the worldwide phenomenon 'Chippendale style' that became popular in Europe, North America and Asia after his death in 1779. Today, his influence lives on with the ongoing production of 'Chippendale' furniture, while the eighteenth-century originals are selling for millions at auction.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Chairs of the Queen Anne and Chippendale period (1730-1795), really one continuous development without a break, have been chosen since this form shows the many facets of a gradual development, is easily handled, and is available in quantity. In order not to prejudge where the chairs were made, they were first grouped solely according to similar means of construction and design. Only after groups of like objects were formed was attention paid to their histories, labels, and similar documentation, Happily, when analyzed, enough of this secondary information was found associated with each group to provide the knowledge as to where they originated. -- pg. 4.
Making Classic Chairs is a title by Fox Chapel Publishing
Gilbert looks at the life and work of Chippendale in a biographical essay, his commercial enterprise, branches of the business, The Director, the manuscript designs, stylistic development and almost 300 pages of black and white photographs of Chippendale's work.
In this lavishly illustrated, wide-ranging volume, expert marqueteur Jack Metcalfe give fascinating insights into all aspects of 18th century marquetry, gained from close first-hand examination of Chippendale's original pieces. Using his 'insider's' knowledge and skills as a practitioner, he investigates the materials, dyes, tools and techniques used to create Chippendale's polychromatic pieces. With its lively, engaging narrative, and packed full of over 700 colour images, this book is essential reading for marqueteurs, cabinet makers, dyers, furniture historians and anyone interested in the work of Britain's supreme furniture maker, Thomas Chippendale. Separate chapters cover: Materials and tools used in Chippendale's time Techniques of 18th century marquetry Dyes and dyeing techniques, including the scientific analysis of dyes used on Chippendale's furniture Detailed step-by-step descriptions of the construction of three replica pieces by the author A detailed illustrated gallery of all the known marquetry commissions made by Thomas Chippendale. With over 20 years' experience as a marqueteur, Jack Metcalfe has devoted himself to uncovering and mastering the techniques of marquetry as practised by Chippendale's skilled artisans in the eighteenth century. Using equipment, materials, dyes and techniques as close to the original as possible, Jack has created striking replicas of marquetry panels from Chippendale furniture, including the famous Diana and Minerva Commode. His careful research into the use of dyes, including ground-breaking scientific analysis of coloured veneers used, has enabled him to reveal the often startlingly fresh colours that Chippendale's furniture would have displayed when first constructed.