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The Georgian period was one of disciplined designs and the published pattern books regulated the basic
For at least 150 years, Thomas Chippendale has been synonymous with beautifully made eighteenth-century furniture in a variety of styles – Rococo, Chinese, Gothic and Neoclassical. Born in Otley, Yorkshire, in 1718, Chippendale rose to fame because of his revolutionary design book, The Gentleman and Cabinet Maker's Director, published in 1754. That same year he set up his famous workshops in St Martin's Lane, creating some of the most magnificent furniture ever made in Britain. This beautifully illustrated history focuses on Britain's most famous furniture maker and designer, including the worldwide phenomenon 'Chippendale style' that became popular in Europe, North America and Asia after his death in 1779. Today, his influence lives on with the ongoing production of 'Chippendale' furniture, while the eighteenth-century originals are selling for millions at auction.
Making Classic Chairs is a title by Fox Chapel Publishing
This publication documents The Metropolitan Museum of Art's collection of early colonial furniture and presents a broad spectrum of furniture forms made in America during the 17th and early 18th centuries, including chairs and other seating, tables, boxes, various types of chests and cupboards, dressing tables, and desks. The volume also includes prime examples of the different modes of ornamentation in fashion during that period. Over 140 objects are thoroughly described, with detailed information given on each one's construction, condition, dimensions, materials, and inscriptions and other marks, as well as provenance and exhibition history. Every object is explained in terms of the styles and craftsmanship of the period and evaluated in light of comparative pieces in public and private collections throughout the country. Also included is one appendix containing photographic details of construction and decorative elements, and another with line drawings explaining furniture terms and showing various types of joints and moldings. This is the first volume in a series of two that is dedicated to American furniture in the Museum. -- Metropolitan Museum of Art website.
The history and construction of 18th century American furniture is examined in this critical evaluation that looks at the topic both from an aesthetic and technical point of view
Magnificent reproduction of 1788 folio of Hepplewhite furnishings. Classic, highly valued work depicts chairs, stools, sofas, sideboards, beds, pedestals, desks, bookcases, tables, chests of drawers, wardrobes, fire screens, and many other items. 128 plates.
In this lavishly illustrated, wide-ranging volume, expert marqueteur Jack Metcalfe give fascinating insights into all aspects of 18th century marquetry, gained from close first-hand examination of Chippendale's original pieces. Using his 'insider's' knowledge and skills as a practitioner, he investigates the materials, dyes, tools and techniques used to create Chippendale's polychromatic pieces. With its lively, engaging narrative, and packed full of over 700 colour images, this book is essential reading for marqueteurs, cabinet makers, dyers, furniture historians and anyone interested in the work of Britain's supreme furniture maker, Thomas Chippendale. Separate chapters cover: Materials and tools used in Chippendale's time Techniques of 18th century marquetry Dyes and dyeing techniques, including the scientific analysis of dyes used on Chippendale's furniture Detailed step-by-step descriptions of the construction of three replica pieces by the author A detailed illustrated gallery of all the known marquetry commissions made by Thomas Chippendale. With over 20 years' experience as a marqueteur, Jack Metcalfe has devoted himself to uncovering and mastering the techniques of marquetry as practised by Chippendale's skilled artisans in the eighteenth century. Using equipment, materials, dyes and techniques as close to the original as possible, Jack has created striking replicas of marquetry panels from Chippendale furniture, including the famous Diana and Minerva Commode. His careful research into the use of dyes, including ground-breaking scientific analysis of coloured veneers used, has enabled him to reveal the often startlingly fresh colours that Chippendale's furniture would have displayed when first constructed.