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Lavanya Shanbhogue-Arvind is the winner of the Commonwealth Short Story Special Prize (2011). Her short story, ‘The Crystal Snuff Box and the Pappudum’, was adapted for radio by the Commonwealth Broadcasting Association and was broadcast in all the Commonwealth countries. Other short pieces include ‘Those You Cannot See’ that appeared in the Griffith Review, Australia, ‘Blueprint’ that appeared in Blink, the year-end fiction edition of the Hindu Business Line and ‘The Idiot’s Guide to the Indian Arranged Marriage’ that appeared in an anthology of New Asian Short Stories being published by Silverfish Books, Malaysia. Apart from a master’s degree in Business, she holds a master’s degree in Creative Writing (Fiction) from the City University of Hong Kong. She is currently pursuing her master’s degree in Women’s Studies from the Tata Institute of Social Science, Mumbai and is working on her second novel. She lives in Mumbai with her banker husband Arvind Narayana.
Pure Sequence is not a beginning, middle and end kind of novel, but rather a story of women in their twilight years; aglow with their past, learning to cherish their present and not worrying too much about the future. It is about the realities that confront us all, sooner or later. Those who leave their parents to lead their own lives; those whose own children are flying out of the nest; those who are forced into believing that their life is done behind them; to those who admire the strength and fortitude of their grandmothers. Pure Sequence is about the quiet confidence of women growing old gracefully or otherwise, realizing that they are in yet another prime of their lives.
A self confessed word-a-holic and traveller, Tanushree is sure to be packing her bags and boots to zip around the world not brandishing her pen. With two successful novels, few best selling non fiction titles and a few hundred travel tales under her belt, she is all set to launch into yet another voyage with words. A bundle of optimism with wandering feet and a kaleidoscope of dreams, she loves nothing better than flirting with clauses and phrases. After leading a nomadic life for several decades, thanks to the Indian Army, she has finally grown roots at Pune.
A collection of fourteen stories, Nelycinda & other stories, presents a woman's perspective of society thriving on trade and business. Lyrical and poignant, these stories take us to a world infested with the aroma of spices. The world was always opaque and something about the nearness of the sea made it more so. Susa began her day with the smallness of things, sea sand, which appeared as dull as the day, and the colours in the translucent shells, each catching the first light of the morning. How curious that the sand and salt and the ambitions of the sea creatures could create these colours. She walked to the seaside, wishing that the fisher people were about, but they had dived for pearls earlier than was usual that morning because of the impending storm. A great silence filled the ocean that brought to her the occasional screech of birds wheeling, and the whorls of the sea shells which produced their own sounds. Prison was a place which enclosed one and brought the world much closer by what one could imagine. It was where silence was the only companion, where the routines of the day allowed one to build a small world based entirely on ones thoughts. It was the shelter of the moment to work with the grandeur of the unseen. Imprisoned by the minutes, and allowed to fly when the tasks were completed. She looked at the beach, for the inlets were full of birds and moss and climbing purple flowers, and that was where she would go. To the river that, in its sureness of the life of the people, would bring her conversations and the calm of everyday tasks.
Manju Kapur is the author of four novels. Her first novel, Difficult Daughters, won the Commonwealth Prize for First Novels (Eurasia Section) and was a number one bestseller in India. Home, her third was described as ‘glistening with detail and emotional acuity’. Her most recent novel, The Immigrant, was longlisted for the DSC Prize for South Asian Literature in 2011. She lives in New Delhi.
This girl. is going to make it to the top with her second novel,' I said to myself (as I finished Rani Dharker's first novel) . In her, we have a clever, erudite woman who can communicate Indian thought and tradition to the Western world as few living writers of India today.' Khushwant Singh Here's Anurima, the second novel Khushwant Singh spoke about. It takes us to Sonapur, once a princely state, now a bustling city, where the lives of three people, very unlike each other, collide in unusual circumstances. There's Royina, young but stubbornly quiet; Krishan, a charismatic young artist. And then there's Elise, a Jew from Austria, who spends her last days reliving memories of Sonapur's lost glory. Memories whose dominant figure is the hauntingly beautiful Princess Anurima. Mesmerising and dream-like, Anurima is also Royina's journey into that past, a journey in which she rediscovers herself.
Tanushree is a self-confessed word-a-holic and a traveller. When not reading or writing books, she’s sure to be packing her bags and boots to zip around the world. A true maverick, she stumbled through many career choices before settling on writing. A chocolate addict with a penchant for the unusual, she has collected dozens of interesting certificates that range from a wine-master’s assistant at Australia, an international reindeer driving licence from Lapland, to one from ‘The School of Hard Knocks’ at Royal Selangor. No Margin for Error is her ninth novel. After leading a nomadic life for several decades, thanks to the Indian Army, she has finally grown roots at Pune. Tanushree can be contacted on her website – http://www. tanushreepodder.com.
Madhumita Bhattacharyya is the author of four crime thrillers. The Reema Ray series – The Masala Murder; Dead in a Mumbai Minute; Goa Undercover; and Murder at the Temple. Prior to her fiction career, she was a journalist at The Telegraph Kolkata. She lives in Bangalore with her husband, daughter, and their dog.
Blue Dust is an emotional, philosophical and cultural journey that maps the relationships, dreams, hopes and fears of three generations of a family in Pakistan and the Middle East. The central character is a highly volatile and loving girl/woman who struggles largely with her own insecurities in her relationships with her father, husband and sister and the world she is born into (from a social and religious point of view ultimately blurring her sense of identity). A significant thread of the narrative is the impact her relationship with her sister has on her life and personality - and the strength of that bond is one of the most enduring forces. Her daughter also plays a pivotal role in encapsulating the emotional mood and tone of the book- particularly in exploring dichotomies of reality and perception - and the power of memory and dreams in articulating how these people respond to the events of their lives. Through the story of this family the author also explores issues in Pakistan relevant to class, religious and social distinctions and the barriers caused by these, and a society which perpetuates and at the same time ignores issues of paedophilia and sexual repression. Blue Dust is a misty, dream-like, touching but often bloody portrayal of intensely self reflexive dramas of these individual people but relevant to the wider issues and concerns of Pakistani society as well. 'A narrative of passionate characters and many strands, skillfully woven together in this engaging debut novel. Blue Dust is a surreal, poetic and complex work that handles difficult issues with courage.' Bapsi Sidhwa 'With her poetic debut novel, Blue Dust, unfolds love's many moods. Ayesha Salman joins the list of exciting new novelists from Pakistan.' Maniza Naqvi
Paro Anand loves to write for, work with and play with children. She's an award-winning writer, an editor, and runs a programme called 'Literature in Action'. This is her eleventh book for children and there is one more on the way.