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How do Chinese and Western philosophical traditions interact today? In the underlying collection of articles both Chinese and Western scholars carefully examine the issue, one of fundamental importance for the mutual understanding of China and the West. The volume is the result of a symposium which sought to initiate a dialogue between China and the West on questions ranging from philosophy to politics and aesthetics. The papers deal with various topics of cross-cultural hermeneutics, such as differences between Chinese and Western concepts of man’s relation to the universe, human rights, self and community, good and evil, and beauty. In some of the contributions attempts are made to adapt the Chinese philosophical inheritance to the modern or post-modern condition. A useful reference for all those - historians of ideas, political scientists, and China watchers alike - who want to understand the dynamics of the cultural flow between East and West and the significance of Chinese thought in a global context.
Chinese Money in Global Context: Historic Junctures Between 600 BCE and 2012 offers a groundbreaking interpretation of the Chinese monetary system, charting its evolution by examining key moments in history and placing them in international perspective. Expertly navigating primary sources in multiple languages and across three millennia, Niv Horesh explores the trajectory of Chinese currency from the birth of coinage to the current global financial crisis. His narrative highlights the way that Chinese money developed in relation to the currencies of other countries, paying special attention to the origins of paper money; the relationship between the West's ascendancy and its mineral riches; the linkages between pre-modern finance and political economy; and looking ahead to the possible globalization of the RMB, the currency of the People's Republic of China. This analysis casts new light on the legacy of China's financial system both retrospectively and at present—when China's global influence looms large.
Over the course of the last four decades as China’s ideological realm has been transformed, it has become significantly more complicated. This is well illustrated in the current discourse concerning China’s constitutional future. Among Chinese intellectuals the liberal constitutionalism paradigm is widely accepted. However, more recently, this perspective has been challenged by mainland New Confucians and Sinicized Marxists alike. The former advocate a constitutionalism that is based upon and loyal to the Confucian tradition; while the latter has sought to theorize the current Chinese constitutional order and reclaim its legitimacy. This book presents a discussion of these three approaches, analyzing their respective strengths and weaknesses, and looking to the likely outcome. The study provides a clear picture of the current ideological debates in China, while developing a platform for the three schools and their respective constituencies to engage in dialogue, pluralize the conceptions of constitutionalism in academia, and shed light on the political path of China in the 21st Century. The consequences of this Chinese contribution to the global constitutionalism debate are significant. Notions of the meaning of democratic organization, of the nature of the division of authority between administrative and political organs, of the nature and role of political citizenship, of the construction of rights are all implicated. It is argued that China’s constitutional system, when fully theorized and embedded within the global discourse might serve, as the German Basic Law did in its time, as a model for states seeking an alternative approach to the legitimate construction of state, political structures and institutions.
The relationship between China and Japan remains among the most significant of all the worldâe(tm)s bilateral affairsâe"yet it is also the most tortured and the least understood. Akira Iriye adds brilliant clarity to the past century of Chineseâe"Japanese interactions in this masterful interpretive survey. Placing the relationship within its global context, he outlines three distinct periods in the history of these Asian giants. From the 1880s to World War I, the two nations struggled for power. Armaments, war strategies, and security measures played pivotal roles, reflecting the importance 0f military calculations in a world dominated by Western governments. In the second period, that between the two World Wars, Iriye illuminates the dominant role of culture and the stress on internationalism. Chinaâe(tm)s continuing literary influence, an exchange of ideas and students reforms such as Japanâe(tm)s Taisho democracy and Chinaâe(tm)s May Fourth movement, and both nationsâe(tm) bid for racial equality in the West profoundly affected these interwar years. The third period reaches from the end of World War II through the present day, and is characterized by exchanges of an economic nature: trade, shipping, investment, and emigration. The author discusses the results of Chinaâe(tm)s civil war, the rise and decline 0f the Cold War in the West, and the cultural and ecological problems brought by Japanâe(tm)s spiraling economic development. But economic ties remain deeply entwined with cultural concerns, and ultimately, Iriye stresses, the future of China and Japan depends on the successful cultural interdependence of what may be the most significant pair of countries in the world today.
Traditional Chinese philosophy, if engaged at all, is often regarded as an object of antiquated curiosity and dismissed as unimportant in the current age of globalization. Written by a team of internationally renowned scholars, this book, however, challenges this judgement and offers an in-depth study of pre-modern Chinese philosophy from an interdisciplinary perspective. Exploring the relevance of traditional Chinese philosophy for the global age, it takes a comparative approach, analysing ancient Chinese philosophy in its relation to Western ideas and contemporary postmodernist theories. The conversation extends over a broad spectrum of philosophical areas and themes, ranging from metaphysics, hermeneutics, political theory, religion and aesthetics to specific philosophical schools including Confucianism, Daoism, and Buddhism. By engaging many time-honoured philosophical issues from a comparative perspective, this book bridges the gap between Eastern and Western thought and emphasises the need for a newly fortified global humanism and a deeper appreciation of different philosophical and religious values in an age gripped by large-scale crises. Arguing that traditional Chinese philosophy has immediate relevance to the many challenges of modern life, this book will be useful to students and scholars of Asian Philosophy and Asian Studies in general.
This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying China’s traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Daoism, and Buddhism, namely the unity of heaven and men, unity of nature and society, and the materialization of human feelings and humanization of material things. It also highlights the dominant role of humans in the aesthetic relationship between human and object, while placing imagery in a focal position.
How do Chinese and Western ethical traditions interact today? In this collection of articles both Chinese and Western scholars carefully examine the issue, one of fundamental importance for the mutual understanding between China and the West. The volume is the result of the second symposium which focused on a dialogue between China and the West on questions of ethics, in particular concerning their commensurability and a possible common ground. The first part of the book discusses general problems of ethics in a cross-cultural context, followed by articles on ethical bases of Chinese and Western societies respectively. Further topics range from moral traditions in the context of social transformation in China today to developments in Western societies, politics, education and religion. The last part deals with controversial issues such as human rights vs. human duties and medical ethics.
This title studies the relationship between China and Africa by reviewing this history and current state of interactions, offering a valuable addition to the often heated and contentious debate surrounding China's engagement in Africa from a Chinese angle. Comprised of four parts, the book covers a kaleidoscopic range of topics on Sino-Africa relations based on materials from different languages. The first part looks into early historical contact between China and Africa and historiography of African Studies in China in recent decades. Part Two contains a broad probe into the origin, dynamics, challenges and cultural heritage of China's policies towards Africa. The third part explores the issue of development cooperation from both the theoretical and practical point of view, with a focus on the case of Chinese medical teams in Africa and China's technology transfer to the continent. The final part illustrates bilateral migration, discussing the history and life of Chinese immigrants in Africa and the African diaspora in China. The insights in this book as well as real life case studies will make this work an indispensable reference for academics, students, policy makers and general readers who are interested in international issues and area studies, especially China-Africa relations, China's rise and African development.
This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions. The author aims to show how Gao's theories of the theatre of anti-illusion, theatre of conscious convention, of the "poor theatre" and total theatre, of the neutral actor and the actor - jester - storyteller are derived from the Far Eastern tradition, and to what extent they have been inspired by 20th century Euro-American reformers of theatre such as Antonin Artaud, Bertolt Brecht, Vsevolod Meyerhold, Jerzy Grotowski and Tadeusz Kantor. Although Gao' s plays and theatre form the major subject, this volume also pays ample attention to his painting and passion for music as sources of his dramaturgical strategies.