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The Chinese double-edged straight sword (jian), the “gentleman of weapons,” is the focus of this e-book. There are a growing number of people interested in this fascinating weapon, its history, and its use. For your convenience, this anthology assembles the best articles on this subject as published in the Journal of Asian Martial Arts. Chapters 1 and 2 were written by Dr. Richard Pegg, a scholar of Asian studies and art curator with over thirty years of studies in the martial arts. With sound academic and practical experience in swordsmanship, Dr. Pegg writes here on ancient Chinese bronze swords and also on the parallels of Chinese calligraphy and swordplay. The analysis and presentation of the calligraphic illustrations give insight into the physical execution of sword movement. These superb presentations provide a perspective that is useful for understanding the technical and historical significance of the sword arts in China. In the next chapter, Tony Yang, Andy Lianto, and Robert Figler give an excellent overview of the fundamentals of training with the straight sword. This article outlines some of the most famous sword forms in history, Liu Yunqiao’s lineage, solo and two-person practice, as well as details on fundamental techniques and their combinations. For all intents and purposes, the practice and perfection of these fundamentals make one a master of the sword. Over 140 photos are used just in this chapter to illustrate the techniques. Stephan Berwick’s chapter details the history and practice of a famous straight sword system, the Qingping (Green Duckweed). The study meshes Chinese- and English-sourced research and a revealing interview with Lu Junhai—the grandmaster of this unique sword system. The interview is conducted by America’s senior Qingping disciples, Reza Momenan and Hon Lee. If you are a serious practitioner of the Chinese double-edged straight sword and have an interest in its history and techniques, you’ll enjoy each chapter included in this anthology. May it be a handy reference work for information as well as a source of inspiration for actual sword practice.
The Chinese double-edged straight sword (jian), the "gentleman of weapons," is the focus of this e-book. There are a growing number of people interested in this fascinating weapon, its history, and its use. For your convenience, this anthology assembles the best articles on this subject as published in the Journal of Asian Martial Arts. Chapters 1 and 2 were written by Dr. Richard Pegg, a scholar of Asian studies and art curator with over thirty years of studies in the martial arts. With sound academic and practical experience in swordsmanship, Dr. Pegg writes here on ancient Chinese bronze swords and also on the parallels of Chinese calligraphy and swordplay. The analysis and presentation of the calligraphic illustrations give insight into the physical execution of sword movement. These superb presentations provide a perspective that is useful for understanding the technical and historical significance of the sword arts in China. In the next chapter, Tony Yang, Andy Lianto, and Robert Figler give an excellent overview of the fundamentals of training with the straight sword. This article outlines some of the most famous sword forms in history, Liu Yunqiao's lineage, solo and two-person practice, as well as details on fundamental techniques and their combinations. For all intents and purposes, the practice and perfection of these fundamentals make one a master of the sword. Over 140 photos are used just in this chapter to illustrate the techniques. Stephan Berwick's chapter details the history and practice of a famous straight sword system, the Qingping (Green Duckweed). The study meshes Chinese- and English-sourced research and a revealing interview with Lu Junhai-the grandmaster of this unique sword system. The interview is conducted by America's senior Qingping disciples, Reza Momenan and Hon Lee. If you are a serious practitioner of the Chinese double-edged straight sword and have an interest in its history and techniques, you'll enjoy each chapter included in this anthology. May it be a handy reference work for information as well as a source of inspiration for actual sword practice.
A needle may draw a thread through printed pages to bind a book. In this little memoir, I feel like a needle that drew a common thread though a segment of martial art history. This book details three interrelated activities: (1) martial art studies, (2) involvement as founder of Via Media Publishing, producing a quarterly journal and books, and (3) teaching martial arts. Publishers, writers, researchers and serious martial art practitioners will benefit with the detailed overview of Via Media and its publications. Via Media produced the Journal of Asian Martial Arts, known for its high academic and aesthetic standards. Its contents reflect the history of two decades and provides rich information for practitioners and scholars, making The Best Fighta valuable reference work. In addition to reading, the primary way to learn a martial art is through instruction. In reading about my studies and teaching experience, readers can relate to their own involvement in martial arts. What is important here is the portrayal of my instructors, their teaching methods, and reasons for being involved in martial arts. Their accounts should offer insights and inspiration for others who study and practice any martial art.
Secret training manuals, magic swords, and flying kung fu masters—these are staples of Chinese martial arts movies and novels, but only secret manuals have a basis in reality. Chinese martial arts masters of the past did indeed write such works, along with manuals for the general public. This collection introduces Western readers to the rich and diverse tradition of these influential texts, rarely available to the English-speaking reader. Authors Brian Kennedy and Elizabeth Guo, who coauthor a regular column for Classical Fighting Arts magazine, showcase illustrated manuals from the Ming Dynasty, the Qing Dynasty, and the Republican period. Aimed at fans, students, and practitioners, the book explains the principles, techniques, and forms of each system while also placing them in the wider cultural context of Chinese martial arts. Individual chapters cover the history of the manuals, Taiwanese martial arts, the lives and livelihoods of the masters, the Imperial military exams, the significance of the Shaolin Temple, and more. Featuring a wealth of rare photographs of great masters as well as original drawings depicting the intended forms of each discipline, this book offers a multifaceted portrait of Chinese martial arts and their place in Chinese culture.
The dao, a single-edged sword with a curved blade, is one of the most popular weapons in traditional Chinese martial arts. The art of Taiji Dao is a set of skills for using the dao, derived from the popular martial art Taijiquan. One of the most important aspects of Taijiquan practice is weapons training, eagerly pursued by students who have become adept in the basic skills of the art. The Complete Taiji Dao introduces the principles and practice of Taiji Dao and provides illustrated discussions of the history of Chinese swords. The book covers the history and features of the dao; the Taiji principles from which Taiji Dao practice derives; the basic skills and techniques of the art; detailed descriptions and photographs of the traditional Taiji Dao form; and Taiji Dao fighting principles and training methods. Broad in scope and detailed in its presentation of the principles and practice of Taiji Dao, The Complete Taiji Dao represents a significant contribution to the field of traditional Chinese weapons practice.
This unique history of Japanese armed martial arts--the only comprehensive treatment of the subject in English--focuses on traditions of swordsmanship and archery from ancient times to the present. G. Cameron Hurst III provides an overview of martial arts in Japanese history and culture, then closely examines the transformation of these fighting skills into sports. He discusses the influence of the Western athletic tradition on the armed martial arts as well as the ways the martial arts have remained distinctly Japanese. During the Tokugawa era (1600-1867), swordsmanship and archery developed from fighting systems into martial arts, transformed by the powerful social forces of peace, urbanization, literacy, and professionalized instruction in art forms. Hurst investigates the changes that occurred as military skills that were no longer necessary took on new purposes: physical fitness, spiritual composure, character development, and sport. He also considers Western misperceptions of Japanese traditional martial arts and argues that, contrary to common views in the West, Zen Buddhism is associated with the martial arts in only a limited way. The author concludes by exploring the modern organization, teaching, ritual, and philosophy of archery and swordsmanship; relating these martial arts to other art forms and placing them in the broader context of Japanese culture.
Secret training manuals, magic swords, and flying kung fu masters—these are staples of Chinese martial arts movies and novels, but only secret manuals have a basis in reality. Chinese martial arts masters of the past did indeed write such works, along with manuals for the general public. This collection introduces Western readers to the rich and diverse tradition of these influential texts, rarely available to the English-speaking reader. Authors Brian Kennedy and Elizabeth Guo, who coauthor a regular column for Classical Fighting Arts magazine, showcase illustrated manuals from the Ming Dynasty, the Qing Dynasty, and the Republican period. Aimed at fans, students, and practitioners, the book explains the principles, techniques, and forms of each system while also placing them in the wider cultural context of Chinese martial arts. Individual chapters cover the history of the manuals, Taiwanese martial arts, the lives and livelihoods of the masters, the Imperial military exams, the significance of the Shaolin Temple, and more. Featuring a wealth of rare photographs of great masters as well as original drawings depicting the intended forms of each discipline, this book offers a multifaceted portrait of Chinese martial arts and their place in Chinese culture.
Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.
"The Chinese Sword Monograph" is a comprehensive guide to Chinese swordsmanship, written by Master Neil Ripski. The book offers clear instructions and illustrations for various sword techniques and training methods. It also provides historical and cultural context for practitioners of Chinese swordsmanship. The author's expertise and experience are evident in the practical and in-depth summary of the foundations of Chinese swordsmanship. The book is a valuable resource for anyone searching for a practical guide to Chinese swordsmanship.
In the global world of the twenty-first century, martial arts are practised for self-defense and sporting purposes only. However, for thousands of years, they were a central feature of military practice in China and essential for the smooth functioning of society. This book, which opens with an intriguing account of the very first female martial artist, charts the history of combat and fighting techniques in China from the Bronze Age to the present. This broad panorama affords fascinating glimpses into the transformation of martial skills, techniques and weaponry against the background of Chinese history, the rise and fall of empires, their governments and their armies. Quotations from literature and poetry, and the stories of individual warriors, infuse the narrative, offering personal reflections on prowess in the battlefield and techniques of engagement. This is an engaging and readable introduction to the authentic history of Chinese martial arts.