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"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Despite their powerful presence and exquisite quality, Chinese ancestor portraits have never been studied as a genre. This illustrated text explores the artistic, historical, and religious significance of these paintings and places them in context with other types of commemorative portraiture. During the late Ming (1368-1644) and Quing (1644-1911) dynasties, full-length portraits of individual men and women came into vogue. These ancestor portraits were important objects of veneration, and the practice continued into the 20th century, when paintings were gradually replaced by photographs. The authors explore the works in depth, presenting a fascinating glimpse of Chinese life and culture and providing biographies of the sitters. Worshiping the Ancestors should appeal to connoisseurs of Chinese art and to all those interested in social history, portraiture, and devotional art.
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
Drawing on the British Museum's extensive collection, this book explores the traditional hierarchy of materials and techniques reaching back as far as the Han Dynasty in the third century BC. In the history and character of the works under scrutiny, this sumptuously illustrated book conveys an understanding of Chinese art in all its great variety.
The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline.
Agnes Smedley worked in and wrote about China from 1928 until 1941. Her journalism and fiction capture the massacre of short-haired feminists in the Canton commune, the lives of silk workers of Canton charged with being lesbians, and the story of Mother Tsai, a peasant who leads village women in smashing an opium den. The Village Voice praised the volume for having "captured brilliantly... the forces of the old and new China struggling in each person she describes."
This work explores the developments in the function of informal portraiture in later Ming and Qing dynasty China, from about AD1600 to 1900. The study focuses on images of artists, including self-portraits, and their associates from centres of painting in
This book conveys an understanding of China’s educational development from within and provides unique insights into Chinese society. It does so through portraits of eleven influential educators whose ideas have shaped the educational reforms initiated by Deng Xiaoping in 1978. The book makes Chinese civilization concrete through the drama of the real lives of educators and provides glimpses into the educational context of China’s recent move onto the world stage.
An introduction to a millennium's worth of Chinese paintings features 400 classical works by more than 240 artists that represent their different historical periods, in a volume that offers insight into how Chinese art uniquely reflects cultural perspectives and the natural world.
Provides personal histories of Chinese Americans who have lived through the twentieth century in the United States, including their difficulties during the exclusion era of World War II