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This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.
This book provides an addition to the small but growing body of literature on the practices of photography in China. Using a collection of a surviving nineteenth century photographs of Beijing held in the collection of the Oriental Museum, University of Durham, the author explores both the cityscape as it was recorded by two Scottish photographers and the interplay of personality and professional identities within the Foreign Legation quarter during a thirty-five year period. Three people are central to the book: the professional photographer John Thomson, the amateur photographer and missionary doctor, John Dudgeon and Stephen Bushell, physician to the British Legation, pioneer historian of Chinese art and original owner of the collection of the photographs. They provide the context and practice and provenance for the photographs and offer insight into the life of the small contingent of Westerners who resided within the walls of China's capital. here for the first time, the former revealed as an important contributor to the development of photography in China, the latter a major influence on the formation and interpretation of a number of important collections of a Chinese art in Britain and America. This book will be of interest to historians of photography, art, architecture and China during the late nineteenth century. [This] erudite study... is of interest not only to art historians, but also to historians of China and of comparative colonialisms.
This handsome book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. The Arts of China to AD 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900.