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The Copeland Collection of 134 Chinese and Japanese ceramic figures, perhaps the most important assemblage of its kind still in private hands, is recognized internationally for the superb quality of its many rare forms. Acquired by Mrs. Lammot du Pont Copeland over the past fifty years, each of these beautifully modeled human and animal figures testifies to the unerring eye of a premiere collector.The majority of these figures are of porcelain, produced during the late seventeenth to the late eighteenth centuries, principally for export to the West. Each individual piece displays the meticulous artistry, the marvelous enameling, and the animation and wit characteristic of this remarkably innovative period in ceramic history However modest in scale, many are important works of art.--Amazon.com.

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Jorge Welsh Oriental Porcelain and Works of Art. London Gallery (Londres, Royaume-Uni).

Published: 2012

Total Pages: 238


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After the favourable reception of The Porcelain of Hung-hsien, it soon became apparent that a follow-up was needed in order to broaden the scope of the subject and cover the 19th and 20th centuries. Since most readers are unacquainted with the porcelain of this period, it seemed essential to provide a large number of photographs to corroborate my arguments. They have been taken mainly of lesser known pieces in private collections, many of their owners prefering to remain anonymous, since it often appears that the possibilities of theft and tax evoke similar feelings among collectors.--Preface.
Recombinant proteins and polypeptides continue to be the most important class of biotechnology-derived agents in today's pharmaceutical industry. Over the past few years, our fundamental understanding of how proteins degrade and how stabilizing agents work has made it possible to approach formulation of protein pharmaceuticals from a much more rational point of view. This book describes the current level of understanding of protein instability and the strategies for stabilizing proteins under a variety of stressful conditions.
Beginning in the sixteenth century when Portuguese traders started importing blue and white porcelain to Europe, Chinese ceramics manufacturers produced goods specifically for export to the West. The industry flourished through the early twentieth century as the market for fine porcelain expanded in Europe and the Americas. Among the Peabody Essex Museum's founders in 1799 were sea captains and supercargoes involved in extensive trade with Asia, and many of the remarkable examples of export wares they brought back provided a foundation for the Museum's world-renowned collection of Chinese export ceramics. Written by William R. Sargent, a leading expert in the field, Treasures of Chinese Export Ceramics is one of the most authoritative sources on this topic. Its scholarly entries on 287 representative objects that date from the fifteenth to the twentieth century are divided into sections by type of ware. Although these examples only hint at the Museum's vast holding, together they encompass its broad range of Chinese export ceramics. An essay on Jingdezhen, the "Porcelain City," by Rose Kerr, a glossary of ceramics terminology, and appendix on armorials, and an extensive bibliography all contribute to making this an invaluable resource.
This Monograph Aims To Apprise Readers Of The Natural Events That Occurred And The Processes That Were In Operation Before The Emergence Of The Giant Edifice Of The Himalaya. Helping To Achieve Clearer Understanding Of The Structural Architecture Or Makeup, The Book Purports To Highlight The Mechanisms And The Stages Of Development Of The World S Youngest Mountain Province. The Text Is Supplemented With Exhaustive Data, Maps, Figures And Colour Photographs.