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Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual culture in China's Ming Dynasty, one that considers images wherever they appeared—not only paintings, but also illustrated books, maps, ceramic bowls, lacquered boxes, painted fans, and even clothing and tomb pictures. Clunas's theory of visuality incorporates not only the image and the object upon which it is placed but also the culture which produced and purchased it. Economic changes in sixteenth-century China—the rapid expansion of trade routes and a growing class of consumers—are thus intricately bound up with the evolution of the image itself. Pictures and Visuality in Early Modern China will be a touchstone for students of Chinese history, art, and culture.
Welcome to the captivating world of "Chinese Pictures: Notes on Photographs Made in China" by Isabella L. Bird, where the rich tapestry of Chinese culture and landscapes unfolds through the lens of a pioneering traveler and photographer. Prepare to embark on a visual and literary journey through the heart of 19th-century China. Join renowned explorer Isabella L. Bird as she takes you on a mesmerizing tour across the diverse landscapes and vibrant communities of China. Through her keen observations and stunning photography, Bird captures the essence of a nation in transition, offering rare insights into its people, traditions, and natural beauty. Bird's notes on photographs not only showcase her technical prowess as a photographer but also reveal her deep empathy and curiosity for the people she encounters. From bustling city streets to serene rural vistas, each image and accompanying commentary paints a vivid portrait of a society on the brink of change. The overall tone of "Chinese Pictures" is both poetic and insightful, reflecting Bird's passion for exploration and her profound respect for cultural diversity. Her narrative skillfully weaves together anecdotes, historical context, and personal reflections, creating a compelling narrative that transports readers to another time and place. Since its publication, this book has been celebrated for its groundbreaking approach to documenting China through both word and image. Bird's blend of travelogue and photography remains a testament to her pioneering spirit and enduring legacy as a chronicler of the world. Immerse yourself in the enchanting world of "Chinese Pictures," where Isabella L. Bird's evocative prose and captivating photographs offer a window into a bygone era of Chinese history and culture. Whether you're a photography enthusiast, a history buff, or simply a lover of travel literature, this book promises to inspire and enlighten. Don't miss your chance to experience the beauty and depth of "Chinese Pictures" by Isabella L. Bird. Grab your copy today and embark on a visual and intellectual odyssey through the landscapes and lives captured in these timeless photographs.
"Each chapter focuses on a different trade or Chinese pursuit, included are the diviner, the Budhist priest, the wine carrier, the blind seer, the collector of paper scarps, the neddle maker, the tailor, the opium smoker, the match maker, etc. Each chapter is accompanied by a full page line "pen and ink etching" by a "a native artist". The etchings are faithful representations of the Northern Chinese."
"Each chapter focuses on a different trade or Chinese pursuit, included are the diviner, the Budhist priest, the wine carrier, the blind seer, the collector of paper scarps, the neddle maker, the tailor, the opium smoker, the match maker, etc. Each chapter is accompanied by a full page line "pen and ink etching" by a "a native artist". The etchings are faithful representations of the Northern Chinese."
Text and illustrations present detailed information on the geography, history and government, economy, people, cultural life and society of traditional and modern China, home to over one-fifth of the earth's population.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Embark on a visual and literary exploration of China through the lens and words of Isabella Bird in 'Chinese Pictures: Notes on Photographs Made in China.' Bird, the intrepid traveler and writer, offers a unique perspective on the Middle Kingdom during the late 19th century. This captivating collection combines Bird's keen observations with evocative photographs, providing a nuanced glimpse into the landscapes, people, and culture of China. From the imperial grandeur of Beijing to the serene landscapes of the countryside, 'Chinese Pictures' is a vivid portrayal of a nation in transition. Join Bird as she delves into the heart of Chinese life, capturing moments frozen in time through the art of photography and storytelling. An immersive journey that transcends temporal boundaries, this work is a testament to Bird's unwavering curiosity and her ability to bridge cultures through the lens of her camera and the power of her pen."
Excerpt from Pictures of the Chinese, Drawn by Themselves A residence of eight years among the Chinese at the port of Ningpo, with frequent opportunities of travel in the province of Chekeang, enables the writer to offer this unpretending little volume to the English public. The pen-and-ink etchings, contributed by a native artist, are not the least valuable part of the book. They are faithful representations of the Northern Chinese. The contour of the figures differs much from the, prevailing type of the South, and affords a pleasing variety to the hackneyed form to which we have been accustomed. The only figures of a foreign cast (for all without the boundaries of the province must be accounted foreign) are those of the "fortune-teller" in the sketch "Symbolism of Words;" and of the "phrenologist." Nor is this without reason. Persons who follow such professions are usually strangers. "The prophet without honour in his own country" is a world-wide proverb. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is a wonderful collection of 99 high-quality amazing images produced by a series of today's top professional photographers. Enjoy and be inspired!