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China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.
Presents the extraordinary works in the 1st gallery in the UK to be devoted permanently to the display of Chinese paintings.
The new works that Xu Bing is presenting for the first time in this exhibition address the language that these two projects have avoided: the Chinese language, in particular its essential pictographic qualities, and explores the ways in which these have
Published to accompany the first solo exhibition of Philip Guston at the Ashmolean Museum in Oxford from 23 November 2019 to 8 March 2020 Features many works by the American artist not seen in the UK before Philip Guston (1913-1980) was an internationally acclaimed American artist whose response to the political and social tumult of the post-war decades resulted in a prolific artistic output. Over the course of his career, his style transformed from figuration to abstraction to figuration. Born Phillip Goldstein, the artist began drawing incessantly at the age of 12. Aware of antisemitism, he changed his name in 1935, the year he moved to New York. After producing award-winning murals in a 'realist' style for President Franklin D. Roosevelt's Works Progress Administration (WPA) in the 1930s and early 1940s, Guston embraced the painting trend of Abstract Expressionism. The upheavals of the 1960s - civil rights protests, brutal state violence, race riots - made him question the relevance of gestural abstraction, however, and his drawing explored the new figuration for which he is best known. In response to the Vietnam War and the hypocrisy of the political administration under President Richard Nixon in the 1970s, his figurative drawing intensified to address universal issues facing modern humankind. Guston's productive output was driven by his desire to unify the story and the plastic structure of the artwork in response to a changing political and social landscape. 'Locating the image' through intensive periods of drawing was central to this. This exhibition at the Ashmolean Museum, curated by Professor Karen Lang with Dr Lena Fritsch, is the first solo show of Guston's work in Oxford. His artistic language, characterized by masterful technique, exuberant stylistic variety and the depiction of everyday objects, is readily recognizable. This catalog introduces Guston's art to visitors who may be unfamiliar with it by displaying works on paper from each stylistic phase. At the same time, it presents a new understanding to those familiar with Guston's practice by focusing on two themes: the role of drawing on the one hand, and the inspiration he took from literature on the other.
"The desire to know the future, influence life's decisions and repel adversities are deeply human impulses found across time and space. In the Islamic world these could be seen as clashing with Islam's central message -- total surrender to God's will, and its foremost principle -- God's supreme and unmediated authority. Yet history reveals that Muslim societies developed different views towards engaging with the supernatural, ranging from plain acceptance to utter condemnation. Spanning from Morocco to China and the 12th to the 20th century, the books, vessels, garments and jewellery showcased in Power and Protection: Islamic Art and the Supernatural present divinatory and talismanic arts as intellectual resources and founts of artistic inspiration. By reflecting the daily fears and hopes of lower and upper classes alike, they also reveal how the human quest for protection and good luck has often overlapped with the belief in God's all-powerfulness"--Provided by publisher.
This beautifully designed book is a celebration of one of the world's most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative - from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
Three hundred and thirty compelling works, from the Shanghai School and Canton's Lingnan School,
The Benezit Dictionary of Artists is the largest, most up-to-date compendium of artists' biographies in the English language, and for the last century has been an indispensable resource for art researchers. It consists of more than 4,700 entries on artists from throughout Asia, including the Middle East, from antiquity to the present. 50 new articles on contemporary artists. The artists represent a broad range of media, from traditional ink painting to performance and video art.