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Paul Scott is most famous for his much-beloved tetralogy The Raj Quartet, an epic that chronicles the end of the British rule in India with a cast of vividly and memorably drawn characters. Inspired by Scott’s own time spent in India and Malaya during World War II, this two powerful novel provides valuable insight into how foreign lands changed the British who worked and fought in them, hated and loved them. The Chinese Love Pavilion follows a young British clerk, Tom Brent, who must track down a former friend—now suspected of murder—in Malaya. Tom faces great danger, both from the mysterious Malayan jungles and the political tensions between British officers, but the novel is perhaps most memorable for the strange, beautiful romance between Tom and a protean Eurasian beauty whom he meets in the eponymous Chinese Love Pavilion.
Peony has neither seen nor spoken to any man other than her father, a wealthy Chinese nobleman. Nor has she ever ventured outside the cloistered women's quarters of the family villa. As her sixteenth birthday approaches she finds herself betrothed to a man she does not know, but Peony has dreams of her own. Her father engages a theatrical troupe to perform scenes from The Peony Pavilion, a Chinese epic opera, in their garden amidst the scent of ginger, green tea and jasmine. 'Unmarried girls should not be seen in public,' says Peony's mother, but her father allows the women to watch from behind a screen. Here, Peony catches sight of an elegant, handsome man and is immediately bewitched. So begins her unforgettable journey of love, desire, sorrow and redemption.
A sixteen-year-old girl visits a forbidden garden and falls in love with a young man she meets in a dream. She has an affair with her dream-lover and dies longing for him. After her death, her unflagging spirit continues to wait for her dream-lover. Does her lover really exists? Can a youthful love born of a garden dream ever blossom? Based upon a famous sixteen-century Chinese opera written by Tang Xianzu, 'the Shakespeare of China', the novel leads the reader into a mythical world of passion and romance. Its many fascinating characters include a failed scholar, a Taoist nun, a husband and wife rebel team, a dissolute emperor, and Tartar invaders from the North.
A “vivid and extremely interesting” novel of an upper-class Chinese wife’s quest for freedom, from the Nobel Prize–winning author of The Good Earth (The New Yorker). At forty, Madame Wu is beautiful and much respected as the wife of one of China’s oldest upper-class houses. Her birthday wish is to find a young concubine for her husband and to move to separate quarters, starting a new chapter of her life. When her wish is granted, she finds herself at leisure, no longer consumed by running a sixty-person household. Now she’s free to read books previously forbidden her, to learn English, and to discover her own mind. The family in the compound are shocked at the results, especially when she begins learning from a progressive, excommunicated Catholic priest. In its depiction of life in the compound, Pavilion of Women includes some of Buck’s most enchanting writing about the seasons, daily rhythms, and customs of women in China. It is a delightful parable about the sexes, and of the profound and transformative effects of free thought. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.
Torn from her family. Destined to become the most desired courtesan in China. A seductive and evocative debut that opens the doors on life as a Chinese courtesan in the Peach Blossom Pavilion...
In the closing years of the eighteenth century, the once great Qianlong dynasty languishes in a morass of corruption and waste. The emperor, formerly the powerful ruler of a thriving dynasty, is now the feeble tool of his devious minister, Heshen, who plies his ruler with opium and whispers shadowy innuendos into his receptive ear. This dark stagnancy is abruptly interrupted when the English envoy of King George III refuses to perform the traditional obeisance: the kowtow. The Imperial Interpreter Second Class, the alluring Lady Cao Baoquin, assigned to the English embassy, is consequently incarcerated in the Pavilion of Forgotten Concubines, destined to end her days among these forlorn flowers of decades past. Lady Cao, however, is much more than she appears to be; rumors whisper of her mysterious association with the much-revered author of the Dream of the Red Chamber - a novel as politically dangerous as it is galvanizing. Loved by a stalwart Dutch diplomat, coveted by the Grand Censor, and scorned by the power-seeking Heshen, Lady Cao is a delicate pillar of indomitable strength and fortitude. Set amidst the intrigue of a dilapidated court, The Pavilion of Forgotton Concubines is a work of lyrical eloquence in which one woman emerges as the most unexpected of heroes; a woman who, through the indomitable power of her ink-reed, will defy an empire.
Do all cultures and historical periods have a concept corresponding to the English word emotion? This collection of essays is concerned with the closest candidate within the Chinese language, namely the term qíng. What is the meaning of this term in different periods and genres? What are the types of discourse in which it is typically found? This volume contains two essays on the notion of qíng in classical sources, two on Chan Buddhist usage, and two on fiction and drama from the Ming and Qing dynasties. An introductory essay discusses the complex historical development of the term. Together, the essays may be read as a first step towards a conceptual history of one of the key terms in traditional Chinese culture.
This Is A Critical Study On Paul Scott S Novels. It Explores In Depth The Novelist S Private Art Of Writing The Novel As An Image, Symbol Or An Extended Metaphor As Well As The Intricate Textural Relationship Between His Art Of Fiction And Vision Of Life.
In the third installment of Robert Van Gulik's classic ancient Chinese mystery series based on historical court records, magistrate, lawyer, and detective Judge Dee has his work cut out for him. Set in 666 A.D., in the hidden city of Han-yuan, sixty miles from the imperial capital of ancient China, Dee is sent to investigate a case of embezzlement of government funds. But things are about to get more complicated for the great detective. Just before he is about to take leave of Han-yuan, the popular courtesan Almond Blossom disappears, and then a bride who dies on her wedding night also disappears from her coffin -- her body replaced with that of a murdered man. To make matters worse, Judge Dee is confronted with the dangerous sect called the White Lotus.
Lily is the daughter of a humble farmer, and to her family she is just another expensive mouth to feed. Then the local matchmaker delivers startling news: if Lily's feet are bound properly, they will be flawless. In nineteenth-century China, where a woman's eligibility is judged by the shape and size of her feet, this is extraordinary good luck. Lily now has the power to make a good marriage and change the fortunes of her family. To prepare for her new life, she must undergo the agonies of footbinding, learn nu shu, the famed secret women's writing, and make a very special friend, Snow Flower. But a bitter reversal of fortune is about to change everything.