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In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
This handsome book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. The Arts of China to AD 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900.
This very rare series of Japanese paintings depicts everyday artisans in feudal Japan. Extensive commentary provides insight into the historical and cultural context of the scenes. More than three centuries ago, not long after Japan had entered the period of seclusion decreed by her Tokugawa rulers, an unknown artist, or perhaps a group of artists, painted a series of pictures for an album portraying contemporary trades and crafts. In creating the scenes that compose this rare relic from Tokugawa days, the anonymous painter left for later ages an invaluable record of everyday human activity in the utilitarian arts for which Japan has long been famous. It is these pictures, carefully reproduced in collotype and color and accompanied by Eric Kaemmerer's perceptive comments, that make up the present volume. These scenes of Japanese life in the early 17th century introduce a variety of craftsmen ranging from needlemaker to swordsmith, from fanmaker to carpenter, from the creator of fragile lacquer ware to the fashioner of sturdy barrels. Their trades and crafts, many of which are still carried on with little change in present-day Japan, are portrayed with painstaking attention to detail and with a decided feeling for human interest.
Laurelton Hall, Louis Comfort Tiffany's (American, 1848-1933) extraordinary country estate in Oyster Bay, New York, completed in 1905, was the epitome of Tiffany's achievement and in many ways defined this multifaceted artist. Tiffany designed every aspect of the project inside and out, creating a total aesthetic environment. This publication accompanies an exhibition that reveals Tiffany's most personal art, bringing into focus this remarkable artist who lavished as much care and creativity on the design and furnishing of his home and gardens as he did on all the wide-ranging media in which he worked. Although the house tragically burned to the ground in 1957, many of its surviving architectural elements and interior characteristics are included in this volume. Also featured are Tiffany's personal collections of his own work-breathtaking stained-glass windows, paintings, glass and ceramic vases-as well as the artist's collections of Japanese, Chinese, and Native American works of art. -- Metropolitan Museum of Art website.