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The Chinese have revered the mystery and magic of jade since ancient times. This authoritative book provides an up-to-date and comprehensive survey of six thousand years of development, from the earliest cultures to the twentieth century. The author describes and assesses the variety of roles and functions, ritual and ceremonial, which jade has played in China. Recent discoveries from hitherto little known neolithic cultures of around 3000 BC have highlighted the extraordinary skills of the craftsmen and the complexity of the cultures that supported them. Other remarkable finds include the precursors of the famous jade suits, which range from jade plaques and shrouds dating from about 900 BC to superb pendants and sword fittings carved for a king buried near Canton in around 122 BC. This catalogue describes over 300 outstanding pieces from Sir Joseph Hotung's collection, which spans the history of jade in China. Drawing upon the very latest archaeological reseach to set jade in its historical and artistic context, this work will stand as a definitive reference for many years to come. In her wide-ranging introduction to the catalogue the author analyses the arguments and sets out new views, supplementing this major essay with a series of shorter introductions to the chronological sections into which the jades of different types, shapes and functions have been divided. The book is fully illustrated throughout with specially commisioned photographs of each piece from the collection, all in color, along with comparative examples from the rich collection of the British Museum.
Chinese jade.
History of Chinese jade and its use in art, jewelry, and ceremonial uses throughout history.
Jade Snow Wong’s autobiography portrays her coming-of-age in San Francisco's Chinatown, offering a rich depiction of her immigrant family and her strict upbringing, as well as her rebellion against family and societal expectations for a Chinese woman. Originally published in 1950, Fifth Chinese Daughter was one of the most widely read works by an Asian American author in the twentieth century. The US State Department even sent its charismatic young author on a four-month speaking tour throughout Asia. Cited as an influence by prominent Chinese American writers such as Amy Tan and Maxine Hong Kingston, Fifth Chinese Daughter is a foundational work in Asian American literature. It was written at a time when few portraits of Asian American life were available, and no similar works were as popular and broadly appealing. This new edition includes the original illustrations by Kathryn Uhl and features an introduction by Leslie Bow, who critically examines the changing reception and enduring legacy of the book and offers insight into Wong’s life as an artist and an ambassador of Chinese American culture.
From personal ornamentation to funerary practice, from palace decoration to private devotion, jade has played a major role in Chinese social, cultural, and political life for millennia. Exploring the history of this revered stone through the esteemed Grenville L. Winthrop Collection at the Harvard Art Museums--which includes some of the finest examples of ancient and archaizing jades outside China--this volume explains how and why jade developed its special significance. In-depth entries on over one hundred objects present recent archaeological discoveries and new information garnered from conservation analysis, while Jenny So's broad and engaging narrative not only elucidates the layered meanings of the objects and their iconography but also delves into the unique qualities of the material and the craftsmanship involved in quarrying and working jade. Distributed for the Harvard Art Museums
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
A catalog illustrating 354 Chinese jades from the collection of Brian McElney, the Peony Collection and the Rannerdale Collection, this bilingual volume includes essays on the art of Chinese jade carving.
This classic guide to Chinese jade is of great interest to art collectors and casual readers alike. First published in 1936 and since then a collector's item of increasing rarity, Chinese Jade Throughout the Ages comprises a review of the characteristics, decorations, folklore, and symbolism of this esteemed mineral that has always held a proud place among gems of the world. The book presents a full descriptive account of the significance and meaning of the carvings produced in this prize stone by Chinese craftsmen from the earliest times, through the Chou and succeeding dynasties, down to the twentieth century. The text is illustrated with a magnificent series of more than 350 reproductions in color, black and white, and line drawings of choice pieces selected from the chief Asian, European, and American collections. In addition the Chinese art history book explains no only the wealth of symbolic designs used in the decoration of jade but also a large number of the marks and devices by which collectors identify the origin and the date of valued pieces.
Chinese Jade of Five Centuries was originally published in print form by Tuttle Publishing in 1969. In Chinese Jade of Five Centuries, Mrs Hartman provides an encompassing look at one of the minor arts which must be considered vital to a judgement of artistic achievements of any civilization. Magnificently illustrated with 45 black and white photographs and 10 color plates, the book displays many museum examples which have not been previously published for general readership. Written for the layman, the text should satisfy the more discerning and knowledgeable reader as well, particularly for it's information on the quality and location of jade rough, on dating, and techniques of carving.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.