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China is an ancient culture, but it is also a diverse culture and this series of 10 books celebrate the diversity of Chinese festival culture. Each book explores and reveals insights into Chinese festivals and their origins. The books discuss the origins of each festival and the lives they celebrate. In particular, they highlight the unique tapestry of modern Chinese life while exploring the rich and ancient culture of the Chinese people. Each book is beautifully illustrated and provides a detailed examination of each festival. The series is unique in exploring the festivals of ethnic groups in China with their unique celebrations which are less well known outside China. Each book brings to life the long standing heritage of the Chinese people they examine and the joy of their festivals. This series is an essential resource for anyone keen to explore the rich diversity of China's festival culture and includes the following: The Festival of February the Second * The Festival of March the Third * The Lantern Festival * The Maguai Festival of the Zhuang People * The Peony Festival * The Saizhuang Festival of Yi Ethnic Group * The Sister Rice Festival * The Spring Festival * The Tibetan Calendar New Year * The Tomb-Sweeping Day. (Series: Chinese Festival Culture) [Subject: Subject: Anthropology, Chinese Studies, Asian Studies, Cultural Studies]
"Li Song, the director of the Folk Literature and Art Development Center of the Ministry of Culture as the chief editor [of the series]"--Page 183.
A General Introduction to Chinese Culture is a book introducing Chinese culture from the perspectives of institutional culture, material culture and spiritual culture by starting from the exploration over implications of culture, backgrounds, and basic characteristics of traditional Chinese culture. Well-documented, rich in materials and rigorous in theory, the book describes and analyzes almost all aspects of traditional Chinese culture both at macro and micro levels. Innovative and thought-provoking ideas can be found in the summary of the basic characteristics of Chinese culture as well as in the analysis of theoretical issues such as traditional Chinese economic thought, political ideas, the patriarchal system, the imperial examination system, science and technology, academics, religions, cultural spirit and aesthetic pursuits of literature and art, etc. With dialectical and scientific argumentation, the interpretation of traditional culture embodies contemporary consciousness, and it well reflects the latest level of research on traditional Chinese culture. This book has also been used as textbook by the Chinese universities for the graduate students to learn about Chinese culture. Awarded the Second Prize of the National University Press Bestseller by Chinese University Press Association and listed top in the recommended bibliography by many libraries, this book has been reprinted many times and well received by all readers.
As China rises as an economic and an international power, new relationships are being forged with all areas of the world including Central and Eastern Europe. This book explores how this relationship is developing. It considers how China’s links with Central and Eastern Europe fit in to China’s overall international relations strategies. It looks at economic and trade ties, diplomatic initiatives and the role of the European Union, and examines China’s bilateral relations with the different states of the region. These relationships are particularly interesting because before the end of communism in Eastern Europe China had many direct links with the countries of the region.
This book provides an overview of the rapid development Beijing has seen in a wide range of areas in 2018, both in itself and as an integral part of a larger region, as China’s economic development continues to improve in overall quality and regional coordination. General reports on progress Beijing made and problems it faced in 2018 in improving its economy, public services, and municipal and community governance, urban planning, and funding for innovations are followed by case studies that look at best practices and how they can be applied towards promoting coordinated development of the Beijing-Tianjin-Hebei region. The strategy features prominently in the outlook contributors present for the greater metropolitan area of Beijing for 2019. This book is a valuable source of reference for anyone trying to gain a better understanding the what, how, and why in relation to one of the world’s fastest growing mega-cities.
This book explores the history of leisure in Chinese culture by tracing the development of Chinese philosophy and leisure values in Chinese tradition and civilization. It addresses the tremendous changes in Chinese society brought about by the country’s rapid economic development and the impact on Chinese culture and leisure. It considers the social, political and economic challenges facing China, from corruption to sharpening inequalities, from ecological crisis to the need for a revival of Chinese culture and for political democratization. It suggests that leisure can exert an invisible and formative influence on people’s lifestyle and value system and considers ongoing trends in the development of leisure activities as they relate to modern Chinese society and social reform.
This three-volume set of CCD 2023, constitutes the refereed proceedings of the 25th International Conference on Cross-Cultural Design, CCD 2023, held as Part of the 24th International Conference, HCI International 2023, which took place in July 2023 in Copenhagen, Denmark. The total of 1578 papers and 396 posters included in the HCII 2023 proceedings volumes was carefully reviewed and selected from 7472 submissions. The papers of CCD 2023, Part I address topics related to service and product design for cultural innovation, design for social change and development, sustainable design methods and practices, and cross-cultural perspectives on design and consumer behavior.
This ready reference is a comprehensive guide to pop culture in Asia and Oceania, including topics such as top Korean singers, Thailand's sports heroes, and Japanese fashion. This entertaining introduction to Asian pop culture covers the global superstars, music idols, blockbuster films, and current trends—from the eclectic to the underground—of East Asia and South Asia, including China, Japan, Korea, India, the Philippines, Thailand, Vietnam, and Pakistan, as well as Oceania. The rich content features an exploration of the politics and personalities of Bollywood, a look at how baseball became a huge phenomenon in Taiwan and Japan, the ways in which censorship affects social media use in these regions, and the influence of the United States on the movies, music, and Internet in Asia. Topics include contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. Brief overviews of each topic precede entries featuring key musicians, songs, published works, actors and actresses, popular websites, top athletes, video games, and clothing fads and designers. The book also contains top-ten lists, a chronology of pop culture events, and a bibliography. Sidebars throughout the text provide additional anecdotal information.
This book is an important outcome of the Fifth World Internet Conference. It provides a comprehensive review of China’s Internet development, especially the new practice and achievement in 2018. And it offers a systematic account of China’s experience in Internet development and governance. This year, the book improves China’s Internet Development Index System, optimizes the algorithm model, and enhances data collection, to assess and reflect Internet development more comprehensively, objectively and scientifically.
Emphasizing the role of documentary in shaping a nation-state’s image, demonstrating social development and promoting cultural exchanges, this book examines the changes in China’s national image in documentaries at home and abroad since 1949. Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these works witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice. The title will appeal to scholars and students interested in culture and communication, documentary, film, media and Chinese society.