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A fully illustrated colour catalogue of one of the largest extant collections of Chinese Export Porcelain, held in the Reeves Center in Washington and Lee University, Virginia, USA.
This revised edition of a book first published in 1962 is still the only work that goes to fresh, primary shipping sources to tell the story of America's trade in export Chinese porcelain. There are over one hundred photographs in the book covering all the major types of export porcelain both common and uncommon, made for America. Illustrated.
Based on a manuscript discovered in a country bookshop, far from Matfen Hall in Northumberland, where it was written by a Lady Blackett, the Victorian wife of Edward Blackett Bt. It a history of an important northern family, with Lady Blackett's writing and many of her pictures and photographs, including one of a ghost!
"This illustrated, full-color catalogue represents the first survey of Historic Deerfields Chinese export art collection. Written by Curator of Historic Interiors Amanda E. Lange, Chinese Export Art at Historic Deerfield presents new research on the involvement of rural New England in the China trade and features in-depth object entries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Collecting China is a unique collection of essays that brings together theories of materiality and what collecting has meant to various peoples over time. Collecting China grew out of a simple question: how does a thing become Chinese? Fifteen essays explore this question from different angles, ranging from close examination of world-renowned private collections to critical reinterpretations of historical writings.
Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. These essays by scholars of Asian art, philosophy, anthropology, and religion focus on objects held in ASIANetwork schools. The chapters' authors tell the stories of the collections, and the collections themselves tell stories of the collectors.