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The cultivation of Chinese cymbidiums has a long history in China dating back to more than a thousand years ago. Chinese cymbidiums are commonly known as 'Lan' (兰) or 'Guo Lan' (国兰) in China.Lan has a special appeal and meaning to the Chinese as it symbolizes integrity, modesty and nobility. Confucius praised Lan as the 'Gentleman of Noble Virtue' (君子之风) and 'King of Fragrance' (王者之香). The love and appreciation for Lan, also known as 'Lan Culture', has become an integral part of Chinese culture.The book starts with the history of Lan and its association with Chinese culture and traditional customs, literature and the arts. This is followed by a description of the biology of Lan and cultivation practices of past and present. Finally, the prospects and future of Lan are presented and discussed.
List of transactions, v. 1-41 in v. 41.
With over 630 striking color photos and illustrations, this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.
Facsimile reprint of an edition first published in London in 1908. Includes the original text and all 53 original illustrations and map (some were omitted from editions and reprints since 1908). This is Banfield's story of life on Dunk Island in the early 20th century with details of the island's geography, history, flora and fauna. With an introduction by Banfield's biographer, Michael Noonan. The English-born author's other books include 'My Tropic Isle' and 'Tropic Days'.
PMFirst published in 1901 by the author of ?Camp Notes,? ?Legends of My Bungalow,? ?About Orchids, A Chat,? et
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
This extraordinary spiritual odyssey "transcends the tangible and points to the mysteries of all we can imagine and all we cannot" (Los Angeles Times). Part adventure, part parable, this true story of the making of a Taoist ma ster leads readers through a labyrinth of Taoist practice, martial arts discipline, and international intrigue. Line drawings.
A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.
This first full-length scholarly study about animal horror cinema defines the popular subgenre and describes its origin and history in the West. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.