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This book is an interdisciplinary examination of China's new urban development model and the challenges Chinese cities face in the 21st century. China is in the midst of a historic developmental inflection point, grappling with a significantly slowing economy, rapidly rising inequality, massive migration, skyrocketing housing prices, alarming environmental problems, and strong pushback from the West. In this volume, Western and Chinese scholars in different disciplines offer the clearest look yet at some of the main challenges China faces, including domestic and international contexts, the new urban development model, inclusion and well-being of migrants and their families, and urban sustainability. This book sheds light on China’s ongoing development and future directions, and has strong policy implications for anyone interested in the future of China.
This volume explores the phenomenon and trend of cultural buildings by investigating 10 typical cities in China from the first, second, and third tiers, and from the Chinese diaspora. Each grand theater design was the result of a high-profile international competition and created by global architects in collaboration with Chinese design institutes. The national and international significance of these iconic projects lies in the fact that they not only reflect the dynamics of global design ideas, but also represent a particular historical moment in China’s modernization process. The development, histories, and purposes of constructing cultural buildings are carefully outlined and colorfully presented. Given China’s tremendous population, the development trajectory of its urban construction will provide insights for other regions that hope to embark on the high-speed track in the 21st century. “In 'Grand Theater Urbanism', Professor Charlie Xue and his team document China’s current shift towards a culture of consumption and leisure, symbolized by the construction of multi-use Grand Theaters in major cities. 'Grand Theater Urbanism' reveals the unexpected variety and complexity of this contemporary cultural drive in a series of exemplary chapters with highly detailed, local, case studies.” --Professor David Grahame Shane, Columbia University, New York "Jane Jacobs likened city life to a performance. This book goes a stage further and analyses the actual performance spaces within cities in China. In doing so it makes a valuable connection between urban design and the cultural life in cities. This is an important and often forgotten dimension of urbanism and I heartily commend this book to readers.'" --Professor Matthew Carmona, The Bartlett, University College London
This book offers a new perspective on Chinese urban history by exploring cities as habitable spaces. China, the world’s most populous nation, is now its newest urban society, and the pace of this unprecedented historical transformation has increased in recent decades. The contributors to this book conceptualise cities as first providing the necessities of life, and then becoming places in which the quality of life can be improved. They focus on how cities have been made secure during times of instability, how their inhabitants have consumed everything from the simplest of foods to the most expensive luxuries, and how they have been planned as ideal spaces. Drawing examples from across the country, this book offers comparisons between different cities, highlights continuities across time and space—and in doing so may provide solutions to some of the problems that continue to affect Chinese cities today.
In China today skyscrapers tower over ancient temples, freeways deliver lines of cars and tour buses to imperial palaces, cinema houses compete with old theaters featuring Peking Opera. The disparity evidenced in the contemporary Chinese cityscape can be traced to the early decades of the twentieth century, when government elites sought to transform cities into a new world that would be at once modern and distinctly Chinese. Remaking the Chinese City aims to capture the full diversity of recent Chinese urbanism by examining the modernist transformations of China's cities in the first half of the twentieth century. Collecting in one place some of the most interesting and exciting new work on Chinese urban history, this volume presents thirteen essays discussing ten Chinese cities: the commercial and industrial center of Shanghai; the old capital, Beijing; the southern coastal city of Canton; the interior's Chengdu; the tourist city of Hangzhou; the utopian "New Capital" built in Manchuria during the Japanese occupation; the treaty port of Tianjin; the Nationalists' capital in Nanjing; and temporary wartime capitals of Wuhan and Chongqing. Unlike past treatments of early twentieth-century China, which characterize the period as one of failure and decay, the contributors to this volume describe an exciting world in constant and fundamental change. During this time, the Chinese city was remade to accommodate parks and police, paved roads and public spaces. Rickshaws, trolleys, and buses allowed the growth of new downtowns. Department stores, theaters, newspapers, and modern advertising nourished a new urban identity. Sanitary regulations and traffic laws were enforced, and modern media and transport permitted unprecedented freedoms. Yet despite their fondness for things Western and modern, early urban planners envisioned cities that would lead the Chinese nation and preserve Chinese tradition. The very desire for modernity led to the construction of a visible and accessible national past and the imagining of a distinctive national future. In their investigation of the national capitals of the period, the essays show how cities were reshaped to represent and serve the nation. To promote tourism, traditions were invented and recycled for the pleasure and edification of new middle-class and foreign consumers of culture. Abundantly illustrated with maps and photographs, Remaking the Chinese City presents the best and most current scholarship on modern Chinese cities. Its thoroughness and detailed scholarship will appeal to the specialist, while its clarity and scope will engage the general reader. Contributors: Michael Tsin on Canton, Ruth Rogaski and Brett Sheehan on Tianjin, David Buck on Changchun, Kristin Stapleton on Chengdu, Liping Wang on Hangzhou, Madeleine Dong on Beijing, Charles Musgrove on Nanjing, Stephen MacKinnon on Wuhan, Lee MacIsaac on Chongqing, and Jeffrey Wasserstrom and David Strand with concluding essays.
This book explores the process of urbanization and the profound challenges to China’s urban governance. Economic productivity continues to rise, with increasingly uneven distribution of prosperity and accumulation of wealth. The emergence of individual autonomy including demands for more freedom and participation in the governing process has asked for a change of the traditional top-down control system. The vertical devolution between the central and local states and horizontal competition among local governments produced an uneasy political dynamics in Chinese cities. Many existing publications analyze the urban transformation in China but few focuses on the governance challenges. It is critical to investigate China’s urbanization, paying special attention to its challenges to urban governance. This edited volume fills this gap by organizing ten chapters of distinctive urban development and governance issues.
This book teaches us to read the contemporary Chinese city. Li Shiqiao deftly crafts a new theory of the Chinese city and the dynamics of urbanization by: exploring the rise of stories of labour, finance and their hierarchies examining how the Chinese city has been shaped by the figuration of the writing system analyzing the continuing importance of the family and its barriers of protection against real and imagined dangers demonstrating how actual structures bring into visual being the networks of safety in personal and family networks. Understanding the Chinese City elegantly traces a thread between ancient Chinese city formations and current urban organizations, revealing hidden continuities that show how instrumental the past has been in forming the present. Rather than becoming obstacles to change, ancient practices have become effective strategies of adaptation under radically new terms.
Since the late 1970s, China has undergone perhaps the most sweeping process of urbanization ever witnessed. This is typically understood as a story of growth, encompassing rapid development and economic dynamism alongside environmental degradation and social dislocation. However, over the past decade, China’s leaders have claimed that the country’s urbanization has entered a new stage that prioritizes “quality.” What does China’s new urban vision entail, and what does the future hold in store? Richard Hu unpacks recent trends in urban planning and development to explore the making and imagining of the contemporary Chinese city. He focuses on three key concepts—the “green revolution,” “smart city movement,” and “great innovation leap forward”—that have become increasingly influential. Through case studies of Beijing, Hangzhou, and Hefei, Hu analyzes how attempts to achieve greater sustainability, promote data-driven governance, and foster innovation have fared on the ground. He also considers the experimental city Xiong’an in terms of China’s idealized vision of the urban future and investigates how the recent experiences of Hong Kong relate to regional and national development projects. Reinventing the Chinese City provides a careful accounting of the ideas that have dominated urban policy in China since 2010, emphasizing key continuities underlying claims of novelty. Shedding light on the transformations of the Chinese city, this book offers a new perspective on the factors that will shape the trajectory of urbanization in the coming decades.
‘Struggling Giant’ explores the future of this emerging economic powerhouse and what the next two decades might bring in the critical areas of the environment, economy and political stability.
This text is anchored in the spatial sciences to offer a comprehensive survey of the evolving urban landscape in China. It is divided into four parts with 13 chapters that can be read together or as stand alone material.