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An account of the remarkable decade of Chinese archaeology from 1972 to 1981, as abstracted from Chinese journals. Volume 2, Prehistoric to Western Zhou, contains abstracts of over 110 articles describing excavations at sites ranging from Paleolithic through Western Zhou.
This text deals with Chinese art during the Tang Dynasty, from 618 to 907. It presents the artistic findings from the last ten years of archaeological excavation in China--findings that have never before been published in the West. Court Art of the Tang reveals the magnificence of Tang art through the presentation of ceramics, wall paintings, and utensils made of gold, silver, bronze, and porcelain. The book aims to place these new materials in their artistic and historical context. It structures the new findings in chronological order, using culture and history as a background. The study treats each class of art separately and distinctly, exploring the aesthetic evolution of both secular and religious art. Relevant literary expressions incorporated into the discussions make Court Art of the Tang an especially unique work. The book gives readers a comprehensive and diverse look at the glorious and extraordinary achievements of a ruling family. The book consists of 233 pages of text, a bibliography and an index, a glossary, and 117 illustrations. Court Art of the Tang will provide insightful reading for art collectors and museum-goers and serve as an important text in Asian Studies Departments and in courses in the arts of China.Contents: List of Illustrations; Preface; Ackowledgements; Introduction; Early Tang 618-712; Middle Tang 712-805; Late Tang 805-907; Conclusion; Illustrations; Glossary; Bibliography; Index.
The book is the product of a private Canadian expedition to China in 1992. Its members sought to gauge the potential cultural destruction of the daunting and controversial Three Gorges Dam project, which was actively supported by the Canadian government and by corporate sectors.What cultural losses will accompany the expected economic and political gains? What will China, Canada, and the world community lose? How might we, as Canadians, view the purpose and impact of the project, which is now well under way? Using a government-sponsored assessment of the cultural artifacts destined to be submerged by rising waters behind the dam project, our guides - a publisher (Caroline Walker), a heritage consultant (Robert Shipley), a travel writer (Ruth Lor Malloy), and a scholar (Fu Kailin) - lead us on a sometimes comical and frequently troubling tour of the Yangzi gorges region.
This book covers Chinese archaeology from the first people to the unification of the empire, emphasizing cultural variations and interregional contact.
This is the first complete English translation of Lüshi chunqiu, compiled in 239 B.C. An exceptionally rich and comprehensive compendium,The Annals recounts in engaging, straightforward, and readable prose the great variety of beliefs and customs of the time in an attempt to encompass the world's knowledge in one encyclopedia.
Although long considered to be a barren region on the periphery of ancient Chinese civilization, the southwest massif was once the political heartland of numerous Bronze Age polities. Their distinctive material tradition--intricately cast bronze kettle drums and cowrie shell containers--has given archaeologists and historians a glimpse of the extraordinary wealth, artistry, and power exercised by highland leaders over the course of the first millennium BC. In the first century BC, Han imperial conquest reduced local power and began a process of cultural assimilation. Instead of a clash between center and periphery or barbarism and civilization, this book examines the classic study of imperial rule as a confrontation between different political temporalities. The author provides an archaeological account of the southwest where Bronze Age landscape formations and funerary traditions bring to light a history of competing warrior cultures and kingly genealogies. In particular, the book illustrates how mourners used funerals and cemetery mounds to transmit social biographies and tribal affiliations across successive generations. Han incorporation thus entangled the orders of state time with the generational cycles of local factions, foregrounding the role of time in the production of power relations in imperial frontiers. The book extends approaches to empires to show how prehistoric time frames continue to shape the futures of frontier subjects despite imperial efforts to unify space and histories.
Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).