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This book is an attempt to present a more complete picture of the variety and quality of Chinese and Vietnamese blue and white wares traded to the Philippines.--Amazon.com.
Western scholars of ancient Chinese ceramics have long thought blue and white porcelain manufactured before the Ming (1368-1644 A.D.), dates to the Yuan (1279-1368 A.D.). Even in China today these porcelains are still termed “Yuan Blue and White.” Based upon first-hand surveys of sites in Inner Mongolia, Adam T. Kessler’s Song Blue and White Porcelain on the Silk Road demonstrates that blue and white was made during the Song (960-1279 A.D.) ended up in the hands of the Xi Xia (1038-1226 A.D.) and the Jin (1115-1234 A.D.). Blue and white found today in hoards was buried prior to Mongol invasions of China in the 1200s. Sites from the Philippines to Egypt have yielded Song blue and white. Also reviewed is the cobalt-bearing ore used by Song China to create blue and white.
This is a catalogue produced in conjunction with an exhibition jointly organized by the Jiangxi Provincial Museum and Art Museum, The Chinese University of Hong Kong. It consists of 128 items of Yuan and Ming (14th to mid 17th centuries) provincial blue and white wares. Half of the exhibits, primarily specimens with datable contexts, come from Jiangi Provincial Museum and the cultural institutions in Jiangxi. The rest, mostly products for local and overseas markets, are selected from the Art Museum collection and loans from private and public collections in Hong Kong and the Philippines. All exhibits are illustrated with colour plates and detailed entries in both Chinese and English. It contains also two scholarly essays, "Yuan and Ming Provincial Blue and White Ware from Jingdezhen" by Peng Minghan and Yin Qinglan and "Chinese Blue and White ware of the 14th to 15th Centuries: A Philippine Perspective" by Rita C. Tan, and an appendix of "A Selection of Dated Ming Blue and Whites." The book provides indispensable reference materials for studies on the Yuan and Ming blue and white wares from Jiangxi.
This book focuses on the archaeological and historical research on the seaport heritage of galleon navigation in Asia-Pacific region. It reconstructs the Manila Galleons’ era of early maritime globalization, established and operated by Spanish navigators from the 16th to 19th centuries. The galleons sailed across the Pacific via the hub seaports and trade centers of Manila in the Philippines and Acapulco in Mexico, forming a prosperous sea route connecting eastern Asia and New Spain on the American continent for more than 250 years. This pioneering navigation of the pan-Pacific regions promoted early global maritime trade along the new Maritime Silk Road between the East and the West. Written by archaeologists and cultural historians from America, Mexico, Japan, the Philippines, Mainland China, Hong Kong and Taiwan, it presents the latest investigations and research on the galleon-affiliated seaports, including Acapulco and San Blas in Mexico, Guam, Manila in Philippines, Yuegang (Crescent Harbor), Xiamen (Amoy), Keelung and Macao in China, Nagasaki in Japan. This joint research sheds new light on the history of navigation and maritime trade between galleon-affiliated harbors; the origin, production, transport and trade of the galleon cargo; social cultural exchange along the new Maritime Silk Road in the pan-Pacific region; and the history of maritime globalization in last 500 years. It offers a new perspective on maritime archaeology and traces the different stages of the galleon trade and affiliated maritime history, including "Yuegang Outbound", "Manila Entrepotting" and "Bound for Acapulco", presenting a panoramagram of Spanish pan-Pacific trade and early maritime globalization.
Spanning over a millennium of history, this book seeks to describe and define the evolution of the China–Southeast Asia nexus and the interactions which have shaped their shared pasts. Examining the relationships which have proven integral to connecting Northeast and Southeast Asia with other parts of the world, the contributors of the volume provide a wide-ranging historical context to changing relations in the region today – perhaps one of the most intense re-orderings occurring anywhere in the world. From maritime trading relations and political interactions to overland Chinese expansion and commerce in Southeast Asia, this book reveals rarely explored connections across the China–Southeast Asia interface. In so doing, it transcends existing area studies boundaries to present an invaluable new perspective to the field. A major contribution to the study of Asian economic and cultural interactions, this book will appeal to students and scholars of Chinese history, as well as those engaged with Southeast Asia.
Beneath the modern skyscrapers of Singapore lie the remains of a much older trading port, prosperous and cosmopolitan and a key node in the maritime Silk Road. This book synthesizes 25 years of archaeological research to reconstruct the 14th-century port of Singapore in greater detail than is possible for any other early Southeast Asian city. The picture that emerges is of a port where people processed raw materials, used money, and had specialized occupations. Within its defensive wall, the city was well organized and prosperous, with a cosmopolitan population that included residents from China, other parts of Southeast Asia, and the Indian Ocean. Fully illustrated, with more than 300 maps and colour photos, Singapore and the Silk Road of the Sea presents Singapore's history in the context of Asia's long-distance maritime trade in the years between 1300 and 1800: it amounts to a dramatic new understanding of Singapore's pre-colonial past.
Southeast Asia is known to many as a region teeming with tourist destinations, economic opportunities and ex-colonies, but a lesser known facet is its colourful and myriad cultures in which ceramics form an integral part of the social fabric. Focusing primarily on the Classical Period (800-1500 CE), this book views ancient Southeast Asian culture through the lens of ceramic production and trade, influenced but not completely overshadowed by its powerful neighbour, China. In this landmark publication, noted archaeologist and scholar John N. Miksic constructs a vivid picture of the development of Southeast Asia's unique ceramics. Along with three contributing authors - Pamela M. Watkins, Dawn F. Rooney and Michael Flecker - he summarizes the fruits of their research over the last forty years, beginning in Singapore with the founding of the Southeast Asian Ceramic Society in 1969. The result is a comprehensive and insightful overview of the technology, aesthetics and organization, both economic and political, of seemingly diverse territories in pre-colonial Southeast Asia. It is essential reading for all those with an interest in the economic history of the region, and also for anyone who seeks a better understanding of the brilliant but too often underestimated material culture of Southeast Asia.
This richly illustrated book traces the history and evolution of blue and white in China, first during the Yuan dynasty (1271-1368), when the Mongols ruled all of Asia, creating an environment in which blue and white could travel swiftly as far as the Mediterranean. In the fifteenth century the Chinese became enamoured of their own product, while at the same time the Ming potters were susceptible to ideas from the Islamic world and commercial and aesthetic pressures during the colonial period of European expansion. From the sixteenth century onwards, passion for collecting became a major influence on the concept of chinoiserie. Finally John Carswell shows how the combined efforts of scholars, collectors and archaeologists have illuminated how, why and when blue and white developed and has made such a major impact on world civilization. The stunning illustrations are from museums and private collections around the world and include some never before published. The book also includes a very special unpublished material from a mysterious fourteenth century shipwreck in the Red Sea. Seen by only a handful of experts, the findings from this shipwreck are very important for art history and are published here for the first time. Full details with line drawings and complete mini-catalogue of this material are given in the book.
For over a century ceramics have been found and collected from various sites in the Philippines. The presence and distribution of these wares throughout the archipelago testify to the country's strategic location on the ancient maritime trade route and to its interaction with its southern Chinese as well as Southeast Asian neighbors. Of particular interest has been the excavation of grave goods, remnants of the burial culture of the Filipinos before the arrival of the European colonizers. Among these are the much-prized white ware and qingbai ware from Jiangxi, Fujian, and Guangdong provinces in China, as well as white ware of Thai and Vietnamese provenance. Published in connection with an exhibition presented by the Oriental Ceramic Society of the Philippines in Manila in March 1993, this book shows the bulk of the exhibition. comprised of the delicate blue-tinged white qingbai porcelain from Jingdezhen in Jiangxi province and produced in large numbers during the Southern Song period (A.D. 1127-1279). The exceptionally fine craftmanship and variety of shapes are amply illustrated in this book. Included are five previously unpublished papers by Rita C. Tan, Li Zhi-yan, Rosemary E. Scott, Allison I. Diem, and Roxanna M. Broun relating to the characteristics of white ware and to their excavation in the Philippines supplement the catalogue of illustrations.
China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present. In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping—these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture. The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric. Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang.