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A specialist in Asian art at Sotheby's, Mason presents a very useful introduction to a complicated subject. He begins with an essay on the history of Asia, which despite its brevity will be useful for the collector targeted by this book. Individual chapters range from ceramics and metalwork to prints, paintings, and textiles; the chapter on "The Artisan and Craftsman" examines the quality, condition, and authenticity of works in areas such as arms, armor, glass, ivory, and jewelry. The book contains appendixes of chronological tables and major marks on Chinese and Japanese works of art, as well as an index and a fine bibliography. The narrative does not confuse readers new to the subject with excessive detail, and the photographs are clear and very instructive. A beautiful book at a reasonable price, this volume contains an amazing wealth of information on a very broad subject. Recommended for both public and academic libraries.-Martin Chasin, Adult Inst., Bridgeport, CT Copyright 2003 Reed Business Information.
Dating back several thousand years, the art of lacquer is one of the most ancient expressions of Asian culture, and this publication provides an overview of the different kinds of methods and materials used in Cambodia, China, India, Korea, Japan, Myanmar, Thailand and Vietnam. The number of people employed in this ancestral art has fallen dramatically throughout Asia in recent decades, and this book considers the challenges to its survival as well as highlighting the importance of documenting past and modern procedures.
In the years following Japan's long period of self-imposed isolation from the world, Japan developed a new relationship with the West, and especially with Britain, where relations grew to be particularly close. The Japanese, embarrassed by their perceived comparative backwardness, looked to the West to learn modern industrial techniques, including the design and engineering skills which underpinned them. At the same time, taking great pride in their own culture, they exhibited and sold high quality products of traditional Japanese craftsmanship in the West, stimulating a thirst for, and appreciation of, Japanese arts and crafts. This book examines the two-way bridge-building cultural exchange which took place between Japan and Britain in the years after 1859 and into the early years of the twentieth century. Topics covered include architecture, industrial design, prints, painting and photographs, together with a consideration of Japanese government policy, the Japan-Britain Exhibition of 1910, and commercial spin-offs. In addition, there are case studies of key individuals who were particularly influential in fostering British-Japanese cultural bridges in this period.
With dozens of photos and illustrations, A Introduction to Netsuke is a readable and thorough guide to Japanese miniature art. Among the many Japanese fine arts, few have aroused greater admiration than the netsuke. This miniature piece of Japanese sculpture, approximately 1 1/2 inches in size, was designed (in the absence of pockets on kimonos) as an aid in suspending articles such as tobacco pouches from the sash of a kimono. It developed in ancient times as a utilitarian object, but became in the 16th century an artistic one as well, and flourished as such until 1926. No longer commonly worn, the netsuke is now a collectors' item, avidly sought throughout the world by those sensitive to its fine qualities. This book opens the miniature world of netsuke to those who have hitherto been unaware of its existence. In a delightfully lucid manner, the basics of the netsuke are presented-definition, origin, development, materials, statistics, and photographs. This book admirably fulfills its task of introducing the netsuke to the layman, irresistibly drawing him to new pleasures in aestheticism and culture.
Traces the history of Japanese painting, calligraphy, architecture, sculpture, and other arts from the prehistoric period to modern times.