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For over a century ceramics have been found and collected from various sites in the Philippines. The presence and distribution of these wares throughout the archipelago testify to the country's strategic location on the ancient maritime trade route and to its interaction with its southern Chinese as well as Southeast Asian neighbors. Of particular interest has been the excavation of grave goods, remnants of the burial culture of the Filipinos before the arrival of the European colonizers. Among these are the much-prized white ware and qingbai ware from Jiangxi, Fujian, and Guangdong provinces in China, as well as white ware of Thai and Vietnamese provenance. Published in connection with an exhibition presented by the Oriental Ceramic Society of the Philippines in Manila in March 1993, this book shows the bulk of the exhibition. comprised of the delicate blue-tinged white qingbai porcelain from Jingdezhen in Jiangxi province and produced in large numbers during the Southern Song period (A.D. 1127-1279). The exceptionally fine craftmanship and variety of shapes are amply illustrated in this book. Included are five previously unpublished papers by Rita C. Tan, Li Zhi-yan, Rosemary E. Scott, Allison I. Diem, and Roxanna M. Broun relating to the characteristics of white ware and to their excavation in the Philippines supplement the catalogue of illustrations.
This book is an attempt to present a more complete picture of the variety and quality of Chinese and Vietnamese blue and white wares traded to the Philippines.--Amazon.com.
Western scholars of ancient Chinese ceramics have long thought blue and white porcelain manufactured before the Ming (1368-1644 A.D.), dates to the Yuan (1279-1368 A.D.). Even in China today these porcelains are still termed “Yuan Blue and White.” Based upon first-hand surveys of sites in Inner Mongolia, Adam T. Kessler’s Song Blue and White Porcelain on the Silk Road demonstrates that blue and white was made during the Song (960-1279 A.D.) ended up in the hands of the Xi Xia (1038-1226 A.D.) and the Jin (1115-1234 A.D.). Blue and white found today in hoards was buried prior to Mongol invasions of China in the 1200s. Sites from the Philippines to Egypt have yielded Song blue and white. Also reviewed is the cobalt-bearing ore used by Song China to create blue and white.
This book illustrates and describes a collection of ceramics used in the tea ceremony. This collection was assembled over a decade by Hiromu Honda and Noriki Shimazu. The book is arranged in three parts: the first part on ceramics made in Vietnam from pre-Christian days until the sixteenth century; the second and third on Chinese porcelain and stoneware of the sixteenth and seventeenth centuries.
"Exhibition presented by the National Gallery of Victoria in association with the Australian Gallery Directors' Council with the assistance of the Visual Arts Board of the Australia Council.