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Knapp (geography, SUNY) continues the work of his previous books by examining the distinctive characteristics of the common house in Zhejing province. Over 300 original photographs illustrate his discussion of construction techniques, the organization of space, settlement patterns, the expression of
Winner of ForeWord Magazine's Architecture "Book of the Year" Award! Exquisite examples of traditional dwellings are scattered throughout modern-day China. Chinese Houses focuses on 20 well-preserved traditional Chinese homes, presenting examples from a range of rural and metropolitan areas throughout China. The photographs of each are accompanied by extensive background information and historical content. An introductory essay examines the different types of Chinese homes and provides an overview of the rich regional variety of Chinese dwelling forms. It also provides insights into little-known design concepts that emphasize the flexibility, adaptability, and versatility of traditional building forms and the work of traditional craftsmen. Richly illustrated with photographs, woodblock prints, historic images, and line drawings, Chinese Houses portrays an architectural tradition of amazing range and resilience.
Drawing on the work of scholars in anthropology, architecture, art, art history, geography, and history, this book explores and analyzes the functional, social, and symbolic attributes of Chinese dwellings. It clarifies the diverse nature of house, home, and family in China.
"Step inside for a look at the fascinating houses of the Chinese. Stand outside, and you'll take in exteriors made with everything from stone to sand to animal hides. Whether they stand in bustling Beijing or on the grasslands of Inner Mongolia, a look at the traditional residences of China will transport you to a different world and provide you with a firsthand view of Chinese life. Written by noted Chinese architects and writers, this comprehensive architectural tour presents a window into the history of Chinese culture." "In Chinese Houses hundreds of full-color photographs share space along with the diagrams and floor plans. As a whole this meticulously constructed book will open doors of understanding for anyone interested in learning more about Chinese culture."--Jacket.
A 108-meter high Eiffel Tower rises above Champs Elysées Square in Hangzhou. A Chengdu residential complex for 200,000 recreates Dorchester, England. An ersatz Queen’s Guard patrols Shanghai’s Thames Town, where pubs and statues of Winston Churchill abound. Gleaming replicas of the White House dot Chinese cities from Fuyang to Shenzhen. These examples are but a sampling of China’s most popular and startling architectural movement: the construction of monumental themed communities that replicate towns and cities in the West. Original Copies presents the first definitive chronicle of this remarkable phenomenon in which entire townships appear to have been airlifted from their historic and geographic foundations in Europe and the Americas, and spot-welded to Chinese cities. These copycat constructions are not theme parks but thriving communities where Chinese families raise children, cook dinners, and simulate the experiences of a pseudo-Orange County or Oxford. In recounting the untold and evolving story of China’s predilection for replicating the greatest architectural hits of the West, Bianca Bosker explores what this unprecedented experiment in “duplitecture” implies for the social, political, architectural, and commercial landscape of contemporary China. With her lively, authoritative narrative, the author shows us how, in subtle but important ways, these homes and public spaces shape the behavior of their residents, as they reflect the achievements, dreams, and anxieties of those who inhabit them, as well as those of their developers and designers. From Chinese philosophical perspectives on copying to twenty-first century market forces, Bosker details the factors giving rise to China’s new breed of building. Her analysis draws on insights from the world’s leading architects, critics and city planners, and on interviews with the residents of these developments.
China's Old Dwellings is the most comprehensive critical examination of China's folk architectural forms in any language. It and its companion volume, China's Living Houses: Folk Beliefs, Symbols, and Household Ornamentation, together form a landmark study of the environmental, historical, and social factors that influence housing forms for nearly a quarter of the world's population. Both books draw on the author's thirty years of field-work and extensive travel in China as well as published and unpublished material in many languages.
The traditional villages are familiar primarily as a popular motif in Chinese literature. Now, for the first time, they are shown in their full astonishing variety. The range of colours and forms of vernacular dwellings in China can be traced back over hundreds of years, the astonishing variety bearing clear topological characteristics and determined by a broad spectrum of historical conditions. Styles and geometric shapes, ranging from the most elementary and primitive to the most lucious and colourful, as well as the architectural details, are all clearly illustrated. The decorative motifs employed are as varied and as fantastic as the landscape of China itself.
In early twentieth-century China, Chen Diexian (1879–1940) was a maverick entrepreneur—at once a prolific man of letters and captain of industry, a magazine editor and cosmetics magnate. He tinkered with chemistry in his private studio, used local cuttlefish to source magnesium carbonate, and published manufacturing tips in how-to columns. In a rapidly changing society, Chen copied foreign technologies and translated manufacturing processes from abroad to produce adaptations of global commodities that bested foreign brands. Engaging in the worlds of journalism, industry, and commerce, he drew on literati practices associated with late-imperial elites but deployed them in novel ways within a culture of educated tinkering that generated industrial innovation. Through the lens of Chen’s career, Eugenia Lean explores how unlikely individuals devised unconventional, homegrown approaches to industry and science in early twentieth-century China. She contends that Chen’s activities exemplify “vernacular industrialism,” the pursuit of industry and science outside of conventional venues, often involving ad hoc forms of knowledge and material work. Lean shows how vernacular industrialists accessed worldwide circuits of law and science and experimented with local and global processes of manufacturing to navigate, innovate, and compete in global capitalism. In doing so, they presaged the approach that has helped fuel China’s economic ascent in the twenty-first century. Rather than conventional narratives that depict China as belatedly borrowing from Western technology, Vernacular Industrialism in China offers a new understanding of industrialization, going beyond material factors to show the central role of culture and knowledge production in technological and industrial change.