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香港小學生常見病句大可以分成三大類：（一）措詞不當類；（二）違反邏輯思維類及（三）違反漢語語法類。 本書根據上述分點，收錄了香港小學生最常見的一百五十句病例。作者在每條病句下，並列出對應的粵口語和書面語，簡明分析孩子寫作時的心理狀況，如何受各種因素的影響，循循善誘，為家長與中文導師講述如何幫助孩子糾正錯誤，讓他們輕輕鬆鬆學習寫作。
This book tells the story of 24 foreigners who are long-term residents of Hong Kong. Their lives have been closely connected with those of their Chinese neighbours. Some were born and raised here, others came to seek opportunities for work and study, and some because they were forced to flee their homeland and start a new life. No matter what brought them here, they have dedicated themselves to Hong Kong and made an important contribution to society. Hong Kong gave them an opportunity to change their destiny, and it has become their second home.
In Detecting Chinese Modernities: Rupture and Continuity in Modern Chinese Detective Fiction (1896–1949), Yan Wei historicizes the two stages in the development of Chinese detective fiction and discusses the rupture and continuity in the cultural transactions, mediation, and appropriation that occurred when the genre of detective fiction traveled to China during the first half of the twentieth century. Wei identifies two divergent, or even opposite strategies for appropriating Western detective fiction during the late Qing and the Republican periods. She further argues that these two periods in the domestication of detective fiction were also connected by shared emotions. Both periods expressed ambivalent and sometimes contradictory views regarding Chinese tradition and Western modernity.
This work identifies 436 American silent films released between 1909 and 1929 that engaged the issues of militant labor and revolutionary radicalism. It begins with an extended introduction and analytical chapters that investigate the ways in which the American motion picture industry portrayed the interrelationships between labor radicals, exploitative capitalists, socialist idealists and Bolsheviks during this critical twenty-year period. Each entry contains a detailed plot synopsis, citations to primary sources, coding indicating the presence or absence of 14 predominant discernible biases (including anti- and pro-capitalism, socialism, revolution and labor), and subject coding keyed to 64 related terms and concepts (including agitators, Bolshevism, bombs, female radicals, militias, mobs, political refugees, and strikes). These statistical data included in the filmography are presented in a series of charts and are fully integrated into the historical-critical text. Total number and percentage statistics for the instances of these coded biases and traits are given per year, per era, and overall.
(Applause Books). For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars Chaplin, Pickford, Fairbanks to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1,000 photos!
A nail-biting thriller with a Hitchcock-style MacGuffin. When SFPD Homicide Inspector Nick Jarnac investigates the murder of a 19-year-old girl, missing for forty years, her skeleton found in the mud of a construction site near the remains of two dozen Miwok Indians who have been in the ground for two centuries, he becomes involved in a bizarre, complex plot that involves a Macau-based Mafia chief, several crooked state and local politicians, a cross-dressing Mongolian hit man, a 77-year-old private eye and his burned out ex-SFPD partner, who is hoping to make one last big haul before leaving the department.
"This study begins the documentation of the lost history of songs of the silent cinema. Part one chronologically lists and describes songs about movies created between 1896 and 1929. Part two provides an alphabetical list of movie stars, including a brief biography of each. Part three reviews the recordings of these songs"--Note de l'éditeur.
Follows the evolution of the Orient as a positive literary device in German literature and demonstrates how it was used to explore subjectivity and the possibility of wholeness. For centuries, Europe's eastward gaze has been wary if not hostile. Medieval man envisaged grotesque beings at the world's edge and scanned the steppes and straits on the immediate horizon for the Asian or Arab hordes that might swarm across them. Through the Crusades, the early modern era, and the age of imperialism, Europeans regarded the Eastern subject as requiring both "discovery" and conquest. Conveniently, the "Oriental" came to represent fanaticism, terrorism, moral laxity, and inscrutability, among other stereotypes. The list of German literary works that reinforced negative clichés about the East is long, but Orienting the Self argues for the presence in the Germanliterary tradition of a powerful perception of the East as the scene of desire, fantasy, and fulfillment. It follows the evolution of the Orient as a literary device and demonstrates how it was used to explore subjectivity and the possibility of wholeness. The five works treated in this study - Parzival, Fortunatus, Effi Briest, Heinrich von Ofterdingen, and The Magic Mountain - are narratives of development in which the encounter with the East is central to the progression toward selfhood and the promise of fulfillment. Debra N. Prager is Associate Professor of German at Washington and Lee University.